560,037 research outputs found

    SHARP POWER AND DIGITAL SURVEILLANCE: THE NEW COGNITIVE WAR

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    To the new forms of conflict taking place in the world correspond, or are linked, newforms of power: from cognitive warfare to sharp power, up to what is now called surveillancecapitalism. Through cognitive conflict and sharp power strategies, we are witnessing anepochal change, an IT revolution that brings political conflict into a digital dimension, whichacts on the ground of public opinion, politics and economics; but even more subtly it acts in thecontrol and conditioning of knowledge, of our world view and of facts. The general objective,from a political philosophy and communication ethics point of view, is to understand whatchanges are taking place and the purposes of controlling information, the conditioning ofknowledge, the power of world markets and economic forces, which can be destructive asweapons of war: they can affect the strength of moral and collective resistance of a people, thereputation of a head of state, can pollute information for the failure of diplomatic operations,etc. How can one find adequate tools for cognitive response, autonomy of judgment anddecision, exercise of freedom, protection of rights, in particular those of the most fragilesocial groups who are also the most affected by the new forms of power and unconventionalconflict? The aim of my work will be to analyze forms, methods and languages of thisinterweaving of knowledge conditioning, digital market control, power (political and social),and global competitivenes

    Control over Contemporary Photography: A Tangle of Copyright, Right of Publicity, and the First Amendment

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    Professional photographers who make photographs of people negotiate a tense relationship between their own creative freedoms and the right of their subjects to control their images. This negotiation formally takes place over the terrain of copyright, right of publicity, and the First Amendment. Informally, photographers describe implied understandings and practice norms guiding their relationship with subjects, infrequently memorialized in short, boilerplate contractual releases. This short essay explores these formal and informal practices described by contemporary professional photographers. Although the evidence for this essay comes from professional photographic practice culled from interviews with contemporary photographers, the analysis of the evidence speaks to the more general challenge of balancing privacy and freedom of expression in the digital age. At the outset of this essay, I describe the scope of the empirical project and the process of collecting data. Then, in three parts, I describe how photographers simultaneously collaborate with and control the subjects of the photographs they make in order to assert themselves as civic storytellers with broad free speech rights in our digital age. I identify a conflict between photographers and their subjects, which serves to maximize the aesthetic freedom of photographers at the expense of their subjects. This conflict resolves in the photographersโ€™ accounts through their caretaking role over their photographs on behalf of the subjects themselves. I conclude with a brief explanation of why it matters to better understand these professional photographic norms in our Internet age when free speech and privacy are increasingly in conflict

