17 research outputs found
Forensic support for the international search
The purpose of the article is to formulate the basic theoretical principles and practical recommendations for forensic support for the international search. Subject of research: The subject of research is the concept, content, objectives and features of the implementation of forensic support for the international search. Methodology: In the course of the research general scientific methods, such as the methods of analysis and synthesis, induction and deduction, specification, summarization and analogy, etc. were used. Research results: According to the results of the research, it is substantiated that the international search is a complex legal institution and a separate form of international cooperation. Forensic support in this context is to create the conditions of preparedness and implementation of methods, tools, techniques of forensics in order to solve the problems of the international search. Practical consequences: It is proved that the international search is carried out according to certain stages, where certain measures of forensic support are necessary to be applied. Value / originality: Forensic support for the international search is to maximize the use of modern advances in science and technology to expand the range of sources of forensic information that can be applied in the international search
Regional choreographic schools in Ukraine: the socio-cultural and pedagogical aspects
It is very important to preserve and develop folk choreographic culture in the modern socio-cultural space research of regional dance traditions. This is especially true for those territories, which are now only fragmentarily represented in Ukrainian art history. The aim of this study was to identify the main trends and establish the peculiarities of socio-cultural and pedagogical aspects of regional dance schools in Ukraine. This cross-sectional study was carried out on a sample of 264Β scientific and pedagogical employees engaged in scientific and teaching activities in the field of choreography at higher education institutions in Ukraine, namely Kyiv University of Culture, Kyiv National University of Culture and Arts (KNUCA), Volyn National University named after Lesya Ukrainka, and Kyiv Municipal Academy of Variety and Circus Arts. While writing this article, we also analyzed the works of international researchers. A questionnaire consisting of 4 questions was used for data collection and the analytical methods were descriptive statistics (percentage). According to the study results, the features of the formation of choreographic schools in different geographical and cultural regions of Ukraine highlight promising areas of their development from the perspective of scholars of choreography engaged in scientific and teaching activities in higher education institutions. In conclusion, Ukrainian regional choreography is a creative and multidimensional phenomenon. In each region of Ukraine, folk ethnography is characterized by its authentic features and way of performance due to geographical, historical, social, political, economic, and other factors
Linguistic and semiotic representation of pessimism in The Happy Prince and Other Tales by Oscar Wilde
This paper focuses on the indirect means of verbalising the phenomenon of pessimism in the texts of literary fairy tales from the point of view of linguosemiotics. The study aims to identify the linguistic and semiotic means that create the pessimistic discourse of Oscar Wilde's collection The Happy Prince and Other Tales. Pessimistic discourse is treated as a person-centred type of discourse, represented by a complex system of means that reveals the speaker's pessimistic worldview and is characterised by its aims, style, and tenor. The study employs semantic and lingo-semiotic analysis of the ontological phenomenon of pessimism in fictional texts, using content analysis to ensure the reliability and validity of the results. Furthermore, the four-stage methodological procedure used in this research allows us to define a general literary context of the analysed works, select the research material, determine the frequency characteristics of the symbols as lingo-semiotic means that create the pessimistic tonality and discourse of Oscar Wilde's collection The Happy Prince and Other Tales. The research identifies the symbols of nature (seasons, flowers), the material world (colours, everyday objects), distance and death (as an ontological category) as verbal triggers of the author's pessimism implemented in the narrative through the contextual markers of basic, adjacent and related qualitative features of pessimism reflecting its social, psychological and cognitive aspects. The study contributes to the development of linguistic semiotics, psycholinguistics and discourse studies by enriching the knowledge of idiostyles. The proposed methodology of the given research is considered promising within the framework of different genres.Β
Disclosure Statement
No potential conflict of interest was reported by the authors.
