867 research outputs found

    Current Challenges and Visions in Music Recommender Systems Research

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    Music recommender systems (MRS) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user's fingertip. While today's MRS considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user--item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art towards solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field

    Flow Moods: Recommending Music by Moods on Deezer

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    The music streaming service Deezer extensively relies on its Flow algorithm, which generates personalized radio-style playlists of songs, to help users discover musical content. Nonetheless, despite promising results over the past years, Flow used to ignore the moods of users when providing recommendations. In this paper, we present Flow Moods, an improved version of Flow that addresses this limitation. Flow Moods leverages collaborative filtering, audio content analysis, and mood annotations from professional music curators to generate personalized mood-specific playlists at scale. We detail the motivations, the development, and the deployment of this system on Deezer. Since its release in 2021, Flow Moods has been recommending music by moods to millions of users every day.Comment: 16th ACM Conference on Recommender Systems (RecSys 2022) - Industry pape

    A study on contextual influences on automatic playlist continuation

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    Recommender systems still mainly base their reasoning on pairwise interactions or information on individual entities, like item attributes or ratings, without properly evaluating the multiple dimensions of the recommendation problem. However, in many cases, like in music, items are rarely consumed in isolation, thus users rather need a set of items, selected to work well together, serving a specific purpose, while having some cognitive properties as a whole, related to their perception of quality and satisfaction, under given circumstances. In this paper, we introduce the term of playlist concept in order to capture the implicit characteristics of joint music item selections, related to their context, scope and general perception by the users. Although playlist consumptions may be associated with contextual attributes, these may be of various types, differently influencing users' preferences, based on their character and emotional state, therefore differently reflected on their final selections. We highlight on the use of this term in HybA, our hybrid recommender system, to identify clusters of similar playlists able to capture inherit characteristics and semantic properties, not explicitly described in them. The experimental results presented, show that this conceptual clustering results in playlist continuations of improved quality, compared to using explicit contextual parameters, or the commonly used collaborative filtering technique.Peer ReviewedPostprint (published version

    CHORUS Deliverable 3.3: Vision Document - Intermediate version

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    The goal of the CHORUS vision document is to create a high level vision on audio-visual search engines in order to give guidance to the future R&D work in this area (in line with the mandate of CHORUS as a Coordination Action). This current intermediate draft of the CHORUS vision document (D3.3) is based on the previous CHORUS vision documents D3.1 to D3.2 and on the results of the six CHORUS Think-Tank meetings held in March, September and November 2007 as well as in April, July and October 2008, and on the feedback from other CHORUS events. The outcome of the six Think-Thank meetings will not just be to the benefit of the participants which are stakeholders and experts from academia and industry – CHORUS, as a coordination action of the EC, will feed back the findings (see Summary) to the projects under its purview and, via its website, to the whole community working in the domain of AV content search. A few subjections of this deliverable are to be completed after the eights (and presumably last) Think-Tank meeting in spring 2009

    Implementing Web 2.0 in secondary schools: impacts, barriers and issues

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    One of the reports from the Web 2.0 technologies for learning at KS3 and KS4 project. This report explored Impact of Web 2.0 technologies on learning and teaching and drew upon evidence from multiple sources: field studies of 27 schools across the country; guided surveys of 2,600 school students; 100 interviews and 206 online surveys conducted with managers, teachers and technical staff in these schools; online surveys of the views of 96 parents; interviews held with 18 individual innovators in the field of Web 2.0 in education; and interviews with nine regional managers responsible for implementation of ICT at national level

    Track Mix Generation on Music Streaming Services using Transformers

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    This paper introduces Track Mix, a personalized playlist generation system released in 2022 on the music streaming service Deezer. Track Mix automatically generates "mix" playlists inspired by initial music tracks, allowing users to discover music similar to their favorite content. To generate these mixes, we consider a Transformer model trained on millions of track sequences from user playlists. In light of the growing popularity of Transformers in recent years, we analyze the advantages, drawbacks, and technical challenges of using such a model for mix generation on the service, compared to a more traditional collaborative filtering approach. Since its release, Track Mix has been generating playlists for millions of users daily, enhancing their music discovery experience on Deezer.Comment: RecSys 2023 - Industry track with oral presentatio
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