    The Goal Ambiguity - Conflict Matrix Revisited

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    ํ•™์œ„๋…ผ๋ฌธ(์„์‚ฌ) -- ์„œ์šธ๋Œ€ํ•™๊ต๋Œ€ํ•™์› : ํ–‰์ •๋Œ€ํ•™์› ๊ธ€๋กœ๋ฒŒํ–‰์ •์ „๊ณต, 2023. 8. ๊ตฌ๋ฏผ๊ต.๋Œ€ํ•œ๋ฏผ๊ตญ์€ 2002๋…„๋ถ€ํ„ฐ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ์— ๋Œ€ํ•œ ๋…ผ์˜๋ฅผ ์‹œ์ž‘ํ•˜์˜€์œผ๋ฉฐ, 2007๋…„์— ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ๊ฐœ๋ฐœ๊ณผ ๋ณด๊ธ‰์„ ์œ„ํ•œ ์ •์ฑ…์„ ๋ณธ๊ฒฉ์ ์œผ๋กœ ์ถ”์ง„ํ•˜๊ธฐ ์‹œ์ž‘ํ•˜์˜€๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ํ•œ๊ตญ์˜ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ…์˜ ์ง‘ํ–‰ ๊ณผ์ •์„ Matland์˜ ๋ชจํ˜ธ์„ฑ-๊ฐˆ๋“ฑ ๋ชจํ˜•์„ ๋ฐ”ํƒ•์œผ๋กœ ๋ถ„์„ํ•˜๊ณ ์ž ํ•œ๋‹ค. ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ… ์ง‘ํ–‰์€ ์ •์ฑ… ๋ชฉํ‘œ์˜ ๋ชจํ˜ธ์„ฑ๊ณผ ๊ฐˆ๋“ฑ ์ˆ˜์ค€์— ๋”ฐ๋ผ ํฌ๊ฒŒ ๋„์ž…๊ธฐ, ํ™•์‚ฐ๊ธฐ, ์กฐ์ •๊ธฐ, ์•ˆ์ •๊ธฐ์˜ ๋„ค ๋‹จ๊ณ„๋กœ ๊ตฌ๋ถ„ํ•  ์ˆ˜ ์žˆ๋‹ค. ๋ชจํ˜ธ์„ฑ-๊ฐˆ๋“ฑ ๋ชจํ˜•์— ๋”ฐ๋ฅด๋ฉด ๊ฐ ์‹œ๊ธฐ๋ณ„๋กœ ์‹คํ—˜์  ์ง‘ํ–‰, ์ƒ์ง•์  ์ง‘ํ–‰, ์‹คํ—˜์  ์ง‘ํ–‰, ๊ด€๋ฆฌ์  ์ง‘ํ–‰์˜ ์–‘์ƒ์ด ๋‚˜ํƒ€๋‚  ๊ฒƒ์œผ๋กœ ์˜ˆ์ƒ๋˜๋Š” ๋ฐ”, ๋ณธ ์—ฐ๊ตฌ์—์„œ๋Š” ์ด๋ฅผ ๊ฒ€์ฆํ•˜๊ณ  ํšจ๊ณผ์ ์ธ ์ง‘ํ–‰์„ ์œ„ํ•œ ์‹œ์‚ฌ์ ์„ ์ฐพ๊ณ ์ž ํ•œ๋‹ค. ๋„์ž…๊ธฐ์—๋Š” ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ…์ด ์ฒ˜์Œ ๊ณต์‹ํ™”๋จ์— ๋”ฐ๋ผ ๋ชฉํ‘œ ๋ชจํ˜ธ์„ฑ์ด ๋†’์•˜์ง€๋งŒ, ์ •์ฑ…์„ ๋‘˜๋Ÿฌ์‹ผ ๊ฐˆ๋“ฑ์€ ๋‚ฎ์•˜๋‹ค. ์ด ์‹œ๊ธฐ์—๋Š” ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ์˜ ๊ฐœ๋…๊ณผ ๋„์ž… ๋ชฉํ‘œ๊ฐ€ ๋šœ๋ ทํ•˜์ง€ ์•Š์•˜๊ณ , ์ •์ฑ…์ด ์ง‘ํ–‰๋˜๋Š” ๊ณผ์ •์—์„œ ๋ฐฉํ–ฅ์ด ์—ฌ๋Ÿฌ ๋ฒˆ ์ˆ˜์ •๋˜์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ํŠน์„ฑ์€ ๋ชจํ˜ธ์„ฑ-๊ฐˆ๋“ฑ ๋ชจํ˜•์ด ์˜ˆ์ธกํ•œ ์‹คํ—˜์  ์ง‘ํ–‰์— ํ•ด๋‹นํ•œ๋‹ค. ํ™•์‚ฐ๊ธฐ์—๋Š” ์ •๋ถ€์˜ '์Šค๋งˆํŠธ๊ต์œก ์ถ”์ง„ ์ „๋žต' ๋ฐœํ‘œ๋ฅผ ๊ณ„๊ธฐ๋กœ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ…์˜ ๋™๋ ฅ์ด ๊ฐ•ํ™”๋˜์—ˆ๋‹ค. ์ด ์‹œ๊ธฐ์—๋Š” ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ…์ด '์Šค๋งˆํŠธ ๊ต์œก'์ด๋ผ๋Š” ์ƒˆ๋กœ์šด ์ •์ฑ… ์Šฌ๋กœ๊ฑด์˜ ์„ธ๋ถ€ ๊ณผ์ œ๋กœ ํฌํ•จ๋˜๋ฉด์„œ ๋ชฉํ‘œ ๋ชจํ˜ธ์„ฑ์ด ๋†’๊ฒŒ ์œ ์ง€๋˜์—ˆ๋‹ค. ๋˜ํ•œ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ๊ฐ€ ๋ชจ๋“  ์ดˆ,์ค‘๋“ฑํ•™๊ต์— ์ „๋ฉด์ ์œผ๋กœ ๋„์ž…๋  ๊ฒƒ์ด ์˜ˆ๊ณ ๋˜๋ฉด์„œ, ์ •์ฑ…์„ ๋‘˜๋Ÿฌ์‹ผ ๊ฐˆ๋“ฑ ์ˆ˜์ค€์ด ๋†’์•„์กŒ๋‹ค. ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ… ์ง‘ํ–‰์ด ๊ฐ•ํ™”๋œ ๋ฐฐ๊ฒฝ์—๋Š” ๋‹น์‹œ ๋Œ€ํ†ต๋ น ์ง์†๊ธฐ๊ตฌ์ธ ๊ตญ๊ฐ€์ •๋ณดํ™”์ „๋žต์œ„์›ํšŒ์˜ ๊นŠ์€ ๊ด€์—ฌ๊ฐ€ ์žˆ์—ˆ๋Š”๋ฐ, ์ด๋Ÿฌํ•œ ์‚ฌ์‹ค์€ ๊ถŒ๋ ฅ๊ด€๊ณ„์— ๋”ฐ๋ผ ์ง‘ํ–‰์˜ ๊ฒฐ๊ณผ๊ฐ€ ์ขŒ์šฐ๋˜๋Š” ์ƒ์ง•์  ์ง‘ํ–‰์˜ ํŠน์„ฑ์„ ๋ณด์—ฌ์ค€๋‹ค. ์กฐ์ •๊ธฐ ๋™์•ˆ์—๋Š” ์ •๋ถ€๊ฐ€ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ์˜ ์ „๋ฉด ๋„์ž… ๊ณ„ํš์„ ์ฒ ํšŒํ•˜์˜€๊ณ , ์ผ๋ถ€ ํ•™๊ต์— ๋Œ€ํ•œ ์‹œ๋ฒ” ์ ์šฉ์œผ๋กœ ์ •์ฑ…์„ ์ถ•์†Œ์‹œํ‚ค๋ฉด์„œ ์ •์ฑ…์— ๋Œ€ํ•œ ๊ฐˆ๋“ฑ์ด ๋ด‰ํ•ฉ๋˜๋Š” ์–‘์ƒ์„ ๋ณด์˜€๋‹ค. ์ด ์‹œ๊ธฐ์—๋Š” ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ์˜ ํšจ๊ณผ์„ฑ๊ณผ ์—ญ๊ธฐ๋Šฅ์— ๊ด€ํ•œ ์—ฌ๋Ÿฌ ์—ฐ๊ตฌ๊ฐ€ ์ง„ํ–‰๋˜์—ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์ ์€ ์ •์ฑ… ๊ด€๊ณ„์ž๋“ค์˜ ํ•™์Šต์ด ๋‘๋“œ๋Ÿฌ์ง€๊ฒŒ ๋‚˜ํƒ€๋‚˜๋Š” ์‹คํ—˜์  ์ง‘ํ–‰์˜ ํŠน์„ฑ์„ ๋ณด์—ฌ์ค€๋‹ค. ์•ˆ์ •๊ธฐ์—๋Š” ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ๊ฐ€ ์„œ์ฑ…ํ˜• ๊ต๊ณผ์„œ์˜ ๋ณด์™„์žฌ๋กœ ์ž๋ฆฌ๋งค๊น€ํ•˜๋ฉด์„œ ๋ชฉํ‘œ ๋ชจํ˜ธ์„ฑ์ด ๋‚ฎ์•„์กŒ๊ณ , ์ •์ฑ…์— ๋Œ€ํ•œ ๊ฐˆ๋“ฑ๋„ ๋‚ฎ์€ ์ˆ˜์ค€์„ ์œ ์ง€ํ•˜์˜€๋‹ค. ์ด ์‹œ๊ธฐ์—๋Š” ํ‘œ์ค€ํ™”๋œ ์ •์ฑ… ๊ด€๋ฆฌ ํ™œ๋™๋“ค์ด ์ด๋ฃจ์–ด์ ธ ๊ด€๋ฆฌ์  ์ง‘ํ–‰์˜ ์–‘์ƒ์„ ๋ณด์˜€๋‹ค. ํ•˜์ง€๋งŒ 20์—ฌ๋…„์˜ ๊ธฐ๊ฐ„์„ ๊ฑฐ์ณ ๊ฐœ๋ฐœ, ๋ณด๊ธ‰๋˜์–ด ์˜จ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ๋Š” ์•„์ง๊นŒ์ง€ ๊ต์œก ํ˜„์žฅ์— ์ž˜ ์•ˆ์ฐฉ๋˜์ง€ ์•Š์€ ๊ฒƒ์œผ๋กœ ๋ณด์ธ๋‹ค. ๊ต์‚ฌ๋“ค๊ณผ ํ•™์ƒ๋“ค ์‚ฌ์ด์—์„œ ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ๊ฐ€ ์—ฌ์ „ํžˆ ์ž˜ ํ™œ์šฉ๋˜์ง€ ์•Š๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ์ด๋Š” ๋””์ง€ํ„ธ๊ต๊ณผ์„œ ์ •์ฑ…์ด ์˜ค๋žœ ๊ธฐ๊ฐ„ ์‹œ๋ฒ” ์‚ฌ์—…์ด๋ผ๋Š” ์‹คํ—˜ ์ˆ˜์ค€์— ๋จธ๋ฌด๋ฅด๋ฉด์„œ ์ •์ฑ…์ด ๋™๋ ฅ์„ ์„œ์„œํžˆ ์žƒ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ด๋ผ๊ณ  ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๋˜ํ•œ, ๋””์ง€ํ„ธ ๊ต๊ณผ์„œ ์ •์ฑ…์€ ๊ธ‰๊ฒฉํ•˜๊ฒŒ ๋ฐœ์ „ํ•˜๋Š” ์ •๋ณด ๊ธฐ์ˆ ์„ ๋ฐ˜์˜ํ•˜๋ฉด์„œ ์ถ”์ง„๋˜์–ด์•ผ ํ–ˆ๊ธฐ์—, ๊ธฐ์ˆ ์  ์ธก๋ฉด์—์„œ๋„ ์ •์ฑ…์˜ ๋ฐฉํ–ฅ์ด ์—ฌ๋Ÿฌ ์ฐจ๋ก€ ๋ณ€๊ฒฝ๋  ์ˆ˜ ๋ฐ–์— ์—†์—ˆ๋‹ค. ๋ณธ ์—ฐ๊ตฌ๋Š” ์ •์ฑ…์˜ ์„ฑ๊ณต์ ์ธ ์ง‘ํ–‰์„ ์œ„ํ•ด์„œ๋Š” ์ •์ฑ…์˜ ๋ชฉํ‘œ์™€ ๊ตฌํ˜„ํ•˜๊ณ ์ž ํ•˜๋Š” ๋ฏธ๋ž˜์ƒ์„ ๋ช…ํ™•ํžˆ ์ œ์‹œํ•จ์œผ๋กœ์จ ์ •์ฑ…์— ๋Œ€ํ•œ ๊ตญ๋ฏผ๋“ค์˜ ์ง€์ง€๋ฅผ ๊ฒฐ์ง‘์‹œ์ผœ์•ผ ํ•œ๋‹ค๋Š” ์‹œ์‚ฌ์ ์„ ์ œ๊ณตํ•œ๋‹ค. ๋‹ค๋งŒ ๋ณธ ์—ฐ๊ตฌ๋Š” ๋ชจํ˜ธ์„ฑ๊ณผ ๊ฐˆ๋“ฑ์˜ ์ˆ˜์ค€์„ ๊ฐ๊ด€์ ์œผ๋กœ ์ธก์ •ํ•˜๋Š”๋ฐ ํ•œ๊ณ„๋ฅผ ๊ฐ€์ง€๋Š” ๋ฐ”, ํ–ฅํ›„ ์—ฐ๊ตฌ์—์„œ๋Š” ์ธก์ • ์ง€ํ‘œ ๊ฐœ๋ฐœ ๋“ฑ์˜ ๋ณด์™„์ด ํ•„์š”ํ•  ๊ฒƒ์ด๋‹ค.Since 2002, Korea has initiated policy discussions on digital textbooks and started the development of digital textbooks in 2007. This study aims to analyze the implementation process of Korea's digital textbook policy based on Matland's goal ambiguity-conflict matrix. The implementation of the digital textbook policy can be divided into four stages: introduction, diffusion, adjustment, and stabilization, depending on the levels of goal ambiguity and conflict. During the introduction phase, the policy on digital textbooks was initially announced in Korea, leading to high ambiguity in the goals, but low conflict surrounding the policy. The concept and goals of digital textbooks were not clear during this period, and the policy direction underwent multiple revisions. These characteristics align with the experimental implementation predicted by the ambiguity-conflict model. In the diffusion phase, digital textbook policy became part of a new policy called SMART Education, the ambiguity in goals remained high. Furthermore, with the anticipation of widespread adoption of digital textbooks in all primary and secondary schools, the level of conflict increased. During this period, the Presidential Council for Information Society played a significant role in strengthening the implementation of the digital textbook policy. During the adjustment phase, the government reduced conflict by retracting the full adoption of digital textbooks and reverting to a pilot operation. This period highlighted the learning process of public officials involved in the digital textbook policy, exhibiting characteristics of experimental implementation. In