Rua Fridays at New Antrim Street Menu 2017

Our original Café opened in 1995. We are open here from 9am for breakfast and lunch, and are also open for dinner every Friday night.Booking for our Friday night dinner is advisable on 094 9023376.Click here for our map and other contact details.https://arrow.tudublin.ie/menus21c/1217/thumbnail.jp

Etto Tasting Menu 2017

Etto is an award-winning restaurant on Dublin’s Merrion Row. We offer a daily changing, seasonal menu, served in a relaxed and informal environment. Our dishes are honest and simple, using ingredients from local producers and suppliers where possible. Our wines are carefully selected with a focus on interesting grape varietals and small producers. Awarded a Michelin Guide Bib Gourmand in 2014, 2015 and 2016 Winner of \u27Best Casual Dining Experience in Ireland\u27 at the 2014 and 2016 Irish Restaurant Awards Winner of \u27Best Casual Dining Experience in Dublin\u27 at the 2014, 2015 and 2016 Irish Restaurant Awards Winner of \u27Best Wine Experience in Dublin\u27 at the 2016 Irish Restaurant Awardshttps://arrow.tudublin.ie/menus21c/1178/thumbnail.jp

The Legal Eagle Restaurant Menus 2020

If only all pubs could grow up to be like this revamped veteran beside the Four Courts. The evolution of the Legal Eagle under the talented restaurateur Elaine Murphy put a dream list of Irish food, craft beer and cider, and gutsy flavours into the spotlight. There are toasties here and cote de boeuf for a spendy splurge, continuing Murphy\u27s theme of unpretentious, always tasty Irish food.https://arrow.tudublin.ie/menus21c/1510/thumbnail.jp

The Portland Spectator, February 2014

Editor: Jake Stein Articles in this issue include: Free Labor; Great Hot Drinks; The Proof is in The Meat; and Cookie Madnesshttps://pdxscholar.library.pdx.edu/spectator/1054/thumbnail.jp

Chapter 3 D. Natsagdorj, Mongolian travel writing, and ideas about national identity

In 1927, upon his arrival in Berlin, D. Natsagdorj, one of approximately 45 young Mongolian students who participated in an educational program in Germany and France, composed a long travel poem, “Notes on the Trip to Berlin.” Not only does this poem serve as an early example of Natsagdorj’s writing, it emphasizes Natsagdorj’s role as a didactic writer for the early Mongolian People’s Republic, in particular in conveying the values of the cosmopolitan socialist, a modern subjectivity that quite consciously separated itself from the previous aristocratic, Buddhist, and pastoral identities of pre-revolutionary Mongolia. “Notes on the Trip to Berlin” provides a geographical orientation of the new economic and cultural flows from Mongolia to Western Europe through the Soviet Union. Natsagdorj’s poem is also significant because it is one of the few examples of Mongolian travel literature and enables Natsagdorj to actively resist the image of Mongolians perpetuated by Western travel writers. From the perspective of Natsagdorj’s Mongolian readers, “Notes on the Trip to Berlin” teaches them the process of navigating socialist and pre-revolutionary identities as Natsagdorj grapples with socialist and pre-revolutionary literary forms and language

Cook Book

Meat, fish, game -- Bread -- Desserts, pastries -- Cookes & cakes -- Vegetables & salads -- Jellies & pickles -- Candy -- Hints.https://openprairie.sdstate.edu/sd_cookbooks/1088/thumbnail.jp

The Evening Herald (Albuquerque, N.M.), 08-17-1917

https://digitalrepository.unm.edu/abq_eh_news/2109/thumbnail.jp

Bulloch Herald

https://digitalcommons.georgiasouthern.edu/bulloch-news-issues/4942/thumbnail.jp

Circle in time

A short story by Carol Joan Proctor Turne

Home Sweet Museum : investigating the overlap between museum and residence at The Lindfield Victorian House Museum

Mini Dissertation (MSocSci (Tangible Heritage Conservation)--University of Pretoria, 2022.The role of conservation within museums is well-established and can be viewed as straightforward due to the ability to control and regulate environments, access, and use of objects. It is far more complex and challenging to reach the same levels of control in open heritage sites, heritage buildings, and period house museums. These spaces combine conservation of the historic structure, as well as furnishings and objects which do not fit neatly within glass display cabinets where light, dust, pollutants, pests, and other so-called agents of deterioration can be kept out or minimized. When a period house is managed as a museum, there are generally controls set in place to mimic the control found in more traditional museum environment: walkways are delineated and carpeted so as to cause minimal damage to original flooring, objects are kept out of reach, furnishings and sensitive areas of a room are cordoned off. Through regular monitoring, maintenance and cleaning, deterioration and damage are kept to a minimum. The Lindfield Victorian House Museum in Auckland Park, Johannesburg is open to the public as a museum – however, it is also home to owner and curator Katherine Love. Love has looked after the beautifully curated home for decades now, maintaining the house and its Victorian and Edwardian contents to blue heritage plaque status. This intersection between home and museum is a complex balancing act. There are certain practices and daily activities performed within the home that are, by their very nature, hazardous to the objects that are within the house. Conversely, it is this day-to-day living, and the very presence of Katherine Love, that brings the museum to life and gives it its quirky edge, making the Victorian past seem present and important. This research offers a chance to examine the house and its contents, identify potential risks to the continued survival of the collection and offer Love some guidance and potential solutions to mitigate these, so she may continue to care for her home-museum hybrid.UP Postgraduate Masters Coursework bursaryDepartment of Sport, Arts and Culture FundingTangible Heritage ConservationMSocSci (Tangible Heritage Conservation)Unrestricte