Phenomenology is not phenomenalism. Is there such a thing as phenomenology of sport?

Background: The application of the philosophical mode of investigation called “phenomenology” in the context of sport. Objective: The goal is to show how and why the phenomenological method is very often misused in the sportrelated research. Methods: Interpretation of the key texts, explanation of their meaning. Results: The confrontation of concrete sport-related texts with the original meaning of the key phenomenological notions shows mainly three types of misuse – the confusion of phenomenology with immediacy, with an epistemologically subjectivist stance (phenomenalism), and with empirical research oriented towards objects in the world. Conclusions: Many of the discussed authors try to take over the epistemological validity of phenomenology for their research, which itself is not phenomenological, and it seems that this is because they lack such a methodological foundation. The authors believe that an authentically phenomenological analysis of sport is possible, but it must respect the fundamental distinctions that differentiate phenomenology from other styles of thinking

Sartre's Postcartesian Ontology: On Negation and Existence

This article maintains that Jean-Paul Sartre’s early masterwork, Being and Nothingness, is primarily concerned with developing an original approach to the being of consciousness. Sartre’s ontology resituates the Cartesian cogito in a complete system that provides a new understanding of negation and a dynamic interpretation of human existence. The article examines the role of consciousness, temporality and the relationship between self and others in the light of Sartre’s arguments against “classical” rationalism. The conclusion suggests that Sartre’s departure from modern foundationalism has “postmodern” implications that emerge in the areas of ontology, existential analytics and the ethics of human freedom

Aesthetic Worlds: Rimbaud, Williams and Baroque Form

The sense of form that provides the modern poet with a unique experience of the literary object has been crucial to various attempts to compare poetry to other cultural activities. In maintaining similar conceptions of the relationship between poetry and painting, Arthur Rimbaud and W. C. Williams establish a common basis for interpreting their creative work. And yet their poetry is more crucially concerned with the sudden emergence of visible "worlds" containing verbal objects that integrate a new kind of literary text. This paper discusses the emergence of "aesthetic worlds" in the work of both poets and then examines how a common concern with Baroque form unites them in the phenomenological task of overcoming Cartesian dualism

Overcoming Psychologism. Twardowski on Actions and Products

This paper is about the topic of psychologism in the work of Kazimierz Twardowski and my aim is to revisit this important issue in light of recent publications from, and on Twardowski’s works. I will first examine the genesis of psychologism in the young Twardowski’s work; secondly, I will examine Twardowski’s picture theory of meaning and Husserl’s criticism in Logical Investigations; the third part is about Twardowski’s recognition and criticism of his psychologism in his lectures on the psychology of thinking; the fourth and fifth parts provide an overview of Twardowski’s paper “Actions and Products” while the sixth part addresses the psychologism issue in the last part of this paper through the delineation of psychology and the humanities. I shall conclude this study with a brief assessment of Twardowski’s solution to psychologism

Issues and challenges in the application of Husserlian phenomenology to the Lived Experience of Hate Crime and Its Legal Aftermath

The field of hate crime research addresses the presence, sources and impact of particular types of expressions of prejudice, often perceived as particularly damaging and hurtful forms of interpersonal abuse and violence. Little, if any, credible academic research seeks to vindicate the specific racist, gendered and other vicious prejudices articulated by many perpetrators of hate crime. In turn, this raises the reflexive question of the possibilities of researchers themselves ever being able to adopt a truly "unprejudiced" approach to the presence of such damaging prejudices. Can this goal be realised without a researcher necessarily losing an experientially-grounded understanding of what these meanings, values and purposes have come to mean, and how they are themselves interpretatively re-constituted anew, including within the lived experience of victims, witnesses, police, prosecutors, judges and victim support workers? A possible philosophically-informed approach to the dilemmas posed by this topic is offered by Husserl's phenomenology. Husserl's perpetually unfinished philosophical methodology strives, with concerted if sometimes tragic reflective rigor, to "suspend," "bracket out" and "neutralise" those core presuppositions constitutive of the research field that typically pre-judge precisely whatever demands to be questioned and explored in a radically non-prejudicial manner. This study critically explores the possibilities, reflective stages and theoretical limitations of a sympathetically reconstructed Husserlian approach to hate crime, itself understood as a would-be qualitative "science of consciousness." It argues that despite its manifest tensions, gaps, ambiguities and internal contradictions, aspects of the Husserlian philosophical approach directed towards the different levels of experienced hate crime still retain the potential to both challenge and advance our understanding of this topic. It is the "instructive" part of "instructive failure" that this article highlights

Development of a platform recommending 3D and spectral digitisation strategies

[EN] Spatial and spectral recording of cultural heritage objects is a complex task including data acquisition, processing and analysis involving different technical disciplines. Additionally, the development of a suitable digitisation strategy satisfying the expectations of the humanities experts needs an interdisciplinary dialogue often suffering from misunderstanding and knowledge gaps on both the technical and humanities sides.Through a concerted discussion experts from the cultural heritage and technical domains currently develop a so-called COSCHKR platform (Colour and Space in Cultural Heritage Knowledge Representation) which will give recommendations for spatial and spectral recording strategies adapted to the needs of the cultural heritage application. The platform will make use of an ontology through which the relevant parameters of the different domains involved in the recording, processing, analysis and dissemination of cultural heritage objects are hierarchically structured and are related through rule-based dependencies. Background and basis for this ontology is the fact that a deterministic relation exists between (1) the requirements of a cultural heritage application on spatial, spectral, as well as visual digital information of a cultural heritage object which itself has concrete physical characteristics and (2) the technical possibilities of the spectral and spatial recording devices. Through a case study which deals with the deformation analysis of wooden samples of cultural heritage artefacts this deterministic relationship is illustrated explaining the overall structure and development of the ontology.The aim of the COSCHKR platform is to support cultural heritage experts finding the best suitable recording strategy for their often unique physical cultural heritage object and research question. The platform will support them and will make them aware of the relevant parameters and limitations of the recording strategy with respect to the characteristics of the cultural heritage object, external influences, application, recording devices, and data.This work was partly supported by COST under Action TD1201: Colour and Space in Cultural Heritage (COSCH).Wefers, S.; Karmacharya, A.; Boochs, F. (2016). Development of a platform recommending 3D and spectral digitisation strategies. Virtual Archaeology Review. 7(15):18-27. doi:10.4995/var.2016.5861.SWORD182771