the stabilization phase, normal and predictable policy management activities took place, reflecting the characteristics of administrative implementation. Despite the policy persisting for over 20 years, digital textbooks have not been well-established in the field. This may be because the digital textbook policy has gradually lost its momentum as it has remained at the experimental level for a long time. Additionally, the policy on digital textbooks had to undergo multiple revisions due to the rapid advancement of information technology that it aimed to reflect. This study suggests that for the successful implementation of the policy, it is necessary to mobilize public support for the policy by clearly presenting the goal of the policy to be implemented. However, this study has limitations in objectively measuring the levels of ambiguity and conflict, and future research should focus on developing measurement indicators and addressing these limitations.Table of Contents โ… . Introduction 1 1. Research Purpose 1 2. Research Scope and Method 6 โ…ก Literature Review 7 1. Concept of Digital Textbook 7 2. Progress of Digital Texbook Policy 10 3. Previous Research on Digital Textbook 13 โ…ข. Theoretical Background 18 1. Changes in Digital Textbook Policy 18 2. Goal ambiguity โ€• Conflict Matrix 20 3. Analysis Framework 23 โ…ฃ. Result of Analysis 28 1. Introduction Phase(2007 ~ 2009) 28 1.1 High Level of Goal Ambiguity 28 1.2 Low Level of Conflict 30 1.3 Experimental Implementation 32 2. Diffusion Phase(2010 ~ July 2013) 34 2.1 High Level of Goal Ambiguity 34 2.2 High Level of Conflict 37 2.3 Symbolic Implementation 40 3. Adjustment Phase(August 2013 ~ 2017) 42 3.1 High Level of Goal Ambiguity 43 3.2 Low Level of Conflict 46 3.3 Experimental Implementation 47 4. Stabilization Phase (2018 ~ April 2022) 47 4.1 Low Level of Goal Ambiguity 48 4.2 Low Level of Conflict 49 4.3 Administrative Implementation 50 โ…ค. Conclusion 52 1. Summary of findings 52 2. Implications 53 3. Limitations 57 Bibliography 58 ๊ตญ๋ฌธ์ดˆ๋ก 69์„

