Bandolarium, 4 obras para bandola “sola”

This isan effort to understand the role played by the bandola -a Colombian musical instrument from the Andes- within a contemporary context, so as to foresee the ways in which this instrument may interact with the challenges and circumstances of global and particularly academic music, without losing its folkloric essence. So, this paper proposes new ways of playing the bandola from the perspective of what is known as “extended and complementary techniques”, which go far beyond traditional performing procedures, allowing the bandolist musicians to achieve a different and more holistic development of their performing and musical skills.Se busca comprender el papel de la bandola andina colombiana en su contexto contemporáneo e histórico, proponiendo la interacción de este instrumento popular con los retos y circunstancias de la música global y más concretamente dela música académica. Para ello, el presente artículo aporta nuevas formas de interpretación de la bandola andina desde lo que se concibe como técnicas extendidas y complementarias, las cuales van más allá de las técnicas tradicionales de ejecución del instrumento y logran un desarrollo diferente del músico-bandolista haciéndolo más integral en términos musicales e interpretativos.Procura-se compreender a função da bandola andina colombiana desde um contexto contemporâneo e histórico, que permita interatuar desde a sua essência de instrumento popular com os retos e circunstancias da musica global e mais especificamente da musica acadêmica, para isso o presente artigo aporta novas formas de interpretação da bandola andina desde o que se concebe como “técnicas estendidas e complementares”, as quais vão alem das técnicas tradicionais de interpretação do instrumento e conseguem um desenvolvimento diferente do musico – bandolista fazendo ele mais integral em termos musicais e interpretativos

The Caldera. No. 23

La pandemia, sin lugar a dudas, nos ha cambiado la vida a todos; un viernes nos fuimos para nuestros hogares, en el marco de una educación presencial; al lunes siguiente, después de dos días, estábamos iniciando el camino hacia una educación remota, una educación virtual, que se ha convertido en una gran alternativa para seguir contribuyendo con la formación de nuestros niños y jóvenes caldistas y al mejoramiento de nuestra calidad de vida que halla, en la educación, nuevamente la respuesta; han sido meses de cambios drásticos, inimaginables pero, cambios positivos que nos han permitido crecer como individuos, como familia, como escuela y como sociedad.Especial pandemia. Una generación Resiliente por promoción DINASTIA…06 VII Concurso Intercolegiado departamental de Oratoria. Ulibro 2020…51 Deporte en el Caldas…64 Expresiones Caldistas…71 Celebremos la palabra…93 Nuestros Maestros…102 Galería de Imágenes…107The pandemic, without a doubt, has changed the lives of all of us; One Friday we went to our homes, as part of a face-to-face education; The following Monday, after two days, we were starting the path towards a remote education, a virtual education, which has become a great alternative to continue contributing to the training of our children and young Caldistas and to the improvement of our quality of life. that finds, in education, the answer again; They have been months of drastic changes, unimaginable but positive changes that have allowed us to grow as individuals, as a family, as a school and as a society

Reunion between folklore and academy

Reencuentro nos ofrece un viaje por los diferentes y más importantes momentos en la evolución y tendencias compositivas e interpretativas producidas en Colombia durante el siglo XX. Representa la variedad y la riqueza de formatos, exploraciones tímbricas, compositivas e interperetativas.Reencuentro offers us a journey through the different and most important moments in the evolution and compositional and interpretive trends produced in Colombia during the 20th century. It represents the variety and richness of formats, timbral, compositional and interpretative explorations

NEOTROPICAL ALIEN MAMMALS: a data set of occurrence and abundance of alien mammals in the Neotropics

Biological invasion is one of the main threats to native biodiversity. For a species to become invasive, it must be voluntarily or involuntarily introduced by humans into a nonnative habitat. Mammals were among first taxa to be introduced worldwide for game, meat, and labor, yet the number of species introduced in the Neotropics remains unknown. In this data set, we make available occurrence and abundance data on mammal species that (1) transposed a geographical barrier and (2) were voluntarily or involuntarily introduced by humans into the Neotropics. Our data set is composed of 73,738 historical and current georeferenced records on alien mammal species of which around 96% correspond to occurrence data on 77 species belonging to eight orders and 26 families. Data cover 26 continental countries in the Neotropics, ranging from Mexico and its frontier regions (southern Florida and coastal-central Florida in the southeast United States) to Argentina, Paraguay, Chile, and Uruguay, and the 13 countries of Caribbean islands. Our data set also includes neotropical species (e.g., Callithrix sp., Myocastor coypus, Nasua nasua) considered alien in particular areas of Neotropics. The most numerous species in terms of records are from Bos sp. (n = 37,782), Sus scrofa (n = 6,730), and Canis familiaris (n = 10,084); 17 species were represented by only one record (e.g., Syncerus caffer, Cervus timorensis, Cervus unicolor, Canis latrans). Primates have the highest number of species in the data set (n = 20 species), partly because of uncertainties regarding taxonomic identification of the genera Callithrix, which includes the species Callithrix aurita, Callithrix flaviceps, Callithrix geoffroyi, Callithrix jacchus, Callithrix kuhlii, Callithrix penicillata, and their hybrids. This unique data set will be a valuable source of information on invasion risk assessments, biodiversity redistribution and conservation-related research. There are no copyright restrictions. Please cite this data paper when using the data in publications. We also request that researchers and teachers inform us on how they are using the data