* Corresponding author: Alla Pavliuk,
0000-0002-6037-4819 [email protected]
Psychological and Legal Aspects of Verification and Detection of Lies during Polygraph Examination
The article examines the features of verification and detection of lies and the definition of their features in the process of polygraph examination. Detection of lies is associated with the experience of certain emotions, the mechanisms of functioning of which ensure the organization of the relationship between true and false answers during testing using the technical means of computer polygraph and are accompanied by physiological reactions. In a computerized polygraph test, a test taker analyzes and evaluates the risks of concealing false information or the possibility of confirming it and exposing it as false. The effectiveness of information concealment depends on its ability to reveal and control a specific picture of oneβs own physiological reactions when answering the questions, which are then evaluated by a polygraph examiner. Instrumental detection during polygraph testing should aim to obtain information, avoiding ambiguity, doubt, assumptions, and subjective association with an adequate reflection of reality. Undoubtedly, there is information that characterizes certain actions performed by a person, which he/she interprets and submits in the form of a true or false answer to a question evaluated by a polygraph examiner. The effectiveness of methods of detection and verification of lies depends on the qualification of the polygraph specialist, taking into account the individual characteristics of each test case, as well as the subtleties and details of the event being studied, features of psychophysiological reactions of the person being examined, namely the type of nervous system, external and internal factors that significantly influence the result of the examination. The conducted empirical research made it possible to describe the features of the group of people in whom lies were detected during polygraph testing. Such individuals showed high rates of adaptability, but low rates of neuropsychological stability. Among the personal qualities a high level of manifestation on such scales as "reactive aggression", "spontaneous aggression", "irritability", "shyness", "openness", "extraversion-introversion" can be distinguished.</p
Research-Based Training: Methodological Characteristics and Results of the Analysis of Educational Programs
