Multiwire submerged arc welding of steel structures

The assembly of large structures made out of thick steel plates requires a welding process by which multiple wires can be used simultaneously. To reproduce these industrial processes in a research environment, OCAS has invested in a multiwire submerged arc welding (SAW) setup. In this multiwire setup, up to five wires in tandem configuration can be used. The objective of this master thesis is to establish a deeper knowledge of process parameters used to weld steel plates in a thickness range of 12,7 up to 25 mm, by means of the submerged arc welding process. Based on literature, a test matrix is composed in which the number of wires, the plate thickness and other weld parameters are the variables. In addition, a specific plate preparation for each plate thickness is derived from the literature. The preformed weld trails will be evaluated on weld bead geometry and metallographic properties. There is further experimental examination required, which will result in the revising of the matrix

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Is copyright blind to the visual?

This article argues that, with respect to the copyright protection of works of visual art, the general uneasiness that has always pervaded the relationship between copyright law and concepts of creativity produces three anomalous results. One of these is that copyright lacks much in the way of a central concept of 'visual art' and, to the extent that it embraces any concept of the 'visual', it is rooted in the rhetorical discourse of the Renaissance. This means that copyright is poorly equipped to deal with modern developments in the visual arts. Secondly, the pervasive effect of rhetorical discourse appears to have made it particularly difficult for copyright law to strike a meaningful balance between protecting creativity and permitting its use in further creative works. Thirdly, just when rhetorical discourse might have been useful in identifying the significance and materiality of the unique one-off work of visual art, copyright law chooses to ignore its implications