Adaptive Frequency Neural Networks for Dynamic Pulse and Metre Perception.

Beat induction, the means by which humans listen to music and perceive a steady pulse, is achieved via a perceptualand cognitive process. Computationally modelling this phenomenon is an open problem, especially when processing expressive shaping of the music such as tempo change.To meet this challenge we propose Adaptive Frequency Neural Networks (AFNNs), an extension of Gradient Frequency Neural Networks (GFNNs).GFNNs are based on neurodynamic models and have been applied successfully to a range of difficult music perception problems including those with syncopated and polyrhythmic stimuli. AFNNs extend GFNNs by applying a Hebbian learning rule to the oscillator frequencies. Thus the frequencies in an AFNN adapt to the stimulus through an attraction to local areas of resonance, and allow for a great dimensionality reduction in the network.Where previous work with GFNNs has focused on frequency and amplitude responses, we also consider phase information as critical for pulse perception. Evaluating the time-based output, we find significantly improved re-sponses of AFNNs compared to GFNNs to stimuli with both steady and varying pulse frequencies. This leads us to believe that AFNNs could replace the linear filtering methods commonly used in beat tracking and tempo estimationsystems, and lead to more accurate methods

WiMIR: An Informetric Study on Women Authors in ISMIR

Poster session 3: paper no. PS3-29Organized by New York University and Columbia UniversityThe Music Information Retrieval (MIR) community is becoming increasingly aware of a gender imbalance evident in ISMIR participation and publication. This paper reports upon a comprehensive informetric study of the publication, authorship and citation characteristics of female researchers in the context of the ISMIR conferences. All 1,610 papers in the ISMIR proceedings written by 1,910 unique authors from 2000 to 2015 were collected and analyzed. Only 14.1% of all papers were led by female researchers. Temporal analysis shows that the percentage of lead female authors has not improved over the years, but more papers have appeared with female coauthors in very recent years. Topics and citation numbers are also analyzed and compared between female and male authors to identify research emphasis and to measure impact. The results show that the most prolific authors of both genders published similar numbers of ISMIR papers and the citation counts of lead authors in both genders had no significant difference. We also analyzed the collaboration patterns to discover whether gender is related to the number of collaborators. Implications of these findings are discussed and suggestions are proposed on how to continue encouraging and supporting female participation in the MIR field.published_or_final_versio

Current Challenges and Visions in Music Recommender Systems Research

Music recommender systems (MRS) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user's fingertip. While today's MRS considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user--item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art towards solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field

Multimodal music information processing and retrieval: survey and future challenges

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years

A Corpus of Annotated Irish Traditional Dance Music Recordings: Design and Benchmark Evaluations

An emerging trend in music information retrieval (MIR) is the use of supervised machine learning to train automatic music transcription models. A prerequisite of adopting a machine learning methodology is the availability of annotated corpora. However, different genres of music have different characteristics and modelling these characteristics is an important part of creating state of the art MIR systems. Consequently, although some music corpora are available the use of these corpora is tied to the specific music genre, instrument type and recording context the corpus covers. This paper introduces the first corpus of annotations of audio recordings of Irish traditional dance music that covers multiple instrument types and both solo studio and live session recordings. We first discuss the considerations that motivated our design choices in developing the corpus. We then benchmark a number of automatic music transcription algorithms against the corpus. The underlying dataset for this research is available here at Github or here in Arrow

Musical Typicality: How Many Similar Songs Exist?.

[TODO] Add abstract here

Improving Structure Evaluation Through Automatic Hierarchy Expansion

Structural segmentation is the task of partitioning a recording into non-overlapping time intervals, and labeling each segment with an identifying marker such as A, B, or verse. Hierarchical structure annotation expands this idea to allow an annotator to segment a song with multiple levels of granularity. While there has been recent progress in developing evaluation criteria for comparing two hierarchical annotations of the same recording, the existing methods have known deficiencies when dealing with inexact label matchings and sequential label repetition. In this article, we investigate methods for automatically enhancing structural annotations by inferring (and expanding) hierarchical information from the segment labels. The proposed method complements existing techniques for comparing hierarchical structural annotations by coarsening or refining labels with variation markers to either collapse similarly labeled segments together, or separate identically labeled segments from each other. Using the multi-level structure annotations provided in the SALAMI dataset, we demonstrate that automatic hierarchy expansion allows structure comparison methods to more accurately assess similarity between annotations