AXMEDIS 2007 Conference Proceedings

The AXMEDIS International Conference series has been established since 2005 and is focused on the research, developments and applications in the cross-media domain, exploring innovative technologies to meet the challenges of the sector. AXMEDIS2007 deals with all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, interoperability, protection and rights management. It addresses the latest developments and future trends of the technologies and their applications, their impact and exploitation within academic, business and industrial communities

AXMEDIS 2008

The AXMEDIS International Conference series aims to explore all subjects and topics related to cross-media and digital-media content production, processing, management, standards, representation, sharing, protection and rights management, to address the latest developments and future trends of the technologies and their applications, impacts and exploitation. The AXMEDIS events offer venues for exchanging concepts, requirements, prototypes, research ideas, and findings which could contribute to academic research and also benefit business and industrial communities. In the Internet as well as in the digital era, cross-media production and distribution represent key developments and innovations that are fostered by emergent technologies to ensure better value for money while optimising productivity and market coverage

ECLAP 2012 Conference on Information Technologies for Performing Arts, Media Access and Entertainment

It has been a long history of Information Technology innovations within the Cultural Heritage areas. The Performing arts has also been enforced with a number of new innovations which unveil a range of synergies and possibilities. Most of the technologies and innovations produced for digital libraries, media entertainment and education can be exploited in the field of performing arts, with adaptation and repurposing. Performing arts offer many interesting challenges and opportunities for research and innovations and exploitation of cutting edge research results from interdisciplinary areas. For these reasons, the ECLAP 2012 can be regarded as a continuation of past conferences such as AXMEDIS and WEDELMUSIC (both pressed by IEEE and FUP). ECLAP is an European Commission project to create a social network and media access service for performing arts institutions in Europe, to create the e-library of performing arts, exploiting innovative solutions coming from the ICT

Music Synchronization, Audio Matching, Pattern Detection, and User Interfaces for a Digital Music Library System

Over the last two decades, growing efforts to digitize our cultural heritage could be observed. Most of these digitization initiatives pursuit either one or both of the following goals: to conserve the documents - especially those threatened by decay - and to provide remote access on a grand scale. For music documents these trends are observable as well, and by now several digital music libraries are in existence. An important characteristic of these music libraries is an inherent multimodality resulting from the large variety of available digital music representations, such as scanned score, symbolic score, audio recordings, and videos. In addition, for each piece of music there exists not only one document of each type, but many. Considering and exploiting this multimodality and multiplicity, the DFG-funded digital library initiative PROBADO MUSIC aimed at developing a novel user-friendly interface for content-based retrieval, document access, navigation, and browsing in large music collections. The implementation of such a front end requires the multimodal linking and indexing of the music documents during preprocessing. As the considered music collections can be very large, the automated or at least semi-automated calculation of these structures would be recommendable. The field of music information retrieval (MIR) is particularly concerned with the development of suitable procedures, and it was the goal of PROBADO MUSIC to include existing and newly developed MIR techniques to realize the envisioned digital music library system. In this context, the present thesis discusses the following three MIR tasks: music synchronization, audio matching, and pattern detection. We are going to identify particular issues in these fields and provide algorithmic solutions as well as prototypical implementations. In Music synchronization, for each position in one representation of a piece of music the corresponding position in another representation is calculated. This thesis focuses on the task of aligning scanned score pages of orchestral music with audio recordings. Here, a previously unconsidered piece of information is the textual specification of transposing instruments provided in the score. Our evaluations show that the neglect of such information can result in a measurable loss of synchronization accuracy. Therefore, we propose an OCR-based approach for detecting and interpreting the transposition information in orchestral scores. For a given audio snippet, audio matching methods automatically calculate all musically similar excerpts within a collection of audio recordings. In this context, subsequence dynamic time warping (SSDTW) is a well-established approach as it allows for local and global tempo variations between the query and the retrieved matches. Moving to real-life digital music libraries with larger audio collections, however, the quadratic runtime of SSDTW results in untenable response times. To improve on the response time, this thesis introduces a novel index-based approach to SSDTW-based audio matching. We combine the idea of inverted file lists introduced by Kurth and Müller (Efficient index-based audio matching, 2008) with the shingling techniques often used in the audio identification scenario. In pattern detection, all repeating patterns within one piece of music are determined. Usually, pattern detection operates on symbolic score documents and is often used in the context of computer-aided motivic analysis. Envisioned as a new feature of the PROBADO MUSIC system, this thesis proposes a string-based approach to pattern detection and a novel interactive front end for result visualization and analysis

