Analisis Karakter Binatang dalam Film "Fantastic Mr. Fox" sebagai Representasi Manusia

Film merupakan rangkaian gambar yang diputar sehingga menciptakan gambar bergerak. Film berfungsi sebagai banyak hal seperti institusi kebudayaan, industri hiburan, hingga forum edukasi. Film "Fantastic Mr. Fox" karya Wes Anderson menceritakan Mr Fox (George Clooney) yang melanggar janji kepada istrinya (Meryl Streep) dan menyerang peternakan tetangga manusia mereka, Boggis, Bunce, dan Bean. Dan ketika para petani memaksa Mr. Fox untuk menyerahkan dirinya, dia harus menggunakan kelicikan alaminya untuk bertahan hidup bahkan memberi keuntungan kepada binatang-binatang lain. Penulis meneliti karakter- karakter binatang dalam film "Fantastic Mr. Fox" yang merepresentasikan manusia. Penelitian ini bertujuan untuk mengetahui bagaimana karakter-karakter binatang yang ada di film ini dipakai sebagai cerminan sifat manusia dengan menganalisis kedua karakter protagonis dan antagonis, yaitu Mr. Fox dan Rat. Analisis dilakukan menggunakan teori archetype. Metodologi yang digunakan untuk analisis adalah kualitatif deskriptif. Hasil penelitian ini menunjukkan bahwa karakter-karakter binatang yang ada di Mr. Fox dan Rat memiliki ciri-ciri manusia. Peneliti kemudian menemukan bahwa banyaknya data atau bukti audio maupun visual bahwa seberapa dekat penggambaran manusia yang diperankan oleh kedua karakter binatang tersebut

Social Inequality in the Movie Fantastic Mr. Fox

This research examined social inequality and the resulting conflicts in the movie "Fantastic Mr. Fox." The objectives were to identify and analyze the portrayal of social inequality within the film using Max Weber’s theory of social stratification. Using descriptive qualitative method, the study involved detailed analysis of the movie script to uncover these themes. The findings revealed that the farmers, representing the upper class, oppress the animal community, which symbolizes the lower class. This dynamic led to various conflicts, highlighting the struggles and resistance of the underprivileged against the powerful. Film analysis demonstrated how animated films can reflect real-world social hierarchies. In conclusion, the research provided a deeper understanding of the use of popular media to comment on societal issues and emphasizes the importance of empathy and collective action to address inequality. This study contributes to the field by showcasing the potential of animated films as tools for social commentary and education. This study highlights the capacity of animated films to serve as effective mediums for social critique, urging viewers to recognize and challenge societal inequalities. The findings underscore the necessity for empathy and collective action in addressing systemic oppressio

Mr Fox Restaurant Menu 2020

There\u27s a quiet confidence about Mr Fox - you\u27re unlikely to hear them shouting about how great they are any time now - which makes the food an almost shockingly fantastic surprise when you get there. Every element on every plate has a reason for being there and the nostalgia-laden deserts, like the super split and the coffee iceberger, are a joyful way to end a meal.https://arrow.tudublin.ie/menus21c/1508/thumbnail.jp

‘WHY IT WASN’T LIKE THE BOOK’: LIMITATIONS OF FIDELITY IN THE FILM ADAPTATION OF CHILDREN’S AND YOUNG ADULT . LITERATURE

This thesis examines the debate over textual fidelity in novel-film adaptations of five children’s/young adult texts: Peter Pan, Where the Wild Things Are, Alice in Wonderland, Fantastic Mr. Fox and the Twilight Saga: Twilight and New Moon. Each chapter employs a different methodological approach to explore novel-film adaptation in an attempt to move beyond the reliance on fidelity as a criterion for the study of novels adapted to screen. Through narrative analysis, semiotics and reader response theory, each chapter identifies various reasons why direct ‘transfer’ between novel and film is not always possible. In addition I interrogate why, if not viable and largely undesirable, the fidelity criterion persists in adaptation scholarship, film criticism and audience expectations

The Beacon, September 22, 2017

Fantastic Mr. Fox brings children\u27s story to life on stage; La Mosaic encourages beloved community; The Glass Castle is just OK; Tyler, the Creator creates best yet; Campus welcomes fall fashion; World of a two-sport athlete; Fall fitness options; Sacrificing values for diversity; Take some time to think; Raiders roll on; Golf compete in Sioux City; NW continues amazing season; Ngage focuses on body, soul; Luncheon to celebrate scholarships; Exhibit on German Iowan

O Apostolo, de Fernando Cortizo

[EN] Until 2012, only Pablo Llorens had been able to produce a stop-motion feature film in Spain, but Fernando Cortizo and his company Artifact Productions have come to show that they could repeat such a milestone. With great enthusiasm but small commercial push, it comes this great mystery story that will delight lovers of animation and fantasy film, where visual quality has not been spared, as the result can looks into the eyes of productions such as Coraline and Fantastic Mr. Fox.[ES] Hasta el pasado 2012, solo Pablo Llorens había sido capaz de realizar un largometraje "stop-motion" en España, pero Fernando Cortizo y su compañía Artefacto Productions han llegado para demostrar que se podía repetir semejante hito. Con mucha ilusión y poca fuerza comercial, llega esta estupenda historia de misterio que hará las delicias de amantes de la animación y del cine fantástico, donde no se ha escatimado en calidad visual, pues su resultado mira a los ojos a producciones como Los mundos de Coraline o Fantastic Mr. Fox.Encinas Salamanca, A. (2013). O Apostolo, de Fernando Cortizo. Con A de Animación. (3):18-23. doi:10.4995/caa.2013.1417.SWORD1823

The Crescent Student Newspaper, December 19, 1939

Student newspaper of Pacific College (later George Fox University). 4 pages, black and white.https://digitalcommons.georgefox.edu/the_crescent/1924/thumbnail.jp