Subjective Quality Assessment of the Impact of Buffer Size in Fine-Grain Parallel Video Encoding

Fine-Grain parallelism is essential for real-time video encoding performance. This usually implies setting a fixed buffer size for each encoded block. The choice of this parameter is critical for both performance and hardware cost. In this paper we analyze the impact of buffer size on image subjective quality, and its relation with other encoding parameters. We explore the consequences on visual quality, when minimizing buffer size to the point of causing the discard of quantized coefficients for highest frequencies. Finally, we propose some guidelines for the choice of buffer size, that has proven to be heavily dependent, in addition to other parameters, on the type of sequence being encoded. These guidelines are useful for the design of efficient realtime encoders, both hardware and software

Drone Obstacle Avoidance and Navigation Using Artificial Intelligence

This thesis presents an implementation and integration of a robust obstacle avoidance and navigation module with ardupilot. It explores the problems in the current solution of obstacle avoidance and tries to mitigate it with a new design. With the recent innovation in artificial intelligence, it also explores opportunities to enable and improve the functionalities of obstacle avoidance and navigation using AI techniques. Understanding different types of sensors for both navigation and obstacle avoidance is required for the implementation of the design and a study of the same is presented as a background. A research on an autonomous car is done for better understanding autonomy and learning how it is solving the problem of obstacle avoidance and navigation. The implementation part of the thesis is focused on the design of a robust obstacle avoidance module and is tested with obstacle avoidance sensors such as Garmin lidar and Realsense r200. Image segmentation is used to verify the possibility of using the convolutional neural network for better understanding the nature of obstacles. Similarly, the end to end control with a single camera input using a deep neural network is used for verifying the possibility of using AI for navigation. In the end, a robust obstacle avoidance library is developed and tested both in the simulator and real drone. Image segmentation is implemented, deployed and tested. A possibility of an end to end control is also verified by obtaining a proof of concept

DCT Implementation on GPU

There has been a great progress in the field of graphics processors. Since, there is no rise in the speed of the normal CPU processors; Designers are coming up with multi-core, parallel processors. Because of their popularity in parallel processing, GPUs are becoming more and more attractive for many applications. With the increasing demand in utilizing GPUs, there is a great need to develop operating systems that handle the GPU to full capacity. GPUs offer a very efficient environment for many image processing applications. This thesis explores the processing power of GPUs for digital image compression using Discrete cosine transform

Programmable Image-Based Light Capture for Previsualization

Previsualization is a class of techniques for creating approximate previews of a movie sequence in order to visualize a scene prior to shooting it on the set. Often these techniques are used to convey the artistic direction of the story in terms of cinematic elements, such as camera movement, angle, lighting, dialogue, and character motion. Essentially, a movie director uses previsualization (previs) to convey movie visuals as he sees them in his minds-eye . Traditional methods for previs include hand-drawn sketches, Storyboards, scaled models, and photographs, which are created by artists to convey how a scene or character might look or move. A recent trend has been to use 3D graphics applications such as video game engines to perform previs, which is called 3D previs. This type of previs is generally used prior to shooting a scene in order to choreograph camera or character movements. To visualize a scene while being recorded on-set, directors and cinematographers use a technique called On-set previs, which provides a real-time view with little to no processing. Other types of previs, such as Technical previs, emphasize accurately capturing scene properties but lack any interactive manipulation and are usually employed by visual effects crews and not for cinematographers or directors. This dissertation\u27s focus is on creating a new method for interactive visualization that will automatically capture the on-set lighting and provide interactive manipulation of cinematic elements to facilitate the movie maker\u27s artistic expression, validate cinematic choices, and provide guidance to production crews. Our method will overcome the drawbacks of the all previous previs methods by combining photorealistic rendering with accurately captured scene details, which is interactively displayed on a mobile capture and rendering platform. This dissertation describes a new hardware and software previs framework that enables interactive visualization of on-set post-production elements. A three-tiered framework, which is the main contribution of this dissertation is; 1) a novel programmable camera architecture that provides programmability to low-level features and a visual programming interface, 2) new algorithms that analyzes and decomposes the scene photometrically, and 3) a previs interface that leverages the previous to perform interactive rendering and manipulation of the photometric and computer generated elements. For this dissertation we implemented a programmable camera with a novel visual programming interface. We developed the photometric theory and implementation of our novel relighting technique called Symmetric lighting, which can be used to relight a scene with multiple illuminants with respect to color, intensity and location on our programmable camera. We analyzed the performance of Symmetric lighting on synthetic and real scenes to evaluate the benefits and limitations with respect to the reflectance composition of the scene and the number and color of lights within the scene. We found that, since our method is based on a Lambertian reflectance assumption, our method works well under this assumption but that scenes with high amounts of specular reflections can have higher errors in terms of relighting accuracy and additional steps are required to mitigate this limitation. Also, scenes which contain lights whose colors are a too similar can lead to degenerate cases in terms of relighting. Despite these limitations, an important contribution of our work is that Symmetric lighting can also be leveraged as a solution for performing multi-illuminant white balancing and light color estimation within a scene with multiple illuminants without limits on the color range or number of lights. We compared our method to other white balance methods and show that our method is superior when at least one of the light colors is known a priori