2,362 research outputs found

    Sometimes I Get A Feeling of Something

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    Privacy Attitudes among Early Adopters of Emerging Health Technologies.

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    IntroductionAdvances in health technology such as genome sequencing and wearable sensors now allow for the collection of highly granular personal health data from individuals. It is unclear how people think about privacy in the context of these emerging health technologies. An open question is whether early adopters of these advances conceptualize privacy in different ways than non-early adopters.PurposeThis study sought to understand privacy attitudes of early adopters of emerging health technologies.MethodsTranscripts from in-depth, semi-structured interviews with early adopters of genome sequencing and health devices and apps were analyzed with a focus on participant attitudes and perceptions of privacy. Themes were extracted using inductive content analysis.ResultsAlthough interviewees were willing to share personal data to support scientific advancements, they still expressed concerns, as well as uncertainty about who has access to their data, and for what purpose. In short, they were not dismissive of privacy risks. Key privacy-related findings are organized into four themes as follows: first, personal data privacy; second, control over personal information; third, concerns about discrimination; and fourth, contributing personal data to science.ConclusionEarly adopters of emerging health technologies appear to have more complex and nuanced conceptions of privacy than might be expected based on their adoption of personal health technologies and participation in open science. Early adopters also voiced uncertainty about the privacy implications of their decisions to use new technologies and share their data for research. Though not representative of the general public, studies of early adopters can provide important insights into evolving attitudes toward privacy in the context of emerging health technologies and personal health data research

    The satiric comedy of William Wycherley

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    Call number: LD2668 .R4 1968 B48

    From Snow-Girls to Water-Babies: Shifting Aesthetics and Traditions in the Children\u27s Literary Marketplace

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    This dissertation traces the separation of childrenā€™s literature from a general fiction market to its own lucrative genre during the mid-nineteenth to early-twentieth century in order to demonstrate the shifting attitudes about childhood and womanhood affecting, or affected by, the development of the childrenā€™s literary market in America. I focus on the shifting ideology about children and childhood as a separate sphere and the ability of the literary marketplace to harness the profit potential of changing attitudes and advancements in consumer culture. To that end, the analysis suggests mass-culture and shifting cultural ideas about both femininity and childhood play significant roles in developing childrenā€™s literature as a separate genre and solidifying its role in the literary marketplace during the Golden Age of the early twentieth century. I analyze neglected short stories and novels from Nathaniel Hawthorne, Louisa May Alcott, and Margaret Sidney to argue that their overlooked texts can offer opportunities for new research and are important works to include in comprehensive scholarly discussions of major themes for not only these authors, but also the development of childrenā€™s literature as a whole. For example, Hawthorneā€™s ā€œThe Snow-Imageā€ and Alcottā€™s ā€œFancyā€™s Friendā€ reveal anxieties about female creativity and artistic vision with links to the commercial and literary marketplace. Both Hawthorneā€™s A Wonder-Book and Alcottā€™s An Old-Fashioned Girl redefine what it means to be ā€œAmericanā€ and explore similar conflicts of creativity. Sidneyā€™s Five Little Peppers series builds upon Alcottā€™s sentimentalization of poverty and exploits the romanticized child, illustrating the predominance of these attitudes in the late-nineteenth century. The life and work of illustrator Jessie Willcox Smith effectively demonstrate the anxieties of female creativity in the literary and artistic marketplace, also present in Alcott and Hawthorne, and expose the new possibilities of independent womanhood alluded to in Alcottā€™s novel. Furthermore, Smithā€™s illustrations continue the trope of the romanticized child, like Sidney, to demonstrate the conflicting place that women artists and writers find themselves in the early twentieth century in terms of careers and subject matter

    Model-based automatic generation of grasping regions

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    The problem of automatically generating stable regions for a robotic end effector on a target object, given a model of the end effector and the object is discussed. In order to generate grasping regions, an initial valid grasp transformation from the end effector to the object is obtained based on form closure requirements, and appropriate rotational and translational symmetries are associated with that transformation in order to construct a valid, continuous grasping region. The main result of this algorithm is a list of specific, valid grasp transformations of the end effector to the target object, and the appropriate combinations of translational and rotational symmetries associated with each specific transformation in order to produce a continuous grasp region
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