Urban ecosystems of Kurukshetra, India, an amalgamations of eco-friendly, historical as well as archaeological adverse facades: A case study

Kurukshetra, a state of India is a historical place having global significance linked with its multifaceted aspects concerning education, science education, engineering colleges, museums and above all some sites and spots which are witnesses to the events of world famous war namely, “Mahabharata”. The studies reveal that urbanization processes have turned rural Kurukshetra into a modern semi-urban area with distinct urban features by creating “Urban Estates”. This is an activity which has two faces: Eco-friendly face and adverse ecological face.The generation of an attraction, ultra modern city equipped with vast green belts; impressive avenues having intense plantations of trees, bushes and profusely dotted with Civil Parks is a phenomenal change. One of the most impressive eco-friendly façade of the new environs is the ambience presence of orchards and plant nurseries and there is practice of “Kitchens-Waste” disposal which is disposed off at a safe place to convert it into organic manure. The best of sanitary conditions are in place which is one more environment friendly aspects. A very well laid out “Mini-Secretariat” encompassing virtually each and every office of the District Administration is intensely covered by very thick cover of trees and a new experiment, pioneered first by Haryana Govt.However, the negative features are many to negate the over all positive features. Foremost is related with discarding the traditional and endemic trees like Shisham Dalbergia sissoo, Neem Azadirachta indica, Beri Morus alba, Peepal Ficus religiosa, Banyan Ficus benghalensis and Mango Mangifera indica trees for tree plantations in favour exotic varieties

Onto-technics in Bryant, Harman and Nancy

My hypothesis in this article is that it is possible to use the philosophical concept of technics to solve a conflict in contemporary continental ontology between speculative materialist and (post)phenomenological approaches. More precisely, I will show that technics gives a privileged access to ontology because it leads to a “materialist” ontology, avoiding both theological and nihilistic approaches, and because technics, being by definition a domain of artificiality, precludes any explication of it in terms of naturalist materialism. I start by critically examining two techno-ontologies that come from speculative realism and object-oriented ontology: Levi R. Bryant’s onto-cartography and Graham Harman’s tool-being. I then present, as a counter-position, Jean-Luc Nancy’s idea of “ecotechnology”. In conclusion, I evaluate the usefulness of the concept of technics for ontology and argue that Nancy’s post-phenomenological approach is preferable because it avoids indefensible hypostases and is more attentive to its own discursive status.Peer reviewe

Active Enchantments: Form, Nature, and Politics in American Literature

Situated at the crossroads of literary studies, ecocriticism and political theory, Active Enchantments explores a strain of thought within American literature that understands life in all of its forms to be generated not by self determined identities, but by interconnectedness and self abandonment. I argue that this interest led American writers across the nineteenth century to develop theories of subjectivity and of politics that not only emphasize the entanglement of the self with its environment, but also view this relationship as structured by self overcoming. Thus, when Emerson calls such interconnectedness "active enchantment," he means to signal life's inherent ability to constantly surpass itself, to never fully be identical with itself. My dissertation brings to the fore the political and ecological stakes of this paradox: if our selves and communities are molded by self abandonment, then the standard scholarly account of how nineteenth century American literature conceptualized politics must be revised. Far from understanding community as an organic production, founded on a teleological and harmonizing principle, the writers I study reconceive it around a sense of a commonality irreducible to fixed identity. The politics emerging out of such redefinition disposes with the primacy of individual or human agency, and becomes ecological in that it renders inoperative the difference between the social and the natural, the human and the non human, ourselves and what comprises us. It is the ecological dimension of what seems like a properly political question that brings together writers as diverse as Emerson and Sarah Orne Jewett, Margaret Fuller and Henry and William James. I argue, for example, that in Jewett's The Country of the Pointed Firs, racial minorities emerge from geological strata as a kind of natural archive that complicates the nation's understanding of its communal origin. When she sets her romances on Native American shell mounds in Maine, or makes the health of a New England community depend on colonial pharmacopoeia and herbalist healing practices of the West Indies, Jewett excavates from history its silent associations and attunes us not only to the violent foundation of every communal identity, but to this identity's entanglement in a number of unacknowledged relations. Her work thus ultimately challenges the procedures of democratic inclusiveness that, however non violent, are nevertheless always organized around a particular notion of identity. The question of the self's constitutive interconnectedness with the world is as central to Margaret Fuller's work. Active Enchantments documents how Fuller's harrowing migraines enabled her to generate a peculiar conception of the "earthly mind," according to which the mind is material and decomposable, rather than spiritual, incorruptible or ideal. This notion eventually led her to devise a theory of the self that absolves persons from self possession and challenges the distinctiveness of personal identity. My concluding chapter argues that Henry James's transnational aesthetics was progressively politicized in the 1880s, and that what scholarship celebrates as the peak of his novelistic method develops, in fact, out of a network of surprising and heretofore unexplored influences, William James's concurrent theories of corporeal emotion, Mikhail Bakunin's anarchism, and Henry James's friendship with Ivan Turgenev, which inflamed James's interest in British politics, the Russo Turkish War, and the Balkan revolutions

