The artists journey- Strolling the edges of the universe

Space exploration has always fascinated me, and so has the idea ( so far fictional) that humankind may someday encounter extraterrestrial life. My series of paintings and prints are a visual expression of the awe and wonder I feel as I follow our species’s unending drive to expand the boundaries of its known world. But the unknown is not just out there in interstellar space. And there are other lifeforms to encounter right here on our own planet. Another series of my paintings documents Earth’s flora. Our ties to the microorganisms, animals, and plants on our planet, and the life which may exist on far away stars, are facets of the same question: how are we interrelated? And how do we manage the dwindling resources of our planet? (I speculate that a mining colony to extract resources from Mars is in our near future.) The challenge of space is equal to, not greater, than the challenge of our shared life on Earth. The octopus and the whale are intelligent lifeforms, alien to us, that must be recognized and preserved. As an artist I am interested in ways to connect the cosmic scale of the stars with the microscopically tiny organisms crucial to life on our planet: in both cases, embracing co-existence and diversity is my unifying artistic principal. My artistic predecessors include other painters but also science fiction writers, and film producers who have imagined possible future worlds and speculated about the characteristics which other races may embod

Interactive Remote Collaboration Using Augmented Reality

With the widespread deployment of fast data connections and availability of a variety of sensors for different modalities, the potential of remote collaboration has greatly increased. While the now ubiquitous video conferencing applications take advantage of some of these capabilities, the use of video between remote users is limited to passively watching disjoint video feeds and provides no means for interaction with the remote environment. However, collaboration often involves sharing, exploring, referencing, or even manipulating the physical world, and thus tools should provide support for these interactions.We suggest that augmented reality is an intuitive and user-friendly paradigm to communicate information about the physical environment, and that integration of computer vision and augmented reality facilitates more immersive and more direct interaction with the remote environment than what is possible with today's tools.In this dissertation, we present contributions to realizing this vision on several levels. First, we describe a conceptual framework for unobtrusive mobile video-mediated communication in which the remote user can explore the live scene independent of the local user's current camera movement, and can communicate information by creating spatial annotations that are immediately visible to the local user in augmented reality. Second, we describe the design and implementation of several, increasingly more flexible and immersive user interfaces and system prototypes that implement this concept. Our systems do not require any preparation or instrumentation of the environment; instead, the physical scene is tracked and modeled incrementally using monocular computer vision. The emerging model then supports anchoring of annotations, virtual navigation, and synthesis of novel views of the scene. Third, we describe the design, execution and analysis of three user studies comparing our prototype implementations with more conventional interfaces and/or evaluating specific design elements. Study participants overwhelmingly preferred our technology, and their task performance was significantly better compared with a video-only interface, though no task performance difference was observed compared with a ``static marker'' interface. Last, we address a particular technical limitation of current monocular tracking and mapping systems which was found to be impeding and present a conceptual solution; namely, we describe a concept and proof-of-concept implementation for automatic model selection which allows tracking and modeling to cope with both parallax-inducing and rotation-only camera movements.We suggest that our results demonstrate the maturity and usability of our systems, and, more importantly, the potential of our approach to improve video-mediated communication and broaden its applicability

Scene Walk: a non-photorealistic viewing tool for first-person video

AbstractScene Walk is a video viewing technique suited to first-person video recorded from wearable cameras. It integrates a 2D video player and visualisation of the camera trajectory into a non-photorealistic partial rendering of the 3D environment as reconstructed from image content. Applications include forensic analysis of first-person video archives, for example as recorded by emergency response teams. The Scene Walk method is designed to support the viewer’s construction and application of a cognitive map of the context in which first-person video was captured. We use methods from wayfinding research to assess the effectiveness of this non-photorealistic approach in comparison to actual physical experience of the scene. We find that Scene Walk does allow viewers to create a more accurate and effective cognitive map of first-person video than is achieved using a conventional video browsing interface and that this model is comparable to actually walking through the original environment.</jats:p

Evaluation and implementation of an auto-encoder for compression of satellite images in the ScOSA project

The thesis evaluates the efficiency of various autoencoder neural networks for image compression regarding satellite imagery. The results highlight the evaluation and implementation of autoencoder architectures and the procedures required to deploy neural networks to reliable embedded devices. The developed autoencoders evaluated, targeting a ZYNQ 7020 FPGA (Field Programmable Gate Array) and a ZU7EV FPGA

Evaluation and implementation of an auto-encoder for compression of satellite images in the ScOSA project

The thesis evaluates the efficiency of various autoencoder neural networks for image compression regarding satellite imagery. The results highlight the evaluation and implementation of autoencoder architectures and the procedures required to deploy neural networks to reliable embedded devices. The developed autoencoders evaluated, targeting a ZYNQ 7020 FPGA (Field Programmable Gate Array) and a ZU7EV FPGA

Shifts in Mapping

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space

Shifts in Mapping: Maps as a Tool of Knowledge

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space

Shifts in Mapping

Depicting the world, territory, and geopolitical realities involves a high degree of interpretation and imagination. It is never neutral. Cartography originated in ancient times to represent the world and to enable circulation, communication, and economic exchange. Today, IT companies are a driving force in this field and change our view of the world; how we communicate, navigate, and consume globally. Questions of privacy, authorship, and economic interests are highly relevant to cartography's practices. So how to deal with such powers and what is the critical role of cartography in it? How might a bottom-up perspective (and actions) in map-making change the conception of a geopolitical space