The purpose of the article is to determine the peculiarities of using teaching elements of research-based training at the Institute of Human Sciences at Borys Grinchenko Kyiv University.
Based on focus group methodology, the authors identify the key methodological characteristics of research-based training, which have comprised the basis of educational program analysis for determining the application of tasks that contribute to the development of studentsβ research skills. The study used a focus group method. Its purpose was to obtain the necessary information from the
participants to describe the methodological basis and justification of methods, forms, indicators, etc.
of research-based training systems among people who are competent and have experience in this field. After that, the method of βtheoretical samplingβ was used, which enabled formulation of generalized characteristics according to the results of focus groups. The practical value of the study is the determination of the methodological characteristics of research-based training, which is the basis for the application of tasks by university teachers that promote the development of research competence in students. The research is one of the first attempts to determine the methodological
characteristics of research-based training in Ukrain
Emotional Intelligence in the Context of Linguodidactics and Linguocultural Studies
In the article, for the first time in Eastern European linguodidactics, an original method of using students' emotional intelligence data and their personal linguoculture for a new structuring of didactic material in the study of foreign languages (on the example of Ukrainian as a foreign language) is offered.The authors aimed to make theoretical generalizations and conclusions about the main subject of the research, to determine the types of emotional-intellectual relation of students to a foreign language in the classes of the higher educational institutions and to model the general methodological scheme on the basis of sociological and functional-semantic data.The used methods can be clearly divided into theoretical, sociological and modeling, which made it possible to demonstrate a new approach to the thematic presentation of didactic material on the example of the concept HAPPY and determine the degree of flexibility of students' emotional intelligence in foreign language classes.First of all, the international significance of the article lies in the first attempt of the synthesis of the theory of emotional intelligence and linguoculturology (theory of concepts) in the optimization of the foreign language didactics; secondly, the authors, with the help of associative experiment and functional-field thematic structuring, offered a new model of presenting the lexical material of foreign language teaching for the first time.</p
