An Overview of the Coding Standard MPEG-4 Audio Amendments 1 and 2: HE-AAC, SSC, and HE-AAC v2

<p/> <p>In 2003 and 2004, the ISO/IEC MPEG standardization committee added two amendments to their MPEG-4 audio coding standard. These amendments concern parametric coding techniques and encompass Spectral Band Replication (SBR), Sinusoidal Coding (SSC), and Parametric Stereo (PS). In this paper, we will give an overview of the basic ideas behind these techniques and references to more detailed information. Furthermore, the results of listening tests as performed during the final stages of the MPEG-4 standardization process are presented in order to illustrate the performance of these techniques.</p

An Overview of the Coding Standard MPEG-4 Audio Amendments 1 and 2: HE-AAC, SSC, and HE-AAC v2

In 2003 and 2004, the ISO/IEC MPEG standardization committee added two amendments to their MPEG-4 audio coding standard. These amendments concern parametric coding techniques and encompass Spectral Band Replication (SBR), Sinusoidal Coding (SSC), and Parametric Stereo (PS). In this paper, we will give an overview of the basic ideas behind these techniques and references to more detailed information. Furthermore, the results of listening tests as performed during the final stages of the MPEG-4 standardization process are presented in order to illustrate the performance of these techniques

Frequency-domain bandwidth extension for low-delay audio coding applications

MPEG-4 Spectral Band Replication (SBR) is a sophisticated high-frequency reconstruction (HFR) tool for speech and natural audio which when used in conjunction with an audio codec delivers a broadband high-quality signal at a bit rate of 48 kbps or even below. The major drawback of this technique is that it significantly increases the delay of the underlying core codec. The idea of synthetic signal reconstruction is of particular interest also in real-time communications. There, a HFR method can be employed to further loosen the channel capacity requirements. In this thesis a delay-optimized derivative of SBR is elaborated, which can be used together with a low-delay speech and audio coder like the Fraunhofer ULD. The presented approach is based on a short-time subband representation of an acoustic signal of natural or artificial origin, and as such it utilizes a filter bank for the extraction and the manipulation of sound characteristics. The system delay for a combination of the ULD coder with the proposed low-delay bandwidth extension (LD-BWE) tool adds up to 12 ms at a sampling rate of 48 kHz. At the present stage, LD-BWE generates a subjectively confirmed excellent-quality highband replica at a simulated mean data rate of 12.8 kbps.MPEG-4 Spectral Band Replication (SBR) ist ein technisch ausgereiftes Verfahren zur Rückgewinnung von hochfrequenten Signalkomponenten für Sprache und natürliches Audio, das in Verbindung mit einem Audiocodec angewandt ein hochwertiges Breitbandsignal bei einer Bitrate von nicht mehr als 48 kbps liefert. Ein wesentlicher Nachteil dieser Methode ist, dass sie die Zeitverzögerung des darunter liegenden Kerncodecs maßgeblich vergrößert. Die Idee der synthetischen Signalwiederherstellung ist in Echtzeitkommunikation ebenso von besonderem Interesse. Ein derartiges Verfahren könnte dort eingesetzt werden, um die Anforderungen an die Kanalkapazität weiter zu lockern. In dieser Arbeit wird ein latenzoptimiertes Derivat von SBR ausgearbeitet, welches zusammen mit einem minimal verzögernden Sprach- und Audiocoder, wie dem Fraunhofer ULD, verwendet werden kann. Der vorgestellte Ansatz basiert auf einer Kurzzeit-Teilband-Darstellung eines akustischen Signals natürlichen oder künstlichen Ursprungs, und greift als solcher auf eine Filterbank zur Extraktion und Manipulation von Klangcharakteristika zurück. Die Verzögerungszeit des Gesamtsystems bestehend aus dem ULD-Coder und der vorgeschlagenen Bandbreitenerweiterung beläuft sich bei einer Abtastrate von 48 kHz auf 12 ms. Einem subjektiven Hörtest zufolge, erzeugt die neu entwickelte Bandbreitenerweiterung in ihrem derzeitigen Stadium eine Kopie des Hochbandes von hervorragender Qualität bei einer simulierten mittleren Datenrate von 12.8 kbps.Ilmenau, Techn. Univ., Masterarbeit, 201

Towards Real-Time Non-Stationary Sinusoidal Modelling of Kick and Bass Sounds for Audio Analysis and Modification

Sinusoidal Modelling is a powerful and flexible parametric method for analysing and processing audio signals. These signals have an underlying structure that modern spectral models aim to exploit by separating the signal into sinusoidal, transient, and noise components. Each of these can then be modelled in a manner most appropriate to that component's inherent structure. The accuracy of the estimated parameters is directly related to the quality of the model's representation of the signal, and the assumptions made about its underlying structure. For sinusoidal models, these assumptions generally affect the non-stationary estimates related to amplitude and frequency modulations, and the type of amplitude change curve. This is especially true when using a single analysis frame in a non-overlapping framework, where biased estimates can result in discontinuities at frame boundaries. It is therefore desirable for such a model to distinguish between the shape of different amplitude changes and adapt the estimation of this accordingly. Intra-frame amplitude change can be interpreted as a change in the windowing function applied to a stationary sinusoid, which can be estimated from the derivative of the phase with respect to frequency at magnitude peaks in the DFT spectrum. A method for measuring monotonic linear amplitude change from single-frame estimates using the first-order derivative of the phase with respect to frequency (approximated by the first-order difference) is presented, along with a method of distinguishing between linear and exponential amplitude change. An adaption of the popular matching pursuit algorithm for refining model parameters in a segmented framework has been investigated using a dictionary comprised of sinusoids with parameters varying slightly from model estimates, based on Modelled Pursuit (MoP). Modelling of the residual signal using a segmented undecimated Wavelet Transform (segUWT) is presented. A generalisation for both the forward and inverse transforms, for delay compensations and overlap extensions for different lengths of Wavelets and the number of decomposition levels in an Overlap Save (OLS) implementation for dealing with convolution block-based artefacts is presented. This shift invariant implementation of the DWT is a popular tool for de-noising and shows promising results for the separation of transients from noise