Building blocks for semantic data organization on the desktop

Die Organisation von (Multimedia-) Daten auf Desktop-Systemen wird derzeit hauptsächlich durch das Einordnen von Dateien in ein hierarchisches Dateisystem bewerkstelligt. Zusätzlich werden gewisse Inhalte (z.B. Musik oder Fotos) von spezialisierter Software mit Hilfe Datei-bezogener Metadaten verwaltet. Diese Metadaten werden meist direkt im Dateikopf in einer Unzahl verschiedener, vorwiegend proprietärer Formate gespeichert. Allgemein nehmen Metadaten und Links die Schlüsselrollen in fortgeschrittenen Datenorganisationskonzepten ein, ihre eingeschränkte Unterstützung in vorherrschenden Dateisystemen macht die Einführung solcher Konzepte auf dem Desktop jedoch schwierig: Erstens müssen Anwendungen sowohl Dateiformat als auch Metadatenschema verstehen um auf Metadaten zugreifen zu können; zweitens ist ein getrennter Zugriff auf Daten und Metadaten nicht möglich und drittens kann man solche Metadaten nicht mit mehreren Dateien oder mit Dateiordnern assoziieren obgleich letztere die derzeit wichtigsten Konstrukte für die Dateiorganisation darstellen. Dies bedeutet in weiterer Folge: (i) eingeschränkte Möglichkeiten der Datenorganisation, (ii) eingeschränkte Navigationsmöglichkeiten, (iii) schlechte Auffindbarkeit der gespeicherten Daten, und (iv) Fragmentierung von Metadaten. Obschon es Versuche gab, diese Situation (zum Beispiel mit Hilfe semantischer Dateisysteme) zu verbessern, wurden die meisten dieser Probleme bisher vor allem im Web und im Speziellen im semantischen Web adressiert und gelöst. Das Anwenden dort entwickelter Lösungen auf dem Desktop, einer zentralen Plattform der Daten- und Metadatenmanipulation, wäre zweifellos von Vorteil. In der vorliegenden Arbeit wird ein neues, rückwärts-kompatibles Metadatenmodell als Lösungsversuch für die oben genannten Probleme präsentiert. Dieses Modell basiert auf stabilen Datei-Identifikatoren und externen, semantischen, Datei- bezogenen Metadatenbeschreibungen welche im RDF Graphenmodell repräsentiert werden. Diese Beschreibungen sind durch eine einheitliche Linked-Data- Schnittstelle zugänglich und können mit anderen Beschreibungen und Ressourcen verlinkt werden. Im Speziellen erlaubt dieses Modell semantische Links zwischen lokalen Dateisystemobjekten und Netzressourcen im Web sowie im entstehenden “Daten Web” und ermöglicht somit die Integration dieser Datenräume. Das Modell hängt entscheidend von der Stabilität dieser Links ab weshalb zwei Algorithmen präsentiert werden, welche deren Integrität in lokalen und vernetzten Umgebungen erhalten können. Dies bedeutet, dass Links zwischen Dateisystemobjekten, Metadatenbeschreibungen und Netzressourcen nicht brechen wenn sich deren Adressen ändern, z.B. wenn Dateien verschoben oder Linked-Data Ressourcen unter geänderten URIs publiziert werden. Schließlich wird eine prototypische Implementierung des vorgeschlagenen Metadatenmodells präsentiert, welche demonstriert wie die Summe dieser Bausteine eine Metadatenschicht bildet die als Grundlage für semantische Datenorganisation auf dem Desktop verwendet werden kann.The organization of (multimedia) data on current desktop systems is done to a large part by arranging files in hierarchical file systems, but also by specialized applications (e.g., music or photo organizing software) that make use of file-related metadata for this task. These metadata are predominantly stored in embedded file headers, using a magnitude of mainly proprietary formats. Generally, metadata and links play the key roles in advanced data organization concepts. Their limited support in prevalent file system implementations, however, hinders the adoption of such concepts on the desktop: First, non-uniform access interfaces require metadata consuming applications to understand both a file’s format and its metadata scheme; second, separate data/metadata access is not possible, and third, metadata cannot be attached to multiple files or to file folders although the latter are the primary constructs for file organization. As a consequence of this, current desktops suffer, inter alia, from (i) limited data organization possibilities, (ii) limited navigability, (iii) limited data findability, and (iv) metadata fragmentation. Although there were attempts to improve this situation, e.g., by introducing semantic file systems, most of these issues were successfully addressed and solved in the Web and in particular in the Semantic Web and reusing these solutions on the desktop, a central hub of data and metadata manipulation, is clearly desirable. In this thesis a novel, backwards-compatible metadata model that addresses the above-mentioned issues is introduced. This model is based on stable file identifiers and external, file-related, semantic metadata descriptions that are represented using the generic RDF graph model. Descriptions are accessible via a uniform Linked Data interface and can be linked with other descriptions and resources. In particular, this model enables semantic linking between local file system objects and remote resources on the Web or the emerging Web of Data, thereby enabling the integration of these data spaces. As the model crucially relies on the stability of these links, we contribute two algorithms that preserve their integrity in local and in remote environments. This means that links between file system objects, metadata descriptions and remote resources do not break even if their addresses change, e.g., when files are moved or Linked Data resources are re-published using different URIs. Finally, we contribute a prototypical implementation of the proposed metadata model that demonstrates how these building blocks sum up to constitute a metadata layer that may act as a foundation for semantic data organization on the desktop

Proceedings of the 8th international conference on disability, virtual reality and associated technologies (ICDVRAT 2010)

The proceedings of the conferenc