ΠΠ°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ Π² Π°Π½Π³Π»ΡΠΉΡΡΠΊΠΎΠΌΡ ΡΡΠΈΠ΄ΠΈΡΠ½ΠΎΠΌΡ Π΄ΠΈΡΠΊΡΡΡΡ Π² ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΎΠΌΡ ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄Ρ: ΡΠ΅ΠΌΠ°Π½ΡΠΈΡΠ½Ρ, ΠΌΠΎΡΡΠΎΠ»ΠΎΠ³ΡΡΠ½Ρ ΡΠ° ΡΠΈΠ½ΡΠ°ΠΊΡΠΈΡΠ½Ρ ΠΎΠ·Π½Π°ΠΊΠΈ
The paper studies specific features of English pronominal pronouns and their translation. The results of the research show that the compounds in question are the archaic feature of the English legalese, they appeared in the Old English period, the same time as the adverbs here and there emerged, and some of them came into use in the Middle English time. The pronominal character of pronominal adverbs (PAs) is clearly seen through the lens of Ukrainian translation where they are mostly rendered by means of pronouns or noun phrases. Since Ukrainian does not have direct equivalents for English PAs, we can see ten different means used to translate them into Ukrainian.Manuscript receivedΒ 14.05.2020Π£ ΡΡΠ°ΡΡΡ ΡΠΎΠ·Π³Π»ΡΠ½ΡΡΠΎ ΠΎΡΠΎΠ±Π»ΠΈΠ²ΠΎΡΡΡ Π°Π½Π³Π»ΡΠΉΡΡΠΊΠΈΡ
Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΡΠ² ΡΠ° ΡΡ
Π½ΡΠΉ ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄ ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΎΡ ΠΌΠΎΠ²ΠΎΡ. Π Π΅Π·ΡΠ»ΡΡΠ°ΡΠΈ Π΄ΠΎΡΠ»ΡΠ΄ΠΆΠ΅Π½Π½Ρ ΠΏΠΎΠΊΠ°Π·Π°Π»ΠΈ, ΡΠΎ ΡΡ ΡΠΊΠ»Π°Π΄Π½Ρ Π»Π΅ΠΊΡΠ΅ΠΌΠΈ Ρ Π°ΡΡ
Π°ΡΠ·ΠΌΠ°ΠΌΠΈ, ΡΠΎ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΠ½Ρ Π΄Π»Ρ Π°Π½Π³Π»ΡΠΉΡΡΠΊΠΎΡ ΡΡΠΈΠ΄ΠΈΡΠ½ΠΎΡ ΠΌΠΎΠ²ΠΈ, Π΄Π΅ΡΠΊΡ Π· Π½ΠΈΡ
Π·βΡΠ²ΠΈΠ»ΠΈΡΡ Ρ Π΄Π°Π²Π½ΡΠΎΠ°Π½Π³Π»ΡΠΉΡΡΠΊΠΈΠΉ ΠΏΠ΅ΡΡΠΎΠ΄ Ρ ΡΠΎΠΉ ΡΠ°ΠΌΠΈΠΉ ΡΠ°Ρ, ΠΊΠΎΠ»ΠΈ Π·βΡΠ²ΠΈΠ»ΠΈΡΡ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ here, there, ΡΠ½ΡΡ β Ρ ΡΠ΅ΡΠ΅Π΄Π½ΡΠΎΠ°Π½Π³Π»ΡΠΉΡΡΠΊΠΈΠΉ ΠΏΠ΅ΡΡΠΎΠ΄.ΠΠ΅ΡΠΎΡ ΡΡΡΡ ΡΠΎΠ±ΠΎΡΠΈ Ρ Π΄ΠΎΡΠ»ΡΠ΄ΠΈΡΠΈ ΠΏΠΎΠ΄Π²ΡΠΉΠ½Ρ ΠΏΡΠΈΡΠΎΠ΄Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΡΠ², ΡΠΎ ΠΌΠ°ΡΡΡ Ρ ΡΠ²ΠΎΡΠΌΡ ΡΠΊΠ»Π°Π΄Ρ Π΅Π»Π΅ΠΌΠ΅Π½ΡΠΈ here-/there-, Π· ΠΏΠΎΠ³Π»ΡΠ΄Ρ ΡΡ
Π½ΡΡ
ΡΠ΅ΠΌΠ°Π½ΡΠΈΡΠ½ΠΈΡ
, ΠΌΠΎΡΡΠΎΠ»ΠΎΠ³ΡΡΠ½ΠΈΡ
ΡΠ° ΡΠΈΠ½ΡΠ°ΠΊΡΠΈΡΠ½ΠΈΡ
ΠΎΡΠΎΠ±Π»ΠΈΠ²ΠΎΡΡΠ΅ΠΉ.ΠΠ΅ΡΠΎΠ΄ΠΈ. Π Π΅ΡΠ΅Π½Π½Ρ, ΡΠΊΡ ΠΌΡΡΡΡΡΡ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ, ΡΠΎ Π²ΠΈΠ²ΡΠ°ΡΡΡΡΡ, Π±ΡΠ»ΠΎ Π²ΠΈΠ±ΡΠ°Π½ΠΎ Π· ΡΠ΅ΠΊΡΡΡΠ² ΠΌΠ΅ΡΠΎΠ΄ΠΎΠΌ ΡΡΡΡΠ»ΡΠ½ΠΎΡ Π²ΠΈΠ±ΡΡΠΊΠΈ. ΠΠ»Ρ Π΄ΠΎΠ²Π΅Π΄Π΅Π½Π½Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΎΠ³ΠΎ Ρ
