The SWI/SNF ATP-Dependent Chromatin Remodeling Complex in Arabidopsis Responds to Environmental Changes in Temperature-Dependent Manner

SWI/SNF ATP-dependent chromatin remodeling complexes (CRCs) play important roles in the regulation of transcription, cell cycle, DNA replication, repair, and hormone signaling in eukaryotes. The core of SWI/SNF CRCs composed of a SWI2/SNF2 type ATPase, a SNF5 and two of SWI3 subunits is sufficient for execution of nucleosome remodeling in vitro. The Arabidopsis genome encodes four SWI2/SNF2 ATPases, four SWI3, a single SNF5 and two SWP73 subunits. Genes of the core SWI/SNF components have critical but not fully overlapping roles during plant growth, embryogenesis, and sporophyte development. Here we show that the Arabidopsis swi3c mutant exhibits a phenotypic reversion when grown at lower temperature resulting in partial restoration of its embryo, root development and fertility defects. Our data indicates that the swi3c mutation alters the expression of several genes engaged in low temperature responses. The location of SWI3C-containing SWI/SNF CRCs on the ICE1, MYB15 and CBF1 target genes depends on the temperature conditions, and the swi3c mutation thus also influences the transcription of several cold-responsive (COR) genes. These findings, together with genetic analysis of swi3c/ice1 double mutant and enhanced freezing tolerance of swi3c plants illustrate that SWI/SNF CRCs contribute to fine-tuning of plant growth responses to different temperature regimes

From Baldwin’s Paris to Benjamin’s: The Architectonics of Race and Sexuality in Giovanni’s Room

Originally published in Architectural Theory Review 10, no. 1 (2005): 44–63

From Baldwin’s Paris to Benjamin’s: The Architectonics of Race and Sexuality in Giovanni’s Room

Originally published in Architectural Theory Review 10, no. 1 (2005): 44–63

Remembering Sedat Pakay 1945–2016

Sedat Pakay, whose name will always be associated with the most intimate portrayals we have of James Baldwin, died on 20 August 2016 at his home in Claverack, NY. Sedat was born in Istanbul, Turkey, where he graduated from Robert College. He studied at the Yale School of Art under Walker Evans, Paul Strand, and Herbert Matter and became a successful photo-journalist and filmmaker. His subjects for photographic portraits included Andy Warhol, Mark Rothko, Josef Albers, Gordon Parks, and, especially, James Baldwin. Pakay’s best-known films are Walker Evans/America (2000) and, as all Baldwin scholars and friends know, James Baldwin: From Another Place, filmed in Istanbul in 1970

Global feminisms and the Polish woman : Reading popular culture representations through stories of activism since 1989

This article examines ten interviews with Polish feminist activists conducted by the Women\u27s Center eFka in Kraków and gathered by the Global Feminisms Project at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor. Employing intersectional and interdisciplinary approaches, it reads this collection in the context of Polish discourses on womanhood and femininity following the post-communist transition of 1989. The interviews offer a unique perspective on gender formations and invite us to think of the Other Europe beyond the clash of approaches to the region that have positioned it between the extremes of pre-1989 communist oppression and post-1989 democratic freedom. As the GF interviews make clear, although initially influenced by western gender theory, Polish women\u27s movements quickly crafted their own theorizations of patriarchy and the politicization of the private. Approaching the Poland Site interviews as examples of located oral histories shows that attention to women\u27s experiences and self-narrated stories of activism complicates the geopolitical contexts, historical accounts, and popular representations of feminism in the East and West

Global Feminisms and the Polish "Woman": Reading Popular Culture Representations Through Stories of Activism Since 1989

This article examines ten interviews with Polish feminist activists conducted by the Women’s Center “eFka” in Kraków and gathered by the Global Feminisms Project at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor. Employing intersectional and interdisciplinary approaches, it reads this collection in the context of Polish discourses on womanhood and femininity following the post-communist transition of 1989. The interviews offer a unique perspective on gender formations and invite us to think of the Other Europe beyond the clash of approaches to the region that have positioned it between the extremes of pre-1989 “communist oppression” and post-1989 “democratic freedom.” As the GF interviews make clear, although initially influenced by western gender theory, Polish women’s movements quickly crafted their own theorizations of patriarchy and the politicization of the private. Approaching the Poland Site interviews as examples of located oral histories shows that attention to women’s experiences and self-narrated stories of activism complicates the geopolitical contexts, historical accounts, and popular representations of feminism in the East and West