Alexander H\uf6bel, Luigi Longo, una vita partigiana (1900-1945)

La recensione analizza il volume di Alexander H\uf6bel, Luigi Longo, una vita partigiana (1900-1945)

Hugo Schuchardt zana

Dialecto : texto en euskera central -- guipuzcoanoS. XX -- Periodo : último euskera modernoEuskalkia : erdialdekoa -- gipuzkeraXX. md. -- Aroa : azken euskara modernoaDigitalización. Vitoria-Gasteiz : Fundación Sancho el Sabio, 2008Rústic

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Jerònia PONS PONS ; Javier SILVESTRE RODRÍGUEZ, eds. Los orígenes del Estado del Bienestar en España, 1900-1945 : los seguros de accidentes, vejez, desempleo y enfermeda

[Review of the books \u3ci\u3eManaging the Human Factor: The Early Years of Human Resource Management in American Industry and \u3ci\u3eHired Hands or Human Resources? Case Studies of HRM Programs and Practices in Early American Industry\u3c/i\u3e]

[Excerpt] Bruce Kaufman has produced two volumes on the early development of human resource (HR) management that should become mainstays in undergraduate and graduate courses in the fields of HR studies and industrial relations. Not since Sandy Jacoby\u27s pathbreaking book on the development of personnel management has such careful attention been paid to the inner workings of American corporations\u27 personnel policies a century ago (Employing Bureaucracy: Managers, Unions and the Transforming of Work in American Industry, 1900-1945, 1985). Unlike Jacoby, who specifically analyzed how and why companies developed these policies in response to union movements and external pressures, Kaufman\u27s purpose is to show that the roots of modern HR management can be traced to the late nineteenth and that “strategic” HR is not new

Ensiklopedi pahlawan nasional

Buku ensiklopedia pahlawan nasional ini memuat biografi singkat 90 orang pahlawan, merupakan salah satu hasil kegiatan rutin Subdit Sejarah, Direktorat Sejarah dan Nilai Tradisional. Buku ini mengungkapkan perjuangan tokoh-tokoh yang berjuang sebelum tahun 1900, masa Pergerakan Nasional (1900-1945), saat mempertahankan dan mengisi kemerdekaan termasuk para Pahlawan Revolusi

Narratives of loss and order and imaging the Belgian landscape 1900-1945

In their article "Narratives of Loss and Order and Imaging the Belgian Landscape 1900-1945" Bruno Notteboom and David Peleman analyze a number of publications on landscape, focusing on narratives constructed by means of landscape images published in Belgium. With the work of Jean Massart and Emile Vanderwelde as a point of departure, Notteboom and Peleman discuss popularizing publications in the fields of botany, agricultural education, and tourism, as well as an urban planning. They address the three realms of landscape narratives defined by Matthew Potteiger and Jamie Purinton as story, context/intertext, and discourse. Notteboom and Peleman distinguish three recurrent operations or narrative techniques: framing, sequencing, and juxtaposing whereby their main argument is that in spite of their ideological differences the publications they discuss seek a way of dealing with processes of modernization and with the loss of a traditional way of living defined by a direct relation with the land

H-Diplo Roundtable XXI-28 on Tworek. News from Germany: the competition to control world communications, 1900-1945

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Habits of Mercy : Iowa farm animal welfare, 1900-1945

Animals on Iowa farms developed close connections with their human caretakers in the first part of the twentieth century. Through development of human-animal bonds, animals determined their own welfare on farms, to an extent. Animal welfare on Iowa farms varied greatly between individual farms, but certain factors such as strong human-animal bonds and productive roles in farm operation helped determine the amount of care an animal received. Animals and people were both actors in these relationships. In general, animals on Iowa farms prior to farm commercialization received better care than animals housed in confinements during the latter part of the century. On early twentieth century Iowa farms, the welfare of the farm was dependent on the welfare of farm animals

Modernist Unselfing: Religious Experience and British Literature, 1900-1945

This dissertation examines the role of religious experience in British modernist literature, arguing that a strain of modernist writing drew from different religious traditions to conceptualize and model ways of escaping the confines of the self. In distinctive yet strikingly similar ways, these writers draw from these traditions—orthodox and heterodox, eastern and western—not in an attempt to propound traditional theological ideas but to recapture a religious sensibility that extends beyond dogma or creed: a sensibility that can offer means of getting beyond the self’s limited, solipsistic, and myopic perspective. In response to the perceived decline of religion in late 19th- and early 20th-century British culture; the atomizing effects of industrial modernity; and a growing distrust, informed by contemporary psychology, of the limitations of the self and the self’s perspective, the works this dissertation examines achieve a frame of reference beyond the individual point of view through processes and practices I group under the term “unselfing.” Unselfing emerges in these works as a moral and broadly religious imperative, necessary to achieving authentic communion between people and, paradoxically, to achieving a more authentic relationship to the self; at the same time, these works represent unselfing as an endeavor that is necessarily asymptotic, difficult, and always incomplete. They model unselfing in and through literary form, not only conveying but also embodying processes of unselfing in their formal experimentation. Reading works by D.H. Lawrence, E.M. Forster, Dorothy Richardson, and T.S. Eliot alongside contemporary psychological, philosophical, and anthropological writings of the period, I show how a pervasive and urgent desire to use spiritual practices to escape the self shaped the development of British modernist literature. Modernist Unselfing thus challenges prevailing accounts of British modernism, according to which secular artistic innovation absorbed and attained the sacred value formerly located in religion. I argue that, on the contrary, these narrow accounts of secularization and aestheticization have obscured what much of modernist experimentation was actively attempting to capture: a desire, often ethically-minded, to forego self