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    Factors Impacting the Mental Health Stigma in the African American Community with a Focus on African American Males

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    There have been numerous studies done on various topics involving mental health with different populations, for mental health plays such a significant role in everyone\u27s lives. Mental health essentially drives how individuals think, feel, and act. However, mental health tends to be overlooked with minority populations, thus causing the number of studies done on minority populations to be so little. This study will focus solely on the African American community, for the African American community experiences this mental health stigma that is not seen so often with the White population due to certain factors. Males also experience higher levels of stigma than the females in terms of mental health. The purpose of this study is to further explore these factors that are contributing to the mental health stigma within the African American community along with the factors that are causing African American males to experience higher levels of stigma. The research design for this project was done with a qualitative method by looking at multiple journal articles and statistics to help identify the factors causing this mental health stigma among the Black community along with factors causing males to experience higher levels of stigma. The research will involve qualitative methods of collecting data including the survey design method and the interview (round table talk) design method. Because some individuals will experience their first onset of mental health issues during young adulthood (age ranging from 18-25), utilizing African American male college students from various universities will be most effective

    Hyperbolic Figures

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    It’s natural for hyperbole to mix with metaphor and irony, and other figures of speech. How do they mix together and what kind of compound, if any, arises out of the mixing? In tackling this question, I shall argue that thinking of hyperbolic figures along the lines familiar from ironic metaphor compounds is a temptation we should resist. Looking in particular at hyperbolic metaphor and hyperbolic irony, I argue, they don’t yield a new encompassing compound figure with one figure building on another. Instead, what we have is one dominant figure colored with hyperbolic tinges. So what does hyperbole bring to the mixing pot? I suggest we should think of hyperbole in hyperbolic figures as being an interpretive effect, modulating the working of the partner figure and thus rendering more emphatic

    Large-angle Polarization of the Cosmic Microwave Background Radiation and Reionization

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    We discuss the effect of matter reionization on the large-angular-scale anisotropy and polarization of the cosmic microwave background radiation (CMBR) in the standard CDM model. We separate three cases in which the anisotropy is induced by pure scalar, pure tensor, and mixed metric perturbations respectively. It is found that, if reionization occurs early enough, the polarization can reach a detectable level of sequentially 6%6\%, 9%9\%, and 6.5%6.5\% of the anisotropy. In general, a higher degree of polarization implies a dominant contribution from the tensor mode or reionization at high redshift. Since early reionization will suppress small-scale CMBR anisotropies and polarizations significantly, measuring the polarization on few degree scales can be a direct probe of the reionization history of the early universe.Comment: Changes in the revised version: 1. Below Eq. (2), we demonstrate the method of our numerical work, by adding the evolution equations for the Legendre coefficents for both the scalar and tensor mode pertubations. 2. Below Eq. (9), we added a paragraph on discussing the basis we employed in computing the polarization correlation function. 3. In Sec. 4, we have rewritten the first and second paragraphs, where we illustrate how to the explain the discrepancies with the previous wor

    Figures of interpretation

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    This peer-reviewed article was intended to contribute to the general pedagogy of practice-led doctoral research through addressing the particular methodological issue of the relationship between written text and practice. This methodological issue concerns the modes of interpretation that arise in the relationship between the written text and the art work in practice-led doctoral research. The initial version of this paper was a contribution to the 5th Research into Practice conference (Royal Society of Arts, London, October 2008), whose central theme was the question of whether art practice-led doctoral research should provide the means for a clear interpretation of its contribution to knowledge, or whether it is a defining characteristic of art work that it is open to different interpretations. In the article I subsequently developed, I consider the idea that the act of interpretation which takes place between written text and art work is one that involves two distinct interpretative attitudes, and explore the possibility, with reference to Hayden White's work on the relationship between rhetorical figures and discourse, that a particular kind of knowledge is produced through the workings of their internal relationship

    Facts and figures

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    A

    Figures of Folk

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    A collaboration between London College of Communication, the UAL Photography and the Archive Research Centre (PARC) and the Museum of British Folklore, Figures of Folk, curated by Val Williams, explores ongoing traditions through a series of large format photographs by Graham Goldwater of objects associated with British folklore, alongside letterpress posters created by LCC students, inspired by ancient phrases and words. In 2009, Simon Costin, the Director of the Museum of British Folklore, put out a call to the nation’s Morris sides to replicate their team kit in miniature, as handmade dolls. The response has been overwhelming, with nearly three hundred sides participating in the creation of a physical archive. Together with the Morris dolls, The Museum of British Folklore owns a collection of jig dolls – articulated wooden figures which were used by street performers to create a rhythmic beat and movement, mimicking traditional folk dance. Both collections have been photographed by Graham Goldwater, exploring the ways in which the photographic image both documents museum objects and extends their meaning and reach. Both object and photograph become an artefact of dancing and celebration which has taken place in Britain for nearly five hundred years. As a temporal equivalent, letterpress has also been in continuous existence since 15th century and the work produced by LCC students, Oliver Zandi, Emily Jane Todd and Vaida Klimaviciute, pays homage to this tradition. Much as Morris dancing has grown in popularity after an earlier decline, the letterpress was superseded by industrial and digital methods of printing. Today, Morris now has over eight hundred active sides and letterpress has seen a huge resurrection of interest. Both of these activities represent a means of reaching out and connecting to the old ways. But, rather than being a purely nostalgic exercise, their acknowledgment of a rich, deep-rooted past serves to highlight the value of continuity in building a stronger future

    Annex. Tables and Figures

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    Aneks do: The Quandaries and Foreign Development, ed. D. Mierzejewski, “Contemporary Asian Studies Series
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