Π°ΡΠ°ΠΊΡΠ΅ΡΡ ΡΠΈΡ
Π»Π΅ΠΊΡΠ΅ΠΌ Π²ΠΈΠΊΠΎΡΠΈΡΡΠΎΠ²ΡΠ²Π°Π»ΠΈ ΠΌΠ΅ΡΠΎΠ΄ ΡΡΠ°Π½ΡΡΠΎΡΠΌΠ°ΡΡΠΉΠ½ΠΎΠ³ΠΎ Π°Π½Π°Π»ΡΠ·Ρ. ΠΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΠ½ΠΈΠΉ Π°Π½Π°Π»ΡΠ· Π·Π°ΡΡΠΎΡΠΎΠ²Π°Π½ΠΎ Π΄Π»Ρ Π²ΠΈΠ²ΡΠ΅Π½Π½Ρ ΡΠ΅ΠΌΠ°Π½ΡΠΈΠΊΠΈ ΠΎΠ±ΠΎΡ
ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΡΠ² ΡΠΊΠ»Π°Π΄Π½ΠΈΡ
ΡΠ»ΡΠ², ΠΎΠΏΠΈΡΠΎΠ²ΠΈΠΉ ΠΌΠ΅ΡΠΎΠ΄ β Π΄Π»Ρ ΡΠΎΠ·ΠΊΡΠΈΡΡΡ ΠΏΡΠΈΡΠΎΠ΄ΠΈ Ρ ΠΏΠΎΡ
ΠΎΠ΄ΠΆΠ΅Π½Π½Ρ ΡΡΠΎΠ³ΠΎ ΠΌΠΎΠ²Π½ΠΎΠ³ΠΎ ΡΠ²ΠΈΡΠ°.Π Π΅Π·ΡΠ»ΡΡΠ°ΡΠΈ. ΠΠ°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ Π· ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΠΎΠΌ here- / there Π½Π°Π±ΡΠ»ΠΈ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΎΠ·Π½Π°ΠΊ Ρ Π΄Π°Π²Π½ΡΠΎΠ°Π½Π³Π»ΡΠΉΡΡΠΊΠΈΠΉ ΠΏΠ΅ΡΡΠΎΠ΄, Ρ
ΠΎΡΠ° ΠΏΠΎΠ·Π½Π°ΡΠ΅Π½Π½Ρ Β«ΠΌΡΡΡΠ°Β» Ρ ΠΏΠ΅ΡΠ²ΠΈΠ½Π½ΠΈΠΌ ΡΠΊ Π΄Π»Ρ βhereβ, ΡΠ°ΠΊ Ρ Π΄Π»Ρ βthereβ, ΡΠΎΠ±ΡΠΎ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΎΠ²Π° ΠΏΡΠΈΡΠΎΠ΄Π° Ρ ΠΏΠ΅ΡΠ²ΠΈΠ½Π½ΠΎΡ. Π ΡΡΠΈΠ΄ΠΈΡΠ½ΡΠΉ Π°Π½Π³Π»ΡΠΉΡΡΠΊΡΠΉ ΠΌΠΎΠ²Ρ Π΄ΠΎΠΊΠ°Π·ΠΎΠΌ ΡΠΎΠ³ΠΎ, ΡΠΎ ΠΊΠΎΠΌΠΏΠΎΠ½Π΅Π½ΡΠΈ βhereβ Ρ βthereβ ΠΌΠ°ΡΡΡ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΎΠ·Π½Π°ΠΊΠΈ, Ρ ΡΠΎΠΉ ΡΠ°ΠΊΡ, ΡΠΎ Π²ΠΎΠ½ΠΈ Π·Π°ΠΌΡΠ½ΡΡΡΡ Π½Π°Π·Π²Ρ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ° (βhereβ) Π°Π±ΠΎ ΡΠΌΠ΅Π½Π½ΠΈΠΊ/ΡΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Π΅ ΡΠ»ΠΎΠ²ΠΎΡΠΏΠΎΠ»ΡΡΠ΅Π½Π½Ρ (βthereβ). Π¦Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ ΠΌΠΎΠΆΡΡΡ ΡΡΠ½ΠΊΡΡΠΎΠ½ΡΠ²Π°ΡΠΈ Ρ ΡΠ΅ΡΠ΅Π½Π½Ρ ΡΠΊ ΠΎΠ·Π½Π°ΡΠ΅Π½Π½Ρ Ρ Π΄ΠΎΠ΄Π°ΡΠΎΠΊ, ΡΠΎ Π·Π°Π·Π²ΠΈΡΠ°ΠΉ Ρ ΡΡΠ½ΠΊΡΡΡΠΌΠΈ Π½ΠΎΠΌΡΠ½Π°ΡΠΈΠ²Π½ΠΈΡ
ΡΠ°ΡΡΠΈΠ½ ΠΌΠΎΠ²Π»Π΅Π½Π½Ρ (ΡΠΌΠ΅Π½Π½ΠΈΠΊΡΠ², Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΡΠ², ΠΏΡΠΈΠΊΠΌΠ΅ΡΠ½ΠΈΠΊΡΠ²). ΠΡΡΠΌ ΡΠΎΠ³ΠΎ, Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΠΉ Ρ
Π°ΡΠ°ΠΊΡΠ΅Ρ ΡΠΈΡ
ΡΡΠ²ΠΎΡΠ΅Π½Ρ ΠΌΠΎΠΆΠ½Π° ΠΏΡΠΎΡΡΠ΅ΠΆΠΈΡΠΈ ΡΠ΅ΡΠ΅Π· ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΈΠΉ ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄, Π΄Π΅ Π²ΠΎΠ½ΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°ΡΡΡΡΡ Π·Π°Π·Π²ΠΈΡΠ°ΠΉ Π·Π° Π΄ΠΎΠΏΠΎΠΌΠΎΠ³ΠΎΡ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΡΠ² Π°Π±ΠΎ ΡΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΡΠ»ΠΎΠ²ΠΎΡΠΏΠΎΠ»ΡΡΠ΅Π½Ρ. ΠΡΠΊΡΠ»ΡΠΊΠΈ Π² ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΡΠΉ ΠΌΠΎΠ²Ρ Π½Π΅ΠΌΠ°Ρ ΠΏΡΡΠΌΠΈΡ
Π²ΡΠ΄ΠΏΠΎΠ²ΡΠ΄Π½ΠΈΠΊΡΠ² Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΡΠ², ΠΌΠΎΠΆΠ½Π° ΡΠΏΠΎΡΡΠ΅ΡΡΠ³Π°ΡΠΈ Π²ΠΆΠΈΠ²Π°Π½Π½Ρ Π΄Π΅ΡΡΡΠΈ ΡΡΠ·Π½ΠΈΡ
ΡΠΏΠΎΡΠΎΠ±ΡΠ² ΡΡ
ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄Ρ ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΎΡ ΠΌΠΎΠ²ΠΎΡ.ΠΠ±Π³ΠΎΠ²ΠΎΡΠ΅Π½Π½Ρ. ΠΡΡΠ»Ρ Π°Π½Π°Π»ΡΠ·Ρ Π²ΠΆΠΈΠ²Π°Π½Π½Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΡΠ² Ρ ΡΠ΅Π³Π»Π°ΠΌΠ΅Π½ΡΠ°Ρ
ΠΠ²ΡΠΎΠΏΠ΅ΠΉΡΡΠΊΠΎΡ ΠΊΠΎΠΌΡΡΡΡ ΡΠ° ΡΡ
ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄ΡΠ² ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΎΡ ΠΌΠΎΠ²ΠΎΡ, Π±ΡΠ»ΠΎ Π·ΡΠΎΠ±Π»Π΅Π½ΠΎ Π²ΠΈΡΠ½ΠΎΠ²ΠΊΠΈ ΡΠΎΠ΄ΠΎ Π²ΠΈΠΊΠΎΡΠΈΡΡΠ°Π½Π½Ρ ΡΡΠΎΠ³ΠΎ Π°ΡΡ
Π°ΡΠ·ΠΌΡ Π² Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠ°Ρ
ΠΠ‘, Π° ΡΠ°ΠΊΠΎΠΆ Π²ΠΈΡΠ²Π»Π΅Π½ΠΎ Π²ΡΡ ΡΠΏΠΎΡΠΎΠ±ΠΈ ΠΏΠ΅ΡΠ΅Π΄Π°Π½Π½Ρ ΡΡ
Π·Π°ΡΠΎΠ±Π°ΠΌΠΈ ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΠΎΡ ΠΌΠΎΠ²ΠΈ. ΠΠ°ΠΉΡΠ°ΡΡΡΡΠ΅ Π΄Π»Ρ ΠΏΠ΅ΡΠ΅ΠΊΠ»Π°Π΄Ρ Π°Π½Π³Π»ΡΠΉΡΡΠΊΠΈΡ
Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΡ
ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΡΠ² Π²ΠΈΠΊΠΎΡΠΈΡΡΠΎΠ²ΡΡΡΡ ΠΏΡΠΈΡΠ²ΡΠΉΠ½Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΈ, ΡΠΎ ΠΏΠΎΡΡΠ½ΡΡΡΡΡΡ ΡΠΈΠΌ, ΡΠΎ thereof Π²ΠΆΠΈΠ²Π°ΡΡΡΡΡ Π±ΡΠ»ΡΡΠ΅ Π·Π° ΡΠ½ΡΡ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²Ρ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊΠΈ, Π° ΠΏΡΠΈΠΉΠΌΠ΅Π½Π½ΠΈΠΊ of Ρ ΠΏΠΎΠ·Π½Π°ΡΠ΅Π½Π½ΡΠΌ ΡΠΎΠ΄ΠΎΠ²ΠΎΠ³ΠΎ (ΠΏΡΠΈΡΠ²ΡΠΉΠ½ΠΎΠ³ΠΎ) Π²ΡΠ΄ΠΌΡΠ½ΠΊΡ Π² Π°Π½Π³Π»ΡΠΉΡΡΠΊΡΠΉ ΠΌΠΎΠ²Ρ. Π¦Π΅ΠΉ ΠΏΡΠΈΠΉΠΌΠ΅Π½Π½ΠΈΠΊ Π²ΠΈΠΊΠΎΡΠΈΡΡΠΎΠ²ΡΡΡΡ Π΄Π»Ρ ΠΏΠΎΠ·Π½Π°ΡΠ΅Π½Π½Ρ ΠΏΡΠΈΡΠ²ΡΠΉΠ½ΠΈΡ
Π²ΡΠ΄Π½ΠΎΡΠΈΠ½ ΠΌΡΠΆ ΠΎΠ±βΡΠΊΡΠ°ΠΌΠΈ, Π° Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΎΠ²ΠΈΠΉ ΠΏΡΠΈΡΠ»ΡΠ²Π½ΠΈΠΊ ΠΌΠ°Ρ Π·Π½Π°ΡΠ΅Π½Π½Ρ: Β«of this, of that, of these, of thoseΒ», ΡΠΎΠ±ΡΠΎ Π²ΠΈΡΠ°ΠΆΠ°Ρ ΡΠΎΠ΄ΠΎΠ²ΠΈΠΉ Π²ΡΠ΄ΠΌΡΠ½ΠΎΠΊ Ρ Π·Π½Π°ΡΠ΅Π½Π½Ρ ΠΏΡΠΈΡΠ²ΡΠΉΠ½ΠΎΡΡΡ. Π ΡΠΊΡΠ°ΡΠ½ΡΡΠΊΡΠΉ ΠΌΠΎΠ²Ρ ΡΠ°ΠΊΠ΅ Π·Π½Π°ΡΠ΅Π½Π½Ρ ΠΌΠ°ΡΡΡ ΠΏΡΠΈΡΠ²ΡΠΉΠ½Ρ Π·Π°ΠΉΠΌΠ΅Π½Π½ΠΈΠΊΠΈ ΠΉ ΡΠΌΠ΅Π½Π½ΠΈΠΊΠΈ Ρ ΡΠΎΠ΄ΠΎΠ²ΠΎΠΌΡ Π²ΡΠ΄ΠΌΡΠ½ΠΊΡ.ΠΠ°ΡΠ΅ΡΡΠ°Π» Π½Π°Π΄ΡΠΉΡΠΎΠ² 14.05.202
MAIN PRINCIPLES OF FORMING THE BASIS OF PRIMARY SCHOOLCHILDRENβS NATIONAL CULTURE IN MUSIC ART LESSONS
The article deals with the main principles of forming the foundations of the national culture of the primary school aged children. The issue of studying and implementing the artistic education principles is fundamental in modern education, because the development of a methodological model is based on the certain principles of teaching. The author notes that the scholars have substantiated the need to use the achievements of folk art during the upbringing of the future generation (P. Blonskyi, H. Vashchenko, H. Vynohradov, T. Demianchuk, M. Kostrytsa, Yu. Rudenko, S. Rusova, O. Smoliak, M. Stelmakhovych, V. Sukhomlynskyi, etc.).
