2,227 research outputs found

    Should I fall and fail to rise

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    Early in the morning, before the wind takes up its broom, you can see where claws have carved cuneiform runes into the curve and crest of the dune

    The Riddles of Mazeppa; or, More Questions than Answers:Watermarks and cohabitations, April 1817-September 1818

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    Byron's Mazeppa is an unusual case in his writing career. He was generally a quick writer, but this poem - an important link between his earlier melodramatic tales and his later comic ones -was started in April 1817 and completed only in September 1818, nearly eighteen months later. This essay uses various forms of evidence, in particular literary allusion and the various paper stocks on which the poem was drafted, to suggest when and where the poem was 'broken off' before being finally completed. It also considers in the poem in the light of other works written during the period (The Lament of Tasso, Manfred, Childe Harold IV, Beppo, and Don Juan) before considering its overall theme in contrast to Voltaire's History of Charles XII

    The red patas monkey (Erythrocebus paras): An analysis of pathological changes and organ/body weight data in laboratory animals in a 12 year period

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    The histopathology and body and organ weights have been evaluated for 76 adult red patas monkeys used as controls in routine short term toxicity studies.Body and organ weights varied considerably, males weighting 2.45—7.7 kg and females 2.65—4.80 kg. Absolute organ weights did not exhibit a clear graphical relationship to body weight, although brain weight did show an exponential relationship when its weight relative to body weight was plotted against body weight.Neoplastic changes were not seen in any male or female animal. Common lesions included sialodacroadenitis, sub-acute thyroiditis, chronic respiratory disease, interstitial nephritis and cystitis. Pulmonary and intestinal nematode infections were present in ten animals. It is concluded that the range of lesions identified resemble those present in many other species of laboratory animal maintained under conventional laboratory conditlons

    Surgical technique for arthroscopic onlay suprapectoral biceps tenodesis with an all-suture anchor.

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    The long head of the biceps is a frequent pain generator in the shoulder. Tendinopathy of the long head of the biceps may be treated with biceps tenodesis. There has been great debate about the optimal technique for biceps tenodesis, without a clear distinction between different techniques. Biceps tenodesis fixation may include interference fixation, suspensory fixation, all-suture anchors, and soft tissue fixation. In this technical note, we describe an all-arthroscopic onlay suprapectoral biceps tenodesis with an all-suture anchor

    Rare in Burlesque: Northanger Abbey

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    [Extract] It has been appreciated for many years that a special part of the appeal and literary-historical significance of Northanger Abbey lies in the way the novel dramatizes and articulates the relationship between the two fictional modes it deploys: novelistic realism on the one hand and a satiric version of Gothic fiction on the other (what Reginald Farrer called in 1917 "serious drama" and "parody"). "As for the reader," Farrer concluded, "the closer his study of the dovetailing of the two motives, the profounder his pleasure."! Reflection on the moral and aesthetic effects of this dovetailing has frequently been seen as central to what Jane Austen's novel encourages and has to offer. For Walter Anderson Northanger Abbey presents a struggle between "fatuous imaginings" and "common, sensible pleasures in reading," in which Austen "intends her work ... to compete with and ultimately outstrip Gothic romances."2 For Marvin Mudrick, "The problem is to write simultaneously a Gothic novel and a realistic novel, and to gain and keep the reader's acceptance of the latter while proving that the former is false and absurd."3 In Northanger Abbey, according to Susan Morgan, "Austen mocks sentimental and gothic conventions because they are unnatural and therefore incredible.

    Transitional objects: the spots of time in the prelude of 1799

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