Creativity in (Digital) Journalism Studies: Broadening our Perspective on Journalism Practice

Creativity in journalism studies includes the use of arts-based research, artistic methods, and other ways of theorising, researching, analysing and presenting data on journalism. Its purpose is to recognise and capture the many forms of journalism that are currently practiced, to develop new approaches to research (digital) journalism, and to enable the telling of the widest possible variety of stories about (digital) journalism. Creativity has a triple implication: as a concept that informs what we are looking for when studying journalism, a guide for the range of available research methods, and an inspiration for the stories we tell about our research

Towards an experientialist understanding of journalism: exploring arts-based research for journalism studies

In this paper, we explore the ways in which we can employ arts-based research methods to unpack and represent the diversity and complexity of journalistic experiences and (self) conceptualisations. We address the need to reconsider the ways in which we theorise and research the field of journalism. We thereby aim to complement the current methodologies, theories, and prisms through which we consider our object of study to depict more comprehensively the diversity of practices in the field. To gather stories about journalism creatively (and ultimately more inclusively and richly), we propose and present the use of arts-based research methods in journalism studies. By employing visual and narrative artistic forms as a research tool, we make room for the senses, emotion and imagination on the part of the respondents, researchers and audiences of the output. We draw on a specific collaboration with artists and journalists that resulted in a research event in which 32 journalists were invited to collaboratively recreate the "richness and complexity" of journalistic practices.Global Challenges (FSW

Walking the newsroom: towards a sensory experience of journalism

We invite you to join us on a walk through the newsroom of a regional newspaper, Dagblad van het Noorden. We trace how the journalists perceive, articulate, engage, embrace, challenge, are receptive to, and give form to the ‘atmospheres’ of their workspace. The concept of atmospheres is central in how we have looked at the newsroom. On this walk, we explore the spatial, socio-cultural, rhythmic, tonal, and somatic characteristics of the recently redesigned newsroom, using video, sound, text, and drawing. Employing artistic methods, we want to let you experience this newsroom together with us – giving you insight into the journalists’ lived experience of their profession as fundamentally interwoven with the idiosyncrasies of their workspace. Our host on the walk is online news editor Alfred Meester. Alfred walked us, Saskia and Sander, through the newsroom, which we visited as part of the project Exploring Journalism’s Limits (funded by the Dutch Research Council, NWO, project number: 314-99-205). Also joining us on this day is Ricky Booms, a visual artist invited to reflect on the space alongside us. Along the way, we encounter visual editors, interns, freelancers, editorial staff writers, and learn about the kinds of spaces that resonate with them. The walk takes approximately 45 minutes.NWOCISC.KC.212Global Challenges (FSW

Equality of Participation Online Versus Face to Face: Condensed Analysis of the Community Forum Deliberative Methods Demonstration

Online deliberation may provide a more cost-effective and/or less inhibiting environment for public participation than face to face (F2F). But do online methods bias participation toward certain individuals or groups? We compare F2F versus online participation in an experiment affording within-participants and cross-modal comparisons. For English speakers required to have Internet access as a condition of participation, we find no negative effects of online modes on equality of participation (EoP) related to gender, age, or educational level. Asynchronous online discussion appears to improve EoP for gender relative to F2F. Data suggest a dampening effect of online environments on black participants, as well as amplification for whites. Synchronous online voice communication EoP is on par with F2F across individuals. But individual-level EoP is much lower in the online forum, and greater online forum participation predicts greater F2F participation for individuals. Measured rates of participation are compared to self-reported experiences, and other findings are discussed.Comment: 14 pages, 10 tables, to appear in Efthimios Tambouris, Panos Panagiotopoulos, {\O}ystein S{\ae}b{\o}, Konstantinos Tarabanis, Michela Milano, Theresa Pardo, and Maria Wimmer (Editors), Electronic Participation: Proceedings of the 7th IFIP WG 8.5 International Conference, ePart 2015 (Thessaloniki, August 30-September 2), Springer LNCS Vol. 9249, 201

Dealing with the mess (we made): Unraveling hybridity, normativity, and complexity in journalism studies

In this article, we discuss the rise and use of the concept of hybridity in journalism studies. Hybridity afforded a meaningful intervention in a discipline that had the tendency to focus on a stabilized and homogeneous understanding of the field. Nonetheless, we now need to reconsider its deployment, as it only partially allows us to address and understand the developments in journalism. We argue that if scholarship is to move forward in a productive manner, we need, rather than denote everything that is complex as hybrid, to develop new approaches to our object of study. Ultimately, this is an open invitation to the field to adopt experientialist, practice-based approaches that help us overcome the ultimately limited binary dualities that have long governed our theoretical and empirical work in the field

Egypt's feminist counterpublic: The re-invigoration of the post-revolution public sphere

This study examines the current feminist counterculture movements which appears to be reinvigorating the Egyptian public sphere. The study argues women in particular have been able to find themselves alternative ways to develop a discourse focused on a desire for social changes around which they can unite. In focusing on lifestyle issues that normally are discussed only in small private spheres, they are able to challenge norms while not provoking the state or security apparatus and avoiding becoming part of the polarised political environment. This article explores the dynamics and motivations of these groups through a case study of three of the networked feminist movements. Our data from semi-structured interviews with the founders show that they grew from networks to movements which then evolved in order to be sustainable. This article argues that through the process of their evolution, these movements are helping strengthen the public sphere and enhance Egyptian democracy