Ear-to-ear Capture of Facial Intrinsics

We present a practical approach to capturing ear-to-ear face models comprising both 3D meshes and intrinsic textures (i.e. diffuse and specular albedo). Our approach is a hybrid of geometric and photometric methods and requires no geometric calibration. Photometric measurements made in a lightstage are used to estimate view dependent high resolution normal maps. We overcome the problem of having a single photometric viewpoint by capturing in multiple poses. We use uncalibrated multiview stereo to estimate a coarse base mesh to which the photometric views are registered. We propose a novel approach to robustly stitching surface normal and intrinsic texture data into a seamless, complete and highly detailed face model. The resulting relightable models provide photorealistic renderings in any view

Photo-Realistic Facial Details Synthesis from Single Image

We present a single-image 3D face synthesis technique that can handle challenging facial expressions while recovering fine geometric details. Our technique employs expression analysis for proxy face geometry generation and combines supervised and unsupervised learning for facial detail synthesis. On proxy generation, we conduct emotion prediction to determine a new expression-informed proxy. On detail synthesis, we present a Deep Facial Detail Net (DFDN) based on Conditional Generative Adversarial Net (CGAN) that employs both geometry and appearance loss functions. For geometry, we capture 366 high-quality 3D scans from 122 different subjects under 3 facial expressions. For appearance, we use additional 20K in-the-wild face images and apply image-based rendering to accommodate lighting variations. Comprehensive experiments demonstrate that our framework can produce high-quality 3D faces with realistic details under challenging facial expressions

Photometric stereo for 3D face reconstruction using non-linear illumination models

Face recognition in presence of illumination changes, variant pose and different facial expressions is a challenging problem. In this paper, a method for 3D face reconstruction using photometric stereo and without knowing the illumination directions and facial expression is proposed in order to achieve improvement in face recognition. A dimensionality reduction method was introduced to represent the face deformations due to illumination variations and self shadows in a lower space. The obtained mapping function was used to determine the illumination direction of each input image and that direction was used to apply photometric stereo. Experiments with faces were performed in order to evaluate the performance of the proposed scheme. From the experiments it was shown that the proposed approach results very accurate 3D surfaces without knowing the light directions and with a very small differences compared to the case of known directions. As a result the proposed approach is more general and requires less restrictions enabling 3D face recognition methods to operate with less data

Gender recognition from facial images: Two or three dimensions?

© 2016 Optical Society of America. This paper seeks to compare encoded features from both two-dimensional (2D) and three-dimensional (3D) face images in order to achieve automatic gender recognition with high accuracy and robustness. The Fisher vector encoding method is employed to produce 2D, 3D, and fused features with escalated discriminative power. For 3D face analysis, a two-source photometric stereo (PS) method is introduced that enables 3D surface reconstructions with accurate details as well as desirable efficiency. Moreover, a 2D + 3D imaging device, taking the two-source PS method as its core, has been developed that can simultaneously gather color images for 2D evaluations and PS images for 3D analysis. This system inherits the superior reconstruction accuracy from the standard (three or more light) PS method but simplifies the reconstruction algorithm as well as the hardware design by only requiring two light sources. It also offers great potential for facilitating human computer interaction by being accurate, cheap, efficient, and nonintrusive. Ten types of low-level 2D and 3D features have been experimented with and encoded for Fisher vector gender recognition. Evaluations of the Fisher vector encoding method have been performed on the FERET database, Color FERET database, LFW database, and FRGCv2 database, yielding 97.7%, 98.0%, 92.5%, and 96.7% accuracy, respectively. In addition, the comparison of 2D and 3D features has been drawn from a self-collected dataset, which is constructed with the aid of the 2D + 3D imaging device in a series of data capture experiments. With a variety of experiments and evaluations, it can be proved that the Fisher vector encoding method outperforms most state-of-the-art gender recognition methods. It has also been observed that 3D features reconstructed by the two-source PS method are able to further boost the Fisher vector gender recognition performance, i.e., up to a 6% increase on the self-collected database

Measuring and simulating haemodynamics due to geometric changes in facial expression

The human brain has evolved to be very adept at recognising imperfections in human skin. In particular, observing someone’s facial skin appearance is important in recognising when someone is ill, or when finding a suitable mate. It is therefore a key goal of computer graphics research to produce highly realistic renderings of skin. However, the optical processes that give rise to skin appearance are complex and subtle. To address this, computer graphics research has incorporated more and more sophisticated models of skin reflectance. These models are generally based on static concentrations of skin chromophores; melanin and haemoglobin. However, haemoglobin concentrations are far from static, as blood flow is directly caused by both changes in facial expression and emotional state. In this thesis, we explore how blood flow changes as a consequence of changing facial expression with the aim of producing more accurate models of skin appearance. To build an accurate model of blood flow, we base it on real-world measurements of blood concentrations over time. We describe, in detail, the steps required to obtain blood concentrations from photographs of a subject. These steps are then used to measure blood concentration maps for a series of expressions that define a wide gamut of human expression. From this, we define a blending algorithm that allows us to interpolate these maps to generate concentrations for other expressions. This technique, however, requires specialist equipment to capture the maps in the first place. We try to rectify this problem by investigating a direct link between changes in facial geometry and haemoglobin concentrations. This requires building a unique capture device that captures both simultaneously. Our analysis hints a direct linear connection between the two, paving the way for further investigatio