Analysis of adversarial attacks against CNN-based image forgery detectors

With the ubiquitous diffusion of social networks, images are becoming a dominant and powerful communication channel. Not surprisingly, they are also increasingly subject to manipulations aimed at distorting information and spreading fake news. In recent years, the scientific community has devoted major efforts to contrast this menace, and many image forgery detectors have been proposed. Currently, due to the success of deep learning in many multimedia processing tasks, there is high interest towards CNN-based detectors, and early results are already very promising. Recent studies in computer vision, however, have shown CNNs to be highly vulnerable to adversarial attacks, small perturbations of the input data which drive the network towards erroneous classification. In this paper we analyze the vulnerability of CNN-based image forensics methods to adversarial attacks, considering several detectors and several types of attack, and testing performance on a wide range of common manipulations, both easily and hardly detectable

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Image and Video Forensics

Nowadays, images and videos have become the main modalities of information being exchanged in everyday life, and their pervasiveness has led the image forensics community to question their reliability, integrity, confidentiality, and security. Multimedia contents are generated in many different ways through the use of consumer electronics and high-quality digital imaging devices, such as smartphones, digital cameras, tablets, and wearable and IoT devices. The ever-increasing convenience of image acquisition has facilitated instant distribution and sharing of digital images on digital social platforms, determining a great amount of exchange data. Moreover, the pervasiveness of powerful image editing tools has allowed the manipulation of digital images for malicious or criminal ends, up to the creation of synthesized images and videos with the use of deep learning techniques. In response to these threats, the multimedia forensics community has produced major research efforts regarding the identification of the source and the detection of manipulation. In all cases (e.g., forensic investigations, fake news debunking, information warfare, and cyberattacks) where images and videos serve as critical evidence, forensic technologies that help to determine the origin, authenticity, and integrity of multimedia content can become essential tools. This book aims to collect a diverse and complementary set of articles that demonstrate new developments and applications in image and video forensics to tackle new and serious challenges to ensure media authenticity

Multimedia Forensics

This book is open access. Media forensics has never been more relevant to societal life. Not only media content represents an ever-increasing share of the data traveling on the net and the preferred communications means for most users, it has also become integral part of most innovative applications in the digital information ecosystem that serves various sectors of society, from the entertainment, to journalism, to politics. Undoubtedly, the advances in deep learning and computational imaging contributed significantly to this outcome. The underlying technologies that drive this trend, however, also pose a profound challenge in establishing trust in what we see, hear, and read, and make media content the preferred target of malicious attacks. In this new threat landscape powered by innovative imaging technologies and sophisticated tools, based on autoencoders and generative adversarial networks, this book fills an important gap. It presents a comprehensive review of state-of-the-art forensics capabilities that relate to media attribution, integrity and authenticity verification, and counter forensics. Its content is developed to provide practitioners, researchers, photo and video enthusiasts, and students a holistic view of the field

Digital image forensics via meta-learning and few-shot learning

Digital images are a substantial portion of the information conveyed by social media, the Internet, and television in our daily life. In recent years, digital images have become not only one of the public information carriers, but also a crucial piece of evidence. The widespread availability of low-cost, user-friendly, and potent image editing software and mobile phone applications facilitates altering images without professional expertise. Consequently, safeguarding the originality and integrity of digital images has become a difficulty. Forgers commonly use digital image manipulation to transmit misleading information. Digital image forensics investigates the irregular patterns that might result from image alteration. It is crucial to information security. Over the past several years, machine learning techniques have been effectively used to identify image forgeries. Convolutional Neural Networks(CNN) are a frequent machine learning approach. A standard CNN model could distinguish between original and manipulated images. In this dissertation, two CNN models are introduced to recognize seam carving and Gaussian filtering. Training a conventional CNN model for a new similar image forgery detection task, one must start from scratch. Additionally, many types of tampered image data are challenging to acquire or simulate. Meta-learning is an alternative learning paradigm in which a machine learning model gets experience across numerous related tasks and uses this expertise to improve its future learning performance. Few-shot learning is a method for acquiring knowledge from few data. It can classify images with as few as one or two examples per class. Inspired by meta-learning and few-shot learning, this dissertation proposed a prototypical networks model capable of resolving a collection of related image forgery detection problems. Unlike traditional CNN models, the proposed prototypical networks model does not need to be trained from scratch for a new task. Additionally, it drastically decreases the quantity of training images

A Full-Image Full-Resolution End-to-End-Trainable CNN Framework for Image Forgery Detection

Due to limited computational and memory resources, current deep learning models accept only rather small images in input, calling for preliminary image resizing. This is not a problem for high-level vision problems, where discriminative features are barely affected by resizing. On the contrary, in image forensics, resizing tends to destroy precious high-frequency details, impacting heavily on performance. One can avoid resizing by means of patch-wise processing, at the cost of renouncing whole-image analysis. In this work, we propose a CNN-based image forgery detection framework which makes decisions based on full-resolution information gathered from the whole image. Thanks to gradient checkpointing, the framework is trainable end-to-end with limited memory resources and weak (image-level) supervision, allowing for the joint optimization of all parameters. Experiments on widespread image forensics datasets prove the good performance of the proposed approach, which largely outperforms all baselines and all reference methods.Comment: 13 pages, 12 figures, journa

Media Forensics and DeepFakes: an overview

With the rapid progress of recent years, techniques that generate and manipulate multimedia content can now guarantee a very advanced level of realism. The boundary between real and synthetic media has become very thin. On the one hand, this opens the door to a series of exciting applications in different fields such as creative arts, advertising, film production, video games. On the other hand, it poses enormous security threats. Software packages freely available on the web allow any individual, without special skills, to create very realistic fake images and videos. So-called deepfakes can be used to manipulate public opinion during elections, commit fraud, discredit or blackmail people. Potential abuses are limited only by human imagination. Therefore, there is an urgent need for automated tools capable of detecting false multimedia content and avoiding the spread of dangerous false information. This review paper aims to present an analysis of the methods for visual media integrity verification, that is, the detection of manipulated images and videos. Special emphasis will be placed on the emerging phenomenon of deepfakes and, from the point of view of the forensic analyst, on modern data-driven forensic methods. The analysis will help to highlight the limits of current forensic tools, the most relevant issues, the upcoming challenges, and suggest future directions for research

VideoFACT: Detecting Video Forgeries Using Attention, Scene Context, and Forensic Traces

Fake videos represent an important misinformation threat. While existing forensic networks have demonstrated strong performance on image forgeries, recent results reported on the Adobe VideoSham dataset show that these networks fail to identify fake content in videos. In this paper, we show that this is due to video coding, which introduces local variation into forensic traces. In response, we propose VideoFACT - a new network that is able to detect and localize a wide variety of video forgeries and manipulations. To overcome challenges that existing networks face when analyzing videos, our network utilizes both forensic embeddings to capture traces left by manipulation, context embeddings to control for variation in forensic traces introduced by video coding, and a deep self-attention mechanism to estimate the quality and relative importance of local forensic embeddings. We create several new video forgery datasets and use these, along with publicly available data, to experimentally evaluate our network's performance. These results show that our proposed network is able to identify a diverse set of video forgeries, including those not encountered during training. Furthermore, we show that our network can be fine-tuned to achieve even stronger performance on challenging AI-based manipulations