‘No More Heroes’: Critical Perspectives on Leadership Romanticism

This paper revisits Meindl et al’s (1985) ‘romance of leadership’ thesis and extends these ideas in a number of inter-related ways. First, it argues that the thesis has sometimes been neglected and/or misinterpreted in subsequent studies. Second, the paper suggests that romanticism is a much broader and more historically rich term with wider implications for leadership studies than originally proposed. Arguing that romanticism stretches beyond leader attribution, we connect leadership theory to a more enduring and naturalistic tradition of romantic thought that has survived and evolved since the mid-18th century. Third, the paper demonstrates the contemporary relevance of the romanticism critique. It reveals how the study of leadership continues to be characterized by romanticizing tendencies in many of its most influential theories, illustrating this argument with reference to spiritual and authentic leadership theories, which only recognize positive engagement with leaders. Equally, the paper suggests that romanticism can shape conceptions not only of leaders, but also of followers, their agency and their (potential for) resistance. We conclude by discussing future possible research directions for the romanticism critique that extend well beyond its original focus on leader attribution to inform a broader critical approach to leadership studies

Dirty hands & clean heels : 21 days of political leadership in the UK

The paper discusses 21 days of political leadership in the UK following the EU referendum, the publication of the Chilcot Report on the Iraq War, and the appointment of a new cabinet by the new Prime Minister, Theresa May. It begins by modelling four possible approaches to political decision-making by taking into account the intent of the decision-maker, their acceptance or avoidance of responsibility, and the nature of the consequences. It suggests that ‘Dirty Hands’ exists when the decision-maker recognizes the deleterious consequences of what they deem to be necessary action – and intends to engender these – but takes responsibility. ‘Clean Heels’ embodies a decision where the decision-maker recognizes the consequences might be deleterious and intends them to be so, but avoids all responsibility. Mea Culpa describes a decision-maker who did not intend deleterious consequences but having seen them occur takes responsibility. Finally, the Spectator is someone who has no intention of making any difference to anything and thus takes no responsibility, but often plays a destructively critical role from the sidelines. This heuristic – and it is no more than a heuristic – is then illustrated by considering the actions of four decision-makers during this period: Boris Johnson, Tony Blair, Nigel Farage, and Theresa May

Cultural change and lodestones in the British Police

• Purpose: This Research Paper considers a challenge to an occupational jurisdiction in the British police. Historically, street cops have defended the importance of operational credibility as a way of sustaining the value of experience, and inhibiting attempts to introduce external leaders. This has generated a particular form of policing and leadership that is deemed by the British government as inadequate to face the problems of the next decade. • Design: The project used the High Potential Development Scheme (HPDS) of the British police to assess the value of operational credibility and the possibilities of radical cultural change. Data is drawn from participants on the programme, from those who failed to get onto the programme, and from officers who have risen through the ranks without access to a fast track scheme. • Findings: Most organizational change fails in its own terms, often because of cultural resistance. However, if we change our metaphors of culture from natural to human constructions it may be possible to focus on the key point of the culture: the lodestone that glues it together. Operational credibility maybe such a cultural lodestone and undermining it offers the opportunity for rapid and radical change. • Originality: Most assessments of cultural change focus on those charged with enacting the change and explain failure through recourse to natural metaphors of change. This papers challenges the convention that cultural change can only ever be achieved, if at all, through years of effort

The freedom of the press in James Mill's political thought

This article examines the Scottish philosopher and historian James Mill’s views on the freedom of the press, predominantly as they are expounded in his unpublished commonplace books, and argues that not only were these ideas very radical, they were critical to Mill’s wider political thought and, by extension, to that of the early Philosophic Radicals. By virtue of the use of manuscript material, this article also presents evidence for various intellectual influences upon Mill, and argues that whilst Jeremy Bentham is of central importance to Mill’s ideas, he takes inspiration from a wide range of other authors, both modern and ancient, in part as a way of normalizing his views in the context of the reactionary and conservative political climate that he was writing about them in: early nineteenth-century Britain.PostprintPeer reviewe

James Mill’s common place books and their intellectual context, 1773–1836

This thesis is an intellectual history of James Mill’s political thought, which focuses on four specific topics: his ideas on parliamentary reform; on libel law, or the freedom of the press; education, or man’s ability to utilise his reason; and on established religion, primarily in the form of Mill’s attitude towards the Church of England. At face-value, the thesis’ main aim is to contextualize in detail Mill’s published writings on these four subjects (which comprise its four chapters) by virtue of comparing them with unpublished manuscript material present in his common place books, which were transcribed as part of this PhD project. Although the chapters are developed in such a way that they can be seen as independent studies of Mill’s thought, there are of course more general themes which run through the thesis as a whole, as well as specific links between particular topics. One notable example is the notion that Mill employed ‘dissimulation’ in his published writings, that is to say that he did not necessarily express in public the full extent of his ideas, because of a fear that their radical extent would attract intrigue or prosecution from the reactionary governmental or religious authorities in Britain. It is also prudent to note how Mill’s well-documented intellectual influences are incorporated into the thesis. By this we are referring to the importance of the Scottish Enlightenment background to Mill’s own education and upbringing near Aberdeen and in Edinburgh, and also the doctrine of Utilitarianism he adopted from Jeremy Bentham once in London. The particular nature of the material found in the common place books warrants a full re-evaluation of these influences, as well as an exploration of the possibility that additional influences beyond these two contexts have thus far been understated in studies of Mill. This suggests the value of the study to current Mill scholarship

Taking a Line for a Walk

The notion of time and place forms the core of my exploratory work. Observation of linear and volumetric based image are a fascination for me and I intend to produce various forms of artworks with these notions in mind. Lines and tracks in virtual space can be captured using various methods of software based analysis – physical activity via motion capture or data translation being my preferred methodology.</p

Embedding ISRC Identifiers in Broadcast Wave Audio Files

A recent initiative by the UK Music Producers Guild and the European Broadcasting Union is to utilize the Broadcast Wave (BWF) file format for commercial music releases, allowing the International Standard Recording Code (ISRC) to be embedded within the file. At present, unlike with compact disc releases, it is not possible to embed the ISRC in a standard Wave or data compressed file. This paper gives a discussion of the opportunities brought by embedding the ISRC in digital audio files. Examples of BWF metadata are shown along with a discussion of the correct use of ISRCs in music production and audio mastering, as well as a look at relevant requirements of emerging music sales and delivery formats