    (In)visible Ghosts in the Machine and the Powers that Bind: The Relational Securitization of Anonymous

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    This paper analyzes the formation and subsequent securitization of the digital protest movement Anonymous, highlighting the emergence of social antagonists from communication itself. In contrast to existing approaches that implicitly or explicitly conceptualize Othering (and securitization) as unidirectional process between (active) sender and (passive) receiver, an approach that is based on communication gives the "threatโ€ a voice of its own. The concept proposed in this paper focuses on "designationsโ€ as communicating rules and attributes with regard to a government object. It delineates how designations give rise to the visibility of political entities and agency in the first place. Applying this framework, we can better understand the movement's path from a bunch of anonymous individuals to the collectivity "Anonymous,โ€ posing a threat to certain bases of the state's ontological existence, its prerogative to secrecy, and challenging its claim to unrestrained surveillance. At the same time, the state's bases are implicated and reproduced in the way this conflict is constructed. The conflict not only (re)produces and makes visible "the stateโ€ as a social entity, but also changes or at least challenges the self-same entity's agency and legitimacy. Such a relational approach allows insights into conflict formation as dynamic social proces

    A cognitive conflict strategy for conceptual change with a focus on multimedia learning material development: a meta-analysis

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    Multimedia materials are now more and more used in curricula. Multimedia learning tool that integrates with text, graphics, audio, video and animation make it more interesting and easier understanding of a concept. It has been used in different ways over the years to support student learning in all branches of education. Diverse teaching strategies adopted when developing multimedia learning material for many different and interesting designs. One of them is to overcome studentโ€™s misconception. Theoretically, misconception is a spot where student have understood certain concepts in the wrong manner and usually those who are in this situation refuse to switch to the right one (Johnstone, 2000; Driver, 1994). Cognitive Conflicts Strategies are part of psychological theories of conceptual change and it was effective in correcting a misconception as well as improving performance (Arons, 1990; Minstrell, 1989). Once unreliable event is mismatched with the preconceptions that hold by a learner, cognitive conflict will take place. The learner will engage with the learning material and reconstruct their concept to overcome the conflict. There are so many researches related to Cognitive Conflict Strategies in science and mathematics education that has been proven to improve student performance and misconception. Still, a lot of it was implemented through face-to-face classroom instruction. Referable to the growth of multimedia resources like video, thus, Cognitive Conflict Strategy can be believed to be employed when developing multimedia learning material. Even so, what elements of Cognitive Conflict Strategies that should be usable within the video is still an on-going inquiry. This research tries to investigate the elements of Cognitive Conflict Strategies that could be embedded within multimedia learning material that might effectively overcome the studentsโ€™ misconception based on details literature using meta-analysis technique. The following key words were used to search for related publications: misconception in learning, cognitive conflict strategies, conceptual change process and multimedia learning material. Literature was conduct via Science Direct, Web of Science, ProQuest and IEEExplore Digital Library

    Whither Digital Archaeological Knowledge? The Challenge of Unstable Futures

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    Digital technology increasingly pervades all settings of archaeological practice and virtually every stage of knowledge production. Through the digital we create, develop, manage and share our disciplinary crown jewels. However, technology adoption and digital mediation has not been uniform across all settings or stages. This diversity might be celebrated as reflecting greater openness and multivocality in the discipline, but equally it can be argued that such diversity is unsustainable, and that standards are insufficiently rigorous. Regardless, all positions face the possibility of being severely tested by some large-scale external event: on every continent we witness economic and political upheaval, violence and social conflict. How is digitally mediated knowledge created, managed, and disseminated by archaeologists today, and how secure are the means by which this is achieved? To investigate this question we apply the futurity technique of scenario analysis to generate plausible scenarios and assess their strategic strengths and weaknesses. Based on this analysis we propose some measures to place archaeology in a more robust knowledgescape without stifling digitally creative disruption

    Dynamics of War: Culture, Society, Environment, and Pedagogy

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    War is an ever-present feature of human civilization. Nearly all cultures and societies show accounts of human conflict. This portfolio seeks to provide both a multidimensional analysis of war and a means of instructing students to appreciate its significance as a driving force of history using three different components. The syllabus project provides a long-term view of how the various wars and conflicts came to be and progressed in Western Civilization in the modern era. The chapter-length paper shows the ravaging effects that war and conflict can have on a physical landscape and the environment in which the conflict takes place. Case studies of the battles of Moscow and Kursk in the Soviet Union are used to show that while war has a great impact on nature, the environment of an area can also greatly impact the progression and outcome of battles and even entire war efforts. The digital timeline of American consumption during the Second World War provides an understanding of war through a different perspective, showing how war can affect domestic as well as foreign populations. This portfolio intends to illustrate the complexity of conflict and war in human history and the many consequences that accompany war throughout historical accounts. While the syllabus shows the long-term effects of war over a vast amount of time, the paper and the timeline project show the direct consequences of warfare on citizens, food production and management, and the effected environment. As a whole, this portfolio seeks to further our understanding of war and its impact on humanity
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