Art Image Copyright and Licensing: Bibliography

This bibliography is the result of a literature review conducted during the summer of 2009 as part of a study of art museum copyright and licensing policies funded by The Samuel H. Kress Foundation. It collects literature on copyright and licensing issues pertaining to reproductions of works of art, with a particular focus on literature examining the relationship between museum rights and reproduction policies and copyright law. More generally, it includes literature on art and copyright law, examining issues such as notions of originality and the impact of copyright and licensing on the creation of new works of art. While the majority of works in this bibliography are concerned with United States copyright law, it also includes relevant English-language literature on international and comparative copyright laws

The impact of the Hargreaves Review on photographers in the digital age.

This article revisits some of the questions raised in my undergraduate dissertation in 2005 looking at Online Digital Image Copyright and the adequacy of then current legislation to protect the Intellectual Property Rights of photographers. This article is intended to be an initial exploration of developments since 2005 and the possible impacts on photographers in a digital age

Interim Report: Art Image Copyright and Licensing Study

This report constitutes an interim report submitted to The Samuel H. Kress Foundation with respect to a grant for the study of museum licensing policies and terms for the use of art images. According to the original grant proposal, the requested grant period was eighteen (18) months, beginning as of May 1, 2009. The first twelve (12) months have centered on research and producing deliverables. That period is now completed. This report will document the tasks pursued and completed during the initial research term of the grant

Art Image Copyright and Licensing: Compilation and Summary of Museum Policies

This document summarizes and compiles terms and conditions governing image rights and reproduction from fifty art museums in the United States. The sample of museums was selected from among the 193 museums accredited by the American Association of Museums that have a primary specialty in art. For each museum, copyright and image licensing information was obtained from the museum's website

Art Image Copyright and Licensing: Terms and Conditions Governing Third Party Rights

This table provides an overview of the rights and reproduction policies of art museums within the United States as they address the existence of third party copyrights in artwork reproductions. It also provides a means for comparing and analyzing how different institutions approach the issue of third party rights when licensing uses of art images

Art Image Copyright and Licensing: Terms and Conditions Governing Reproduction and Distribution

This table provides an overview of the rights and reproduction policies of art museums within the United States as they address the reproduction and distribution of artwork reproductions. It also provides a means for comparing and analyzing how different institutions approach controlling reproduction and distribution when licensing uses of art images

A Digital Image Copyright Protection Scheme Based on Visual Cryptography

[[abstract]]A simple and efficient watermark method is proposed in this paper. The watermark method is an excellent technique to protect the copyright ownership of a digital image. The proposed watermark method is built up on the concept of visual cryptography. According to the proposed method, the watermark pattern does not have to be embedded into the original image directly, which makes it harder to detect or recover from the marked image in an illegal way. It can be retrieved from the marked image without making comparison with the original image. The notary also can off-line adjudge the ownership of the suspect image by this method. The watermark pattern can be any significant black/white image that can be used to typify the owner. Experimental results show that the watermark pattern in the marked image has good transparency and robustness. By the proposed method, all the pixels of the marked image are equal to the original image.[[notice]]補正完

Art Image Copyright and Licensing: Terms and Conditions Governing Appearance and Composition of Images

This table provides an overview of rights and reproduction policies addressing the composition and appearance of art images provided by art museums throughout the United States. It also provides a means for comparing and analyzing how different institutions regulate appearance and composition through licensing terms

Emerg Infect Dis

John August Swanson (1938\u20132021), The Carousel, 1975. Silkscreen in 29 colors on white wove paper, 26.5 in x 31 in/67.3 cm 7 78.7 cm. Image copyright \ua9 John August Swanson, 1975 122022. Digital image from Tate.2022PMC89628791123