From menace to torture : the development of Harold Pinter's political drama : a thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in English at Massey University

There is a degree of continuity between Pinter's "comedies of menace" and his overtly political plays. The chief difference between the two types of plays is one of focus: in the "comedies of menace" Pinter emphasises social pressures exerted on the nonconforming individual, whereas in the overtly political plays he focusses explicitly on State oppression of the dissident. Pinter's passionate concern with politics has adversely affected his art, though there are signs of a return to form in his latest play, Party Time

Topics and Features of Academic Medical Library Tutorials

In a 2007 study, librarians at the University of South Carolina School of Medicine Library examined freely available online tutorials on medical library Web sites. The team identified tutorial topics, determined common design features, and assessed elements of active learning in library-created tutorials; the team also generated a list of third-party tutorials to which medical libraries link. This article updates the earlier study, describing changes and trends in tutorial content and design on medical libraries’ Web sites; the project team plans to continue to track trends in tutorial development by repeating this study annually

I want some huggin\u27 and some squeezin\u27 and some muggin\u27 [first line of chorus]

Performers: Betty HuttonPiano, Voice and Chord

Theorising The Everyday

This article reflects on the gender politics integral to theories and cultural histories of the everyday in the contemporary Humanities and (to a lesser extent) Social Sciences. Since the 1990s feminist scholars have observed the gender bias integral to many canonical twentieth-century theories of the everyday. In spite of these observations, I suggest that much everyday life theory and recent studies that map a cultural and intellectual history of the everyday continue to reflect this gender bias. I suggest that one possible reason for this is women’s historical exclusion from the realm of theoretical discourse broadly conceived, and propose that in order to trace alternative critiques and histories of the everyday feminist scholars need to look to alternative modes of cultural and discursive production - for example, literature, the essay and art - through which to trace implicit and explicit analyses of the everyday by women. The second part of the article turns to the work of the twentieth-century photographer Dorothea Lange as a case in point. While Lange’s work has never been discussed in studies of the everyday, the concept underpins her practice and her work offers some suggestive points of comparison to approaches to the everyday both in Lange’s time and in contemporary theory. Focusing on her little-known essays ‘Documentary Photography’ and ‘Photographing the Familiar’ and some of her images of rural California during the Depression years, I examine her account of the role of the ‘familiar’ and everyday to the social, aesthetic and ethical potential of documentary photography as a medium at the time