Paul Celan\u27s Linguistic Mysticism

Paul Celan\u27s works often seem to grant to language an autonomy that isolates poetic from extra-poetic concerns, including religious ones. The status of language in Celan, however, should be assessed in the context of its status within Judaic mysticism. While the importance of mysticism for Celan has been recognized, the degree to which Judaic mysticism differs from other mystical traditions has been less so. This is especially true with regard to the place given to language in the Kabbalah, and the structures and assumptions that its conception of language implies. Of importance to Celan, for example, is the Kabbalistic notion that language is the very substance constituting creation. By examining such Judaic mystical motifs in several Celan poems, this essay attempts to show that Celan\u27s preoccupation with language does not entail a withdrawal into a self-enclosed linguistic world, and that ultimately his religious concerns are intimately involved with his aesthetic ones

Burnt and Blossoming: Material Mysticism in Trilogy and Four Quartets

This paper brings two WWII poems into dialogue: H.D.'s Trilogy and Eliot's Four Quartets. Both poems express a creative response to the destruction of war. My reading of Trilogy suggests a material mysticism in which vision and renewal are situated within the natural world, rituals and bodily experience. Bringing this understanding of mysticism to bear on Four Quartets reveals tension between transcendence and materiality. For Eliot, redemption comes through time and location, while for H.D., redemption lies within material particularity. Four Quartets oscillates between an apophatic discourse that seeks to transcend desire and history and an emphasis on material particularities

Worstward Ho

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