Belgrade (de)Void of Identity: Politics of Time, Politics of Control, Politics of Difference

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Traces of violence: Representing the atrocities of war

This article explores the relationships between war and representation through the use of visual images, and takes a cue from the French cultural theorist Paul Virilio, who has written extensively on the militarization of vision in ways that have yet to be fully recognized in criminology. It then outlines some of the disputes surrounding documentary photography, not least since one of the main factors driving the development of the medium was the desire to record warfare, before turning to recent efforts to reconfigure the violence of representation by focusing on what has been termed ‘aftermath photography’, where practitioners deliberately adopt an anti-reportage position, slowing down the image-making process and arriving well after the decisive moment. This more contemplative strategy challenges the oversimplification of much photojournalism and the article concludes by reflecting on how military-turned-consumer technologies are structuring our everyday lives in more and more pervasive ways

Temporal tensions: EU citizen migrants, asylum seekers and refugees navigating dominant temporalities of work in England

This article considers the role of temporality in the differential inclusion of migrants. In order to do this we draw on research which examined the working lives of a diverse group of new migrants in North East England: Eastern European migrants arriving from 2004 and asylum seekers and refugees arriving from 1999. In so doing we emphasise both distinct and shared experiences, related to immigration status but also a range of other dimensions of identity. We specifically consider how dominant temporalities regulate the lives of new migrants through degrees, periods and moments of acceleration/deceleration. The paper illustrates the ways in which dominant temporalities control access and non-access to particular, often precarious forms of work – but also how migrants attempt to navigate such restrictions through their own use and constructions of time. We explore this in relation to three 'phases' of time. Firstly, through experiences of the UK asylum system and work prohibition. Secondly for a broader group of participants we explore the speeding up and slowing down of transitions to and progression within work. Lastly, we consider how participants experience everyday temporal tensions between paid employment and unpaid care. Across these phases we suggest that dominant orderings of time and the narratives which make sense of these, represent non-simultaneous temporalities that do not neatly map onto each other

Reconceptualizing CSR in the media industry as relational accountability

In this paper, we reconceptualize CSR in the media industries by combining empirical data with theoretical perspectives emerging from the communication studies and business ethics literature. We develop a new conception of what corporate responsibility in media organizations may mean in real terms by bringing Bardoel and d’Haenens’ (European Journal of Communication 19 165–194 2004) discussion of the different dimensions of media accountability into conversation with the empirical results from three international focus group studies, conducted in France, the USA and South Africa. To enable a critical perspective on our findings, we perform a philosophical analysis of its implications for professional, public, market, and political accountability in the media, drawing on the insights of Paul Virilio. We come to the conclusion that though some serious challenges to media accountability exist, the battle for responsible media industries is not lost. In fact, the speed characterizing the contemporary media environment may hold some promise for fostering the kind of relational accountability that could underpin a new understanding of CSR in the media

The ontological consequences of Copernicus: global being in the planetary world

This article argues that contemporary space exploration, in producing visual representations of the planetary Earth for terrestrial consumption, has engendered a shift in the way the Earth - as terra firma - is both experienced and conceived. The article goes on to suggest that this shift is a key, but still largely tacit presupposition, underlying contemporary discourses on globalization and cultural cosmopolitanization. However, a close reading of some of the texts that make up the canon of 20th-century European philosophy shows that this idea of a ‘deterritorialized’ planetary Earth challenges some basic presuppositions of that canon: especially its use of the pre-reflective experience of terra firma as a tropic site of intological and normative grounds. This article examines the way in which contemporary Western European philosophy - and intellectual culture generally - has responded to this challenge: and offers Deleuze and Guattari’s idea of the Earth as a ‘surface without territory’ as the most intellectually and ethically viable conception of the Earth in the age of ‘planetary deterritorialization’

Communication studies cartography in the Lusophone world

Within the Lusophone community of over 250 million speakers only a minority developed a sense of belonging based on their common language, a phenomenon that is still very real today. According to the Mozambican writer, Mia Couto, Lusophony is not a ‘loud’ reality, rather a “luso-aphonic” one, that is, a place of low voices, no knowledge and no acknowledgement of the commonalities between themselves in this vast geographic and cultural space. Recognizing precisely this gap, Communication research associations in Lusophone countries (Lusocom) have promoted the setting up of a research cooperation network primarily between Portuguese and Brazilian researchers, and then extending it to the Galician community, and subsequently to the entire Lusophone space. This movement is based on the assumption that linguistic diversity enriches science and that science should be globally and contextually relevant. Lusophony can be discussed from various points of view, all related to the cultural identity of the Portuguese-speaking countries. I would like to explain my point of view, focused on the social status of language. Then, I will refer to the English language has a dominant language. Finally, I would like to point out some challenges that, from my perspective, the Lusophone research groups have to face in a global world dominated by English and anglo-saxon paradigms. My approach is in fact focused on the perspective of language, understood as a cultural manifestation, the expression of thought, a relational space, and an instrument of symbolic organization of the world. Such understanding is coincident with the symbolic power of language (Pierre Bourdieu’s theory), and with the post-colonial perspective which questions the domination, submission, subordination and control of peripheries, minorities, diasporas, migrants…(undefined)info:eu-repo/semantics/publishedVersio

Breaking Open the Black Boxes: media archaeology, anarchaeology and media materiality

An essay on the emergent methodology of media archaeology, in relation to the material turn in approaches to digital media. In particular, this article advocates taking up Siegfried Zielinski's concept of 'anarchaeology', but in a different sense to the way it was originally proposed, in order to emphasise the political potentials of a media (an)archaeological methodological approach

Theatre and time ecology: deceleration in Stifters Dinge

This article explores the production of ‘time ecology’ in two works of postdramatic theatre: Heiner Goebbels’ Stifters Dinge (2007) and Philippe Quesne’s L’Effet de Serge (2007). By focusing on the practice of deceleration, it argues that theatre’s ecological potential resides not so much in its ability to represent the world, but rather in its capacity for producing new types of temporal experience that purposefully seek to break with modernity’s regime of historicity and the accelerated rhythms that it has given rise to. Importantly, my concern with deceleration is not an argument for slowness per se; on the contrary, I am interested in highlighting the presence of multiple and interpenetrating timescales and rhythms. As well as exposing the full extent of theatre’s temporal potential, such a concern with postdramatic ‘chronographies’ offers an implicit critique of dramatic theatre’s extant practices of eco-dramaturgy that, all too often, attempt to construct a linear narrative which is invested in conventional sequential models of temporality (beginning, middle, end)

New technologies for 3D realization in Art and Design practice

As digital design technologies become ever more widespread, CAD-CAM, virtual and rapid prototyping techniques are increasingly being exploited by creative practitioners working in areas outside the industrial design and engineering contexts in which these technologies are currently predominantly employed. This review paper aims to critically examine work by artists, craft practitioners, and designer-makers who creatively engage with these new and rapidly emerging technologies and, by doing so, extend their own practice and push at the boundaries of art and design disciplines. Historic precedents for new 3D technologies in the fine and applied arts are identified, and writing by Heidegger, Baudrillard, and Virilio informs the critical review of work by art and design practitioners in sculpture, metalwork, jewellery, and ceramics. The discussion reflects on relationships between art and technology and physical and virtual making, and concludes by pointing to the possibility of new “hybrid” forms of practice which bridge the gap between physical and virtual design worlds. The paper closes by suggesting that the notion of “truth to materials” in the arts and crafts might now be extended to one of “truth to virtual materials”, as practitioners creatively negotiate relationships between digital cause and physical effect