4,679 research outputs found
Halving the Casimir force with conductive oxides
The possibility to modify the strength of the Casimir effect by tailoring the
dielectric functions of the interacting surfaces is regarded as a unique
opportunity in the development of Micro- and NanoElectroMechanical Systems. In
air, however, one expects that, unless noble metals are used, the electrostatic
force arising from trapped charges overcomes the Casimir attraction, leaving no
room for exploitation of Casimir force engineering at ambient conditions. Here
we show that, in the presence of a conductive oxide, the Casimir force can be
the dominant interaction even in air, and that the use of conductive oxides
allows one to reduce the Casimir force up to a factor of 2 when compared to
noble metals.Comment: modified version, accepted for publication in Phys Rev Let
No anomalous scaling in electrostatic calibrations for Casimir force measurements
In a recent paper (Phys.Rev.A78, 020101(R) (2008)), Kim at al. have reported
a large anomaly in the scaling law of the electrostatic interaction between a
sphere and a plate, which was observed during the calibration of their Casimir
force set-up. Here we experimentally demonstrate that in proper electrostatic
calibrations the scaling law follows the behavior expected from elementary
electrostatic arguments, even when the electrostatic voltage that one must
apply to minimize the force (typically ascribed to contact potentials) depends
on the separation between the surfaces.Comment: Final versio
On composants of solenoids,
Abstract. It is proved that any two composants of any two solenoids are homeomorphic
SAFE: A System for Extraction and Retrieval of Semantic Audio Descriptors
date-added: 2014-08-02 10:04:50 +0000 date-modified: 2014-11-26 17:42:49 +0000 keywords: semantic audio, VST plugins, data collection, ISMIR demoIn this paper, we present an overview of the Semantic Audio Feature Extraction (SAFE) Project, a system for the extraction and retrieval of semantic descriptions of musical timbre, deployed within the digital audio workstation. By embedding the data capture system into the music production workflow, we are able to maximise the return of semantically annotated music production data, whilst mit- igating against issues such as musical and environmental bias. Users of the plugins are free to submit semantic de- scriptions of their own music, whilst utilising the continually growing collaborative dataset of musical descriptors. In order to provide more contextually representative timbral transformations, the dataset is partitioned using metadata, captured within the application
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