Real time systems and public information

Using computer technology in future public information system

Design of Inquiring Systems/Singerian Inquiring Systems, Chapter 7

Design of inquiring systems of metrolog

Systems analysis and organization theory - A critique

Normative technique approach to analyzing systems and organization

On comparison and administration - A philosophical discourse Internal working paper no. 1

Philosophical discourse on comparitive administratio

On large models of systems

Operations research study of large mathematical models for large social system

Clay minerals in South Australian Holocene basaltic volcanogenic soils and implications for halloysite genesis and structure

The clay mineralogical composition was determined of 8 soils formed from pyroclastic ejecta (tephra) from adjacent 5000-year old basaltic volcanoes at Mounts Gambier and Schank in South Australia. Both nanocrystalline (short-range order) and crystalline aluminosilicates and also Fe oxides and hydroxides were identified in the soils. Allophane generally occurred to a greater extent in the 4 soils derived from glass-rich Mt Schank tephra than in most of those from glass-poor Mt Gambier tephra. Ferrihydrite occurred along with allophane. Smectite, kaolinite, illite, and an interstratified kaolinite-smectite comprised the crystalline minerals in these soils. There was no evidence for halloysite. Unlike in New Zealand, decreased leaching resulted in Si-rich allophane, rather than halloysite, forming in place of the Al-rich form of the same mineral. This result may indicate that ferrous iron is an essential impurity in halloysite. It was likely absent from these soils because their high pH due to underlying calcareous rocks precludes its occurrence. The probable requirement of Fe(II) as an essential component of halloysites may have been overlooked because of oxidation consequent upon the inevitable drying of samples prior to analyses

Technology and Urban Management. Semiannual Report, October 1, 1967 through March 31, 1968

The projects under Technology and Urban Management (TAUM) have continued during the last few months with considerable success. The individual studies conducted in the City of Oakland and the progress made are described in this report

Rosalyn Churchman ProPrac

Rosalyn Churchman | Artist Statement My work is an examination of the process of decontextualizing everyday objects and manipulating perception through juxtaposition and the use of freeform line. I find that by juxtaposing order and chaos I am able to create energetic and visually engaging compositions. I have synthesized the techniques of Julie Mehretu’s layered line and Jackson Pollock’s abstract paintings to develop a style of my own. The static nature of ordered line juxtaposed with loose line creates dynamic and dramatic movement throughout the piece. I think of each of these drawings as a maelstrom of line, pattern, and ink clouds that come together to create ambiguous and abstracted compositions. I am interested in incorporating recognizable images of the human figure within more abstract compositions to evoke a universal feeling of distress. These pieces use parts of the human figure as reference points within an abstract and dynamic scene. This juxtaposing allows me to blur the line between figuration and abstraction. In these drawings, I incorporate colored pencil and watercolor with pen and ink. I find that along with pattern and line, the addition of color enhances the piece and aids to the overall complexity of the drawing. The appearance of bold black lines and patterns beside bright blocks of color gives an aggressive and graphic quality to these drawings. In my current drawing series, Gears, I render human faces and figures, but incorporate mechanical aspects. I am exploring this method of juxtaposing the artificial with the human as a new means of depicting ironic and unnatural subjects. I would like to transfer my ideas of juxtaposing order and chaos to my graphic design work. I enjoy typography and the manipulation of letter forms through font variations, color, and pattern to develop eye-catching and aesthetic visual hierarchy. I am also drawn to page design and enjoy organizing imagery and type into effective and visually interesting compositions. Paula Scher’s use of color, shape, pattern, and type to create engaging compositions inspires me to do the same in my own designs. Like Luba Lukova, I would also like to scan in my drawings and then manipulate them on the computer. I am interested in how my method of contrasting order with chaos and the recognizable with the unrecognizable can play out in my future designs.https://digitalcommons.murraystate.edu/art399/1041/thumbnail.jp