Showme, vol. 33, no. 08 (May 1956)

"Ozark issue"--Cover."Missouri showme"--Page 5.SHOWME is published nine times, October through June, during the college year by the Students of the University of Missouri"--Page 5.Title from cover

Novel techniques in large scaleable ATM switches

Bibliography: p. 172-178.This dissertation explores the research area of large scale ATM switches. The requirements for an ATM switch are determined by overviewing the ATM network architecture. These requirements lead to the discussion of an abstract ATM switch which illustrates the components of an ATM switch that automatically scale with increasing switch size (the Input Modules and Output Modules) and those that do not (the Connection Admission Control and Switch Management systems as well as the Cell Switch Fabric). An architecture is suggested which may result in a scalable Switch Management and Connection Admission Control function. However, the main thrust of the dissertation is confined to the cell switch fabric. The fundamental mathematical limits of ATM switches and buffer placement is presented next emphasising the desirability of output buffering. This is followed by an overview of the possible routing strategies in a multi-stage interconnection network. A variety of space division switches are then considered which leads to a discussion of the hypercube fabric, (a novel switching technique). The hypercube fabric achieves good performance with an O(N.log₂N)²) scaling. The output module, resequencing, cell scheduling and output buffering technique is presented leading to a complete description of the proposed ATM switch. Various traffic models are used to quantify the switch's performance. These include a simple exponential inter-arrival time model, a locality of reference model and a self-similar, bursty, multiplexed Variable Bit Rate (VBR) model. FIFO queueing is simple to implement in an ATNI switch, however, more responsive queueing strategies can result in an improved performance. An associative memory is presented which allows the separate queues in the ATM switch to be effectively logically combined into a single FIFO queue. The associative memory is described in detail and its feasibility is shown by laying out the Integrated Circuit masks and performing an analogue simulation of the IC's performance is SPICE3. Although optimisations were required to the original design, the feasibility of the approach is shown with a 15Ƞs write time and a 160Ƞs read time for a 32 row, 8 priority bit, 10 routing bit version of the memory. This is achieved with 2µm technology, more advanced technologies may result in even better performance. The various traffic models and switch models are simulated in a number of runs. This shows the performance of the hypercube which outperforms a Clos network of equivalent technology and approaches the performance of an ideal reference fabric. The associative memory leverages a significant performance advantage in the hypercube network and a modest advantage in the Clos network. The performance of the switches is shown to degrade with increasing traffic density, increasing locality of reference, increasing variance in the cell rate and increasing burst length. Interestingly, the fabrics show no real degradation in response to increasing self similarity in the fabric. Lastly, the appendices present suggestions on how redundancy, reliability and multicasting can be achieved in the hypercube fabric. An overview of integrated circuits is provided. A brief description of commercial ATM switching products is given. Lastly, a road map to the simulation code is provided in the form of descriptions of the functionality found in all of the files within the source tree. This is intended to provide the starting ground for anyone wishing to modify or extend the simulation system developed for this thesis

Free Words

"FREE WORDS is a book which belongs to whoever finds it. 3000 copies have been produced by artist Sal Randolph and are being distributed free worldwide. The books are placed on the shelves of bookstores and libraries creating an art situation that infiltrates public and commercial space." -- Artist's website