The consistent adherence to the principles of general pedagogical and musical education contributes to the development of the musical education process for primary schoolchildren. The most important didactic principles of general primary education at school should be considered: the principle of integrity, continuity and promising, natural correspondence, awareness and efficiency of knowledge, activating cognitive activity, independence and individualization, the principle of visibility.
From the standpoint of the systematic approach, the basic principles of artistic learning of students are analyzed. The principles of formation of the basis of younger schoolchildrenβs national culture, namely: the principle of artistic self-identification with their nation, are determined; the principle of tolerance and mutual respect for intercultural artistic communications; the principle of personal cultivation; the principle of intensification of artistic and national development.
The principles of forming the basics of primary schoolchildrenβs national culture focus on the aesthetic values of folk art, the development of needs in it, which becomes an initial step of immersion of the child in the environment of aesthetic phenomena. The consistent acquaintance of the students with the logic of the formation and development of the main components of the nature of folk art (naturalness, spontaneity, collectivity, vivid imagery, tradition, etc.) promotes a deeper perception, understanding and formation of the spirituality of the younger generation
Education in the Conditions of Pandemic and War: Ukrainian Students' Representative Opinions
The article deals with the results of the study of studentsβ attitudes to distance learning in the conditions of a pandemic and martial law in Ukraine, the impact of distance learning on the quality of educational services and internships at the Institute of Human Sciences. The study helped to recognise the achievements, identify problems and improve the organization of the educational process at the
Institute of Human Sciences during the pandemic and martial law; to analyse the quality of educational services and take into account their suggestions in preparation for the new academic year; to improve studentsβ internships by providing suggestions to heads of internship bases. The main results of the study are formulated in Conclusions: the quality of education does not depend on the forms of teaching,
but depends on the scientific and methodological support of educational disciplines by teachers, their use of the latest forms and methods of teaching, compliance of
the content of the topics under consideration with modern trends and events taking place in the world; distance learning is perceived by students as a temporary inconvenience, to which they have successfully adapted thanks to the opportunity to work using e-learning courses and use various Internet platforms for communication with
teachers and colleagues; internships in various social institutions contribute not only to the formation of studentsβ certain practical skills and abilities, but also positively affect the formation of their general and special (professional) competences; practical orientation training and the policy of student-centeredness give positive results
and make students competitive in the labour market in Ukraine; the pandemic and the state of war (martial law) in the country have made students more responsible, independent, patient, and tolerant
Environmental Friendliness of a Personβs Musical Space as a Factor of Personality Disharmony Prevention
The article discusses correlations between a personβs musical space and the degree of personality harmony. The sound environment of a person always influences personality formation and his/her behaviour. By studying a person's musical preferences, a degree of harmony of his/her personality development can be understood. The article's purpose is to determine the correlation of musical preferences with the existence of personality disharmony and types of his/her relationships with others, as well as to determine the specifics of the impact of music on personality features of people with special needs. The authors started from the assumption that, depending on his/her personality traits, a person prefers certain patterns of musical discourse. The empirical study aimed to study relations of such personality features that testify the personality disharmony and are manifested in non-viable relationships with others. The personality manifestations in communications and educational activities were also analyzed. It was determined that music therapy plays an important role in the formation of their personalities for people with special needs. The correlation of personality traits with the perception of music has shown that persons with the external locus of control choose musical discourses that, as for their psychological content, reflect uncertainty, amorphy of world perception or its simplicity, primitiveness; on the contrary, persons with the internal locus of control choose energetic, purposeful music. Persons with the disharmonious type of relationships choose music whose psychological and emotional content reflects the next personality traits: possible aggressive behaviour; a life course that does not demand serious decisions, irresponsibility, and reluctance to resolve complex situations