Discussing archaeology and the nation in six European countries : a discourse analysis

Peer reviewe

Electronic Imaging & the Visual Arts. EVA 2012 Florence

The key aim of this Event is to provide a forum for the user, supplier and scientific research communities to meet and exchange experiences, ideas and plans in the wide area of Culture & Technology. Participants receive up to date news on new EC and international arts computing & telecommunications initiatives as well as on Projects in the visual arts field, in archaeology and history. Working Groups and new Projects are promoted. Scientific and technical demonstrations are presented

International Handbook for Students on Research and Design for the Sustainability of Heritage

HERSUS IO6 - The International Handbook for Sustainable Heritage Management and Design: Notions, Methods and Techniques, is the last Intellectual Output of the European project HERSUS Enhancing of Heritage Awareness and Sustainability of Built Environment in Architectural and Urban Design Higher Education, an Erasmus+ project within the EU program for education, training, youth and sport, developed by a network of five universities. This last output has been designed and developed in a form of a publication in the field and it is expected to have an overall impact on different target groups in the academic environment, including the students, educators, and researchers, but also practitioners and institutional agents

A sustainable approach to threatened digital cultural heritage

Endorsed by UNESCO as an effective and timely way to facilitate action against illicit trafficking of cultural property, widespread digitisation of inventories and artefacts mitigates loss of movable heritage and can facilitate expedited restitution of displaced items in the future. However, the frameworks for undertaking expedited, pre-emptive digitisation are outdated. This research therefore aims to develop a new methodology for “responsive digitisation”, via a systematic re-evaluation of digitisation strategies for at-risk materials. It will explore how such comprehensive digitisation practices can be situated for analytical evaluation, in line with the strategic values of collections use, access, and reuse in the heritage sector. This research explores the role of digitisation praxis for the preservation of contested cultural heritage under threat, where there is an immediate need for pre-emptive digitisation to mitigate the displacement of inventories and collections. It undertakes a gap analysis of relevant policy documents in the heritage sector, and thereby proposes a new framework and methodology for employing a strategy for digitisation of cultural heritage in under threat, prioritising methods that have the scope for long-term sustainability. It identifies four key challenges that a theory of responsive digitisation should address: 1. A lack of formal digital preservation planning in existing policy documents, 2. A lack of standardised procedures for digitisation, 3. A lack of emphasis on undertaking digitisation methods with digital sustainability integrated from the planning stage, and 4. Missing methods for disseminating digital information to parties situated in conflict. In doing so, it provides a framework for cultural heritage under threat, focusing on long-term digital sustainability, informed by wider disciplinary narratives concerning preservation, destruction, information control and the role of museums in the future. Further, it develops a theoretical framework for undertaking pre-emptive and rigorous digitisation of heritage with regards to conflict and preservation, which will emphasise long-term digital sustainability

Review : Best Practices In Educating Sustainability and Heritage

This result has been produced as a part of O1 INTELECTUAL OUTPUT "01: Review of the Best Practices on Educating Sustainability and Heritage" within HERSUS project, Erasmus + Strategic Partnerships for higher education

Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region

It is a well-known fact that organised crime has developed into an international network including very diverse actors – ranging from the simple ‘grave diggers’ to powerful and wealthy white-collar professionals – that adopt illegal practices like money laundering, fraud and forgery. This criminal system, ultimately, damages and disintegrates our cultural identity and, in some cases, fosters political corruption, terrorism or civil unrest through the transnational and illicit trafficking of cultural property. The forms of ‘ownership’ of Cultural Heritage are often indistinct, and – depending on the national legislation of reference – the proprietorship and trade of historical and artistic assets of value may be legitimate or not. Casual collectors and criminals have always taken advantage from these ambiguities and managed to place on the market items obtained by destruction and looting of museums, monuments and archaeological areas. Thus, over the years, even the most renowned museum institutions might have - more or less consciously – displayed, hosted or lent cultural objects of illicit origin. Ransacking, thefts, clandestine exports and disputable transactions are crimes that primarily affect countries that are rich in artistic and archaeological assets, but such activities do not involve just some countries. This is an international border-crossing phenomenon that starts in given countries and expands to many others. Some are briefly passed through while a handful of powerful and rich ones are the actual destination marketplaces. Drawing from the experience of the conference Stolen Heritage (Venice, December 2019), held in the framework of the H2020 NETCHER (NETwork and digital platform for Cultural Heritage Enhancing and Rebuilding) project, this edited volume focuses on illicit trafficking in cultural property addressing the issue from a multidisciplinary perspective and featuring papers authored by international experts and professionals actively involved in Cultural Heritage protection. The articles included expand on such diverse topics as the European legislation regulating import, export, trade and restitution of cultural objects; ‘conflict antiquities’ and cultural heritage at risk in the Near and Middle East; looting activities and illicit excavations in Italy; the use of technologies to counter looting practices and the publication of unprovenanced items. This collection is meant as a valuable resource to disseminate new results of the research as well as to facilitate a better understanding of the international legislation related to the protection of Cultural Heritage

3D printing in tourism : an answer to sustainability challenges?

Purpose: The paper aims to explore the potential for using 3D printing technology as a more sustainable tool in various areas of the tourism and hospitality industry in Cyprus. Design/methodology/approach: For the purpose of this study, qualitative research was conducted to explore the potential for 3D printing technology deployment in Cyprus and specifically in tourism and hospitality settings. Interviews were conducted with industry professionals and practitioners using a snowball sampling method. Findings: The tourism and hospitality industry currently uses 3D printing technology mainly to assist with the restoration of cultural heritage, sites but there is significant potential to implement 3D printing more widely in support of other building work, souvenirs and food items. Originality/value: The paper explores current applications and the wider potential for using 3D technology in building, restoration of cultural heritage, souvenirs and food-related printing that together could contribute to a more sustainable tourism and hospitality industry in Cyprus

HERIWELL – Cultural Heritage as a Source of Societal Well-being in European Regions

The importance of cultural heritage (CH) in fostering social and economic progress is increasingly acknowledged. However, how to measure the impacts of cultural heritage on individual and societal well being remains a challenge. There is still the need for structuring a comprehensive methodological framework for the assessment of the role of CH in society. The HERIWELL project aims to fill in this gap by providing a detailed picture of the contribution of cultural heritage to various aspects of our lives and societies, as well as a structured conceptual framework and a multimethod assessment design. There is also attention to contested and neglected heritage and the Covid-19 effects on delivering and accessing CH resources

REVIEW: Best Practices In Educating Sustainability and Heritage

In current time, as a society, we face multiple challenges and dualities: enable growth yet prevent disruption of the existing urban structure, give a response to the needs of the present without compromising the ability of future generations to meet their own needs, preserve the unique architectural and urban heritage that testifies about our past yet innovate within the architectural and urban design for our present

Inspirational practices in cultural heritage management: fostering social responsibility

bookArchaeological Heritage Managemen