El derecho a la resistencia de los dominados : un ejemplo de caso: la Galicia bajomedieval

La propuesta de este artículo es presentar algunos resultados de una investigación en curso cuyo objetivo principal es examinar el derecho de resistencia ejercido por los dominados, por medio de un acercamiento teórico-documental que tendrá como ejemplo de caso la Galicia bajomedieval. Se lo abordará dentro de un amplio rango que se extiende desde las prácticas cotidianas emprendidas para preservar sus propios intereses hasta el estudio de rebeliones abiertas y declaradas, como la rebelión irmandiña de 1467-1469. Se expondrá brevemente la teoría de los tres órdenes, considerada la cosmovisión imperante en las coordenadas espacio-temporalesabordadas. Posteriormente se estudiarán los problemas enunciados por medio del análisis e interpretación de diversas fuentes.The purpose of this article is to show some of the results of an investigation in progress that pretends to examine the right of resistance exercised by the subjugated people, through a theoretical-documentary approach that uses as example of case the late medieval Galicia. It will be approached within a wide range that extends from the daily practices taken to preserve their own interests, to the study of open and declared revolts, such as the Irmandiño Revolt in 1467-1469. The theory of the three orders, considered as the prevailing worldview at the time, will be briefly discussed. Subsequently this problems will be studied through the analysis and interpretation ofvarious sources

A Visão de Túndalo : Harmonia, Paraíso e Salvação no Além Medieval

A Igreja Medieval divulgava vários relatos de viagens imaginárias que descrevem o ambiente reservado às almas eleitas no pós-morte no espaço do santo Paraíso. A Visão de Túndalo, exemplo desses relatos, produzido no século XII, de autoria anônima, foi traduzido para o português no século XV e nos oferece a descrição simbólica do Paraíso no Além medieval. Nesta narrativa, o cavaleiro Túndalo, guiado por um anjo, percorre as diferentes moradas do Reino Celestial, divididas em Muro de Prata, de Ouro e de Pedras Preciosas, onde estão alocadas as almas justas dotadas de virtudes cristãs. Para merecer e desfrutar todos os bens que esses espaços oferecem, a Igreja Católica divulgava modelos de comportamento ideais, conforme os seus valores, para os fiéis alcançarem a salvação eterna no Paraíso Celestial.Medieval Church spread various narratives of imaginary journeys which describe the environment reserved to the elected souls in post-mortem in the space of Heaven. Vision of Tnugdal, example of those narratives, from anonymous authorship, produced in the 12 th century, was translated to Portuguese in the 15th century and give us the symbolic description of Heaven in Medieval Beyond. In this text, the knight Tnugdal, guided by an angel, runs through the various the paths of Celestial Kingdom, divided in the Walls of Silver, Gold and Precious Stones, where are placed the faire souls who possess Christian virtues. To earn and enjoy the things that those spaces offered, the Catholic Church spread ideal models of behavior, since its conception, for the faithful ones achieve eternal salvation in Celestial Paradise

Vision of Tnugdal. Harmony, Paradise and Salvation in Medieval Beyond

Medieval Church spread various narratives of imaginary journeys which describe the environment reserved to the elected souls in post-mortem in the space of Heaven. Vision of Tnugdal, example of those narratives, from anonymous authorship, produced in the 12 th century, was translated to Portuguese in the 15th century and give us the symbolic description of Heaven in Medieval Beyond. In this text, the knight Tnugdal, guided by an angel, runs through the various the paths of Celestial Kingdom, divided in the Walls of Silver, Gold and Precious Stones, where are placed the faire souls who possess Christian virtues. To earn and enjoy the things that those spaces offered, the Catholic Church spread ideal models of behavior, since its conception, for the faithful ones achieve eternal salvation in Celestial Paradise

Los libros de Nicolás Antonio

La disertación cobra la forma de un discurso del "genus demonstrativum" en que se elogia la figura del sevillano Nicolás Antonio: el avance que representó su obra bibliográfica, escrita en lengua latina, y el principio ético de amor a la verdad que anima toda su labor intelectual. Mediante el motivo orteguiano de que el mayor acto de caridad hoydía es no publicar libros inútiles, se muestra el provecho que aún tiene su consulta y se destacan aspectos de su obra, como el epistolario, faltos aún de una edición filológica. La triple 'laudatio' concluye en composición anular de estructura silogística cuya tesis es trasfondo implícito del homenaje: Nicolás Antonio corona la tradición prosopográfica y bibliográfica profesada por los humanistas sevillanos del Siglo de Oro ("laus hominis, studiorum, ciuitatis")

Trabajo y orden social: de la nada a la sociedad de empleo (y su crisis)

Sin resume

Edición y traducción del discurso Oratores ante poetas esse a pueris cognoscendos (1552) de Juan Sambuco

Edition and translation of the speech Oratores ante poetas esse a pueris cognoscendos, pronounced by the Hungarian humanist Johannes Sambucus (János Zsámboky, 1531-1584) at Sorbonne University in Paris (September 1551) and published one year later in Basel, as appendix to his Δημηγορίαι, hoc est, conciones aliquot ex libris Xenophontis of Paedia Cyri, an anthology of speeches drawn from the Cyropedia that was aimed at students of Greek language in general and Oratory in particular. The edition and translation of the Latin text is preceded by a small introduction in which a brief sketch of the author and his work is specified, as well as the fundamental features of the speech under analysis