1,607 research outputs found
H.P. Lovecraft’s Philosophy of Science Fiction Horror
The paper is an examination and critique of the philosophy of science fiction horror of seminal American horror, science fiction and fantasy writer H.P. Lovecraft (1890-1937). Lovecraft never directly offers a philosophy of science fiction horror. However, at different points in his essays and letters, he addresses genres he labels “interplanetary fiction”, “horror”, “supernatural horror”, and “weird fiction”, the last being a broad heading covering both supernatural fiction and science fiction. Taken together, a philosophy of science fiction horror emerges. Central to this philosophy is the juxtaposition of the mysterious, unnatural and alien against a realistic background, in order to produce the emotion that Lovecraft calls “cosmic fear”. This background must not only be scientifically accurate, but must accurately portray human psychology, particularly when humans are faced with the weird and alien. It will be argued that Lovecraft’s prescriptions are overly restrictive and would rule out many legitimate works of science fiction horror art. However, he provides useful insights into the genre
Extremal functions in de Branges and Euclidean spaces
In this work we obtain optimal majorants and minorants of exponential type
for a wide class of radial functions on . These extremal
functions minimize the -distance to
the original function, where is a free parameter. To achieve this
result we develop new interpolation tools to solve an associated extremal
problem for the exponential function , where , in the general framework of de Branges
spaces of entire functions. We then specialize the construction to a particular
family of homogeneous de Branges spaces to approach the multidimensional
Euclidean case. Finally, we extend the result from the exponential function to
a class of subordinated radial functions via integration on the parameter
against suitable measures. Applications of the results presented
here include multidimensional versions of Hilbert-type inequalities, extremal
one-sided approximations by trigonometric polynomials for a class of even
periodic functions and extremal one-sided approximations by polynomials for a
class of functions on the sphere with an axis of symmetry
Sharp approximations to the Bernoulli periodic functions by trigonometric polynomials
We obtain optimal trigonometric polynomials of a given degree that
majorize, minorize and approximate in the
Bernoulli periodic functions. These are the periodic analogues of two works of
F. Littmann that generalize a paper of J. Vaaler. As applications we provide
the corresponding Erd\"{o}s-Tur\'{a}n-type inequalities, approximations to
other periodic functions and bounds for certain Hermitian forms.Comment: 14 pages. Accepted for publication in the J. Approx. Theory. V2 has
additional references and some typos correcte
Gaussian Subordination for the Beurling-Selberg Extremal Problem
We determine extremal entire functions for the problem of majorizing,
minorizing, and approximating the Gaussian function by
entire functions of exponential type. This leads to the solution of analogous
extremal problems for a wide class of even functions that includes most of the
previously known examples (for instance \cite{CV2}, \cite{CV3}, \cite{GV} and
\cite{Lit}), plus a variety of new interesting functions such as
for ; \,, for
;\, ; and \,, for . Further applications to number theory include optimal
approximations of theta functions by trigonometric polynomials and optimal
bounds for certain Hilbert-type inequalities related to the discrete
Hardy-Littlewood-Sobolev inequality in dimension one
Be-Schichten. Fiktion und Realität in den Arbeiten von Heide Hatry.
In ihrer Performance Skin Room überführt die Konzeptkünstlerin Heide Hatry tierische Organe und andere Körperteile in neue Formen. In ihren folgenden Projekten – Heads and Tales und Not a Rose – transformiert sie diese zu ganz neuen Körpern. Ihre collagenhaft gefertigten Objekte werden von ihr arrangiert, inszeniert und fotografiert. Zusammen mit den Texten anderer Autoren, die sich auf Hatrys Arbeiten beziehen, werden die Collagen mit gleichsam immer neuen Schichten der Artifizialisierung bedeckt. Je mehr sich die Haut und das Fleisch von ihrem ursprünglichen Zustand entfernen, desto mehr wird der Betrachter dazu aufgefordert, sich mit seiner Aneignung von Bildern und seiner Teilhabe bei deren Beseelung auseinanderzusetzen
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