216 research outputs found

    Women in Communications

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    Rosalind Russell and Joan Crawford spearheaded the image in the forties; their perennial screen portrayals of newswomen scooping the men in the office and then falling in love with the hard-hearted city editor, or guiding the reorganization of the nation\u27s number-one-rated-but-faltering-magazine to a successful resurgence attracted the identification of many aspiring young women. Abetted by Superman\u27s reporter sidekick cum love-life Lois Lane and the magnificent Brenda Starr of the comic strips, the image was complete; what did many creative, talented and ambitious young women want but to become newshawks with editorial aspirations

    Journalismus und Presse im Film : eine Filmographie

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    Journalismus und Presse im Film: Eine Filmographie. Zusammengestellt von Hans J. Wulf

    Comics and human rights: the forgotten women of comics

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    Laura Sneddon is a comics journalist, writing for the mainstream UK press with a particular focus on women and feminism in comics. With an MLitt in Comic Studies, do not offend her chair leg of truth; it is wise and terrible. Her writing is indexed at comicbookgrrrl.com and procrastinated upon via @thalestral on Twitter

    Caps & Capes - Volume I Issue IV

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    Easterner, Vol. 28, No. 30

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    This farcical issue contains articles about a fictional siege of Showalter Hall, a 17-hour commencement, a stampede of wild Rainier beer bottles through the library, and a new course list to include pragmatic courses.https://dc.ewu.edu/student_newspapers/1142/thumbnail.jp

    Commonwealth Times 1970-03-05

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    https://scholarscompass.vcu.edu/com/1056/thumbnail.jp

    Columbia Chronicle (04/18/2005)

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    Student newspaper from April 18, 2005 entitled The Columbia Chronicle. This issue is 40 pages and is listed as Volume 39, Number 24. Cover story: Building a better campus-slowly Editor-in-Chief: Andrew Greinerhttps://digitalcommons.colum.edu/cadc_chronicle/1643/thumbnail.jp

    The Importance of Appearances in Literature: What Does It Mean to Be a Redhead in Literature?

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    In literature, appearances always seem to play a major part of each character. The physical descriptions of each character are important to the development of the story. Therefore, it seems that a character’s physical appearance becomes an important part of character development, and his/her physical traits help to determine the type of character he/she will be. Often times, different hair colors carry associations along with them. Redheads have been associated with certain temperaments and personality traits throughout history. In literature, red-headed characters often have the temperaments, traits, and negative connotations associated with redheads. One of the major assumptions made about redheads is that they are witches. Libba Bray’s young adult novel A Great and Terrible Beauty (2003) exemplifies the connection between red hair and witchcraft. This thesis will expose redhead stereotypes by analyzing the main character Gemma Doyle of Bray’s novel. By targeting those stereotypes most commonly associated with redheads specifically, I will demonstrate that appearance, especially hair color, becomes an identifier of certain traits about a character to other characters as well as to the reader

    Beaver News, 57(12)

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