How Far Can We Go Through Social System?

The paper elaborates an endeavor on applying the algorithmic information-theoretic computational complexity to meta-social-sciences. It is motivated by the effort on seeking the impact of the well-known incompleteness theorem to the scientific methodology approaching social phenomena. The paper uses the binary string as the model of social phenomena to gain understanding on some problems faced in the philosophy of social sciences or some traps in sociological theories. The paper ends on showing the great opportunity in recent social researches and some boundaries that limit them.meta-sociology, algorithmic information theory, incompleteness theorem, sociological theory, sociological methods

How Far Can We Go Through Social System?

The paper elaborates an endeavor on applying the algorithmic information-theoretic computational complexity to meta-social-sciences. It is motivated by the effort on seeking the impact of the well-known incompleteness theorem to the scientific methodology approaching social phenomena. The paper uses the binary string as the model of social phenomena to gain understanding on some problems faced in the philosophy of social sciences or some traps in sociological theories. The paper ends on showing the great opportunity in recent social researches and some boundaries that limit them

Remarks on the Gödelian Anti-Mechanist Arguments

Certain selected issues around the Gödelian anti-mechanist arguments which have received less attention are discussed

Linguistic Systems and Knowledge of Reality

Linguistic systems are the human tools to understand reality. But is it possible to attain this reality? The reality that we perceive, is it just a fragmented reality of which we are part? In this paper the authors present is an attempt to address this question from an epistemological and philosophic linguistic point of view

Unity in Major Themes:Convergence vs. Arbitrariness in the Development of Mathematics

We describe and explain the desire, common among mathematicians, both for unity and independence in its major themes. In the dialogue that follows, we express our spontaneous and considered judgment and reservations by contrasting the development of mathematics as a goal-driven process as opposed to one that often seems to possess considerable arbitrariness.Comment: To the memory of Gian-Carlo Rota (April 27, 1932 - April 18, 1999), Contribution to the XI Oesterreichisches Symposion zur Geschichte der Mathematik, Organiser: Christa Binder, Topic: Der Blick aufs Ganze. Gibt es grosse Linien in der Entwicklung der Mathematik? Venue: Miesenbach (Austria), 22-28 April, 2012, 9 page

Linguistic Knowledge of Reality: A Metaphysical Impossibility?

Reality contains information (significant) that becomes significances in the mind of the observer. Language is the human instrument to understand reality. But is it possible to attain this reality? Is there an absolute reality, as certain philosophical schools tell us? The reality that we perceive, is it just a fragmented reality of which we are part? The work that the authors present is an attempt to address this question from an epistemological, linguistic and logical-mathematical point of view

The Poetry of Logical Ideas: Towards a Mathematical Genealogy of Media Art

In this dissertation I chart a mathematical genealogy of media art, demonstrating that mathematical thought has had a significant influence on contemporary experimental moving image production. Rather than looking for direct cause and effect relationships between mathematics and the arts, I will instead examine how mathematical developments have acted as a cultural zeitgeist, an indirect, but significant, influence on the humanities and the arts. In particular, I will be narrowing the focus of this study to the influence mathematical thought has had on cinema (and by extension media art), given that mathematics lies comfortably between the humanities and sciences, and that cinema is the object par excellence of such a study, since cinema and media studies arrived at a time when the humanities and sciences were held by many to be mutually exclusive disciplines. It is also shown that many media scholars have been implicitly engaging with mathematical concepts without necessarily recognizing them as such. To demonstrate this, I examine many concepts from media studies that demonstrate or derive from mathematical concepts. For instance, Claude Shannon's mathematical model of communication is used to expand on Stuart Hall's cultural model, and the mathematical concept of the fractal is used to expand on Rosalind Krauss' argument that video is a medium that lends itself to narcissism. Given that the influence of mathematics on the humanities and the arts often occurs through a misuse or misinterpretation of mathematics, I mobilize the concept of a productive misinterpretation and argue that this type of misreading has the potential to lead to novel innovations within the humanities and the arts. In this dissertation, it is also established that there are many mathematical concepts that can be utilized by media scholars to better analyze experimental moving images. In particular, I explore the mathematical concepts of symmetry, infinity, fractals, permutations, the Axiom of Choice, and the algorithmic to moving images works by Hollis Frampton, Barbara Lattanzi, Dana Plays, T. Marie, and Isiah Medina, among others. It is my desire that this study appeal to scientists with an interest in cinema and media art, and to media theorists with an interest in experimental cinema and other contemporary moving image practices