Comparison of CELP speech coder with a wavelet method

This thesis compares the speech quality of Code Excited Linear Predictor (CELP, Federal Standard 1016) speech coder with a new wavelet method to compress speech. The performances of both are compared by performing subjective listening tests. The test signals used are clean signals (i.e. with no background noise), speech signals with room noise and speech signals with artificial noise added. Results indicate that for clean signals and signals with predominantly voiced components the CELP standard performs better than the wavelet method but for signals with room noise the wavelet method performs much better than the CELP. For signals with artificial noise added, the results are mixed depending on the level of artificial noise added with CELP performing better for low level noise added signals and the wavelet method performing better for higher noise levels

CELP and speech enhancement

This thesis addresses the intelligibility enhancement of speech that is heard within an acoustically noisy environment. In particular, a realistic target situation of a police vehicle interior, with speech generated from a CELP (codebook-excited linear prediction) speech compression-based communication system, is adopted. The research has centred on the role of the CELP speech compression algorithm, and its transmission parameters. In particular, novel methods of LSP-based (line spectral pair) speech analysis and speech modification are developed and described. CELP parameters have been utilised in the analysis and processing stages of a speech intelligibility enhancement system to minimise additional computational complexity over existing CELP coder requirements. Details are given of the CELP analysis process and its effects on speech, the development of speech analysis and alteration algorithms coexisting with a CELP system, their effects and performance. Both objective and subjective tests have been used to characterize the effectiveness of the analysis and processing methods. Subjective testing of a complete simulation enhancement system indicates its effectiveness under the tested conditions, and is extrapolated to predict real-life performance. The developed system presents a novel integrated solution to the intelligibility enhancement of speech, and can provide a doubling, on average, of intelligibility under the tested conditions of very low intelligibility

A review of differentiable digital signal processing for music and speech synthesis

The term “differentiable digital signal processing” describes a family of techniques in which loss function gradients are backpropagated through digital signal processors, facilitating their integration into neural networks. This article surveys the literature on differentiable audio signal processing, focusing on its use in music and speech synthesis. We catalogue applications to tasks including music performance rendering, sound matching, and voice transformation, discussing the motivations for and implications of the use of this methodology. This is accompanied by an overview of digital signal processing operations that have been implemented differentiably, which is further supported by a web book containing practical advice on differentiable synthesiser programming (https://intro2ddsp.github.io/). Finally, we highlight open challenges, including optimisation pathologies, robustness to real-world conditions, and design trade-offs, and discuss directions for future research

Scalable and perceptual audio compression

This thesis deals with scalable perceptual audio compression. Two scalable perceptual solutions as well as a scalable to lossless solution are proposed and investigated. One of the scalable perceptual solutions is built around sinusoidal modelling of the audio signal whilst the other is built on a transform coding paradigm. The scalable coders are shown to scale both in a waveform matching manner as well as a psychoacoustic manner. In order to measure the psychoacoustic scalability of the systems investigated in this thesis, the similarity between the original signal\u27s psychoacoustic parameters and that of the synthesized signal are compared. The psychoacoustic parameters used are loudness, sharpness, tonahty and roughness. This analysis technique is a novel method used in this thesis and it allows an insight into the perceptual distortion that has been introduced by any coder analyzed in this manner

ADAPTIVE SPEECH QUALITY IN VOICE-OVER-IP COMMUNICATIONS

The quality of VoIP communication relies significantly on the network that transports the voice packets because this network does not usually guarantee the available bandwidth, delay, and loss that are critical for real-time voice traffic. The solution proposed here is to manage the voice-over-IP stream dynamically, changing parameters as needed to assure quality. The main objective of this dissertation is to develop an adaptive speech encoding system that can be applied to conventional (telephony-grade) and wideband voice communications. This comprehensive study includes the investigation and development of three key components of the system. First, to manage VoIP quality dynamically, a tool is needed to measure real-time changes in quality. The E-model, which exists for narrowband communication, is extended to a single computational technique that measures speech quality for narrowband and wideband VoIP codecs. This part of the dissertation also develops important theoretical work in the area of wideband telephony. The second system component is a variable speech-encoding algorithm. Although VoIP performance is affected by multiple codecs and network-based factors, only three factors can be managed dynamically: voice payload size, speech compression and jitter buffer management. Using an existing adaptive jitter-buffer algorithm, voice packet-size and compression variation are studied as they affect speech quality under different network conditions. This study explains the relationships among multiple parameters as they affect speech transmission and its resulting quality. Then, based on these two components, the third system component is a novel adaptive-rate control algorithm that establishes the interaction between a VoIP sender and receiver, and manages voice quality in real-time. Simulations demonstrate that the system provides better average voice quality than traditional VoIP

An investigation into glottal waveform based speech coding

Coding of voiced speech by extraction of the glottal waveform has shown promise in improving the efficiency of speech coding systems. This thesis describes an investigation into the performance of such a system. The effect of reverberation on the radiation impedance at the lips is shown to be negligible under normal conditions. Also, the accuracy of the Image Method for adding artificial reverberation to anechoic speech recordings is established. A new algorithm, Pre-emphasised Maximum Likelihood Epoch Detection (PMLED), for Glottal Closure Instant detection is proposed. The algorithm is tested on natural speech and is shown to be both accurate and robust. Two techniques for giottai waveform estimation, Closed Phase Inverse Filtering (CPIF) and Iterative Adaptive Inverse Filtering (IAIF), are compared. In tandem with an LF model fitting procedure, both techniques display a high degree of accuracy However, IAIF is found to be slightly more robust. Based on these results, a Glottal Excited Linear Predictive (GELP) coding system for voiced speech is proposed and tested. Using a differential LF parameter quantisation scheme, the system achieves speech quality similar to that of U S Federal Standard 1016 CELP at a lower mean bit rate while incurring no extra delay

A Parametric Sound Object Model for Sound Texture Synthesis

This thesis deals with the analysis and synthesis of sound textures based on parametric sound objects. An overview is provided about the acoustic and perceptual principles of textural acoustic scenes, and technical challenges for analysis and synthesis are considered. Four essential processing steps for sound texture analysis are identifi ed, and existing sound texture systems are reviewed, using the four-step model as a guideline. A theoretical framework for analysis and synthesis is proposed. A parametric sound object synthesis (PSOS) model is introduced, which is able to describe individual recorded sounds through a fi xed set of parameters. The model, which applies to harmonic and noisy sounds, is an extension of spectral modeling and uses spline curves to approximate spectral envelopes, as well as the evolution of parameters over time. In contrast to standard spectral modeling techniques, this representation uses the concept of objects instead of concatenated frames, and it provides a direct mapping between sounds of diff erent length. Methods for automatic and manual conversion are shown. An evaluation is presented in which the ability of the model to encode a wide range of di fferent sounds has been examined. Although there are aspects of sounds that the model cannot accurately capture, such as polyphony and certain types of fast modulation, the results indicate that high quality synthesis can be achieved for many different acoustic phenomena, including instruments and animal vocalizations. In contrast to many other forms of sound encoding, the parametric model facilitates various techniques of machine learning and intelligent processing, including sound clustering and principal component analysis. Strengths and weaknesses of the proposed method are reviewed, and possibilities for future development are discussed