Анна Саковiч, Беларуская лiтаратура Польшчы. Стылiстычна-жанравыя асаблiвасцi прозы “белавежцаў”, Беласток 2012, сс. 183

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XXV Międzynarodowa Konferencja Naukowa “Droga ku wzajemności” Białystok, 18–19 października 2019

Uniwersytet w Białymstoku1132733

XIV Мiжнародная навуковая канферэнцыя “Шлях да ўзаемнасцi”, Гродна, 26 кастрычнiка 2018 г.

Twaranowicz Halina (Тварановiч Галiна) – doktor habilitowana nauk filologicznych w zakresie literaturoznawstwa, Uniwersytet w Białymstoku, Wydział Filologiczny, Katedra Filologii Białoruskiej (profesor UwB).Uniwersytet w Białymstoku1050450

Irena Chowańska, W poszukiwaniu siebie. Proza Michasia Stralcowa, Olsztyn 2011, ss. 134

recenzja442142

Выбранае аб беларускай лiтаратуры дваццатага стагоддзя / Andrzej Moskwin, Literatury białoruskiej rodowody niepokorne, Białystok 2019

Twaranowicz Halina (Тварановiч Галiна) — profesor UwB, doktor habilitowana nauk filologicznych w zakresie literaturoznawstwa, Wydział Filologiczny, Zakład Białorutenistyki i Literatur Wschodniosłowiańskich.Uniwersytet w Białymstoku1339740

The subject of homeland in writings of poets of Byelorussian Literary Association „Bialovezha”

Byelorussian Literary Association Bialovezha - the only such literary organization in Poland - was brought into being on 8th June 1958 in Bialystok. The literary output of the Association members is impressive. Over 200 books of poetry and prose, essays and literary critics, scientific monographs and translations have been published. In the output, which has persisted for over half a century, the affection for homeland is expressed. An attachment to home and family is one of the key experience and feelings which initiate the need of poetic expression. In poetry of Viktor Shved, Dymitr Shatylovich, Ales Barsky, Jan Chykvin, Michal Shahovich, Jerzy Bayena, Mira Luksha, Jerzy Buyniuk and others, this subject acquires individual features determined by creative personality of every poet and his sensibility to the particular character of the borderland culture

Świat poetycki Nadziei Artymowicz i Miry Łukszy. Podobieństwa i różnice

The phenomenon of creativity of the members of the Belarusian Literary Association “Belavezha,” which was founded in 1958 in Białystok, has been attracting the attention of researchers of the literature for a long time. Recently, the multigenerational “female” poetry (Alena Anishevskaya, Maryla Bazylyuk, Zhenya Martynyuk, Lidia Malinovska, Justyna Karolka, Viyaleta Nikityuk, Katsyaryna Senkevich) has been arousing considerable interest. The article analyses the works of Nadezhda Artymovich and Mira Luksha – the brightest representatives of “Belavezha” with their expressive poetic world. We analyse the problem of tradition and innovation, the directions of different development of topics and motifs in their poetry so that we can see the components that are common to them and those that are definitely unique for each of them. The comparative and descriptive-analytical methods were used in the process of investigation.Celem artykułu jest przedstawienie fenomenu twórczości członków Białoruskiego Stowarzyszenia Literackiego „Białowieża”, które powstało w 1958 roku w Białymstoku i od pewnego czasu znalazło się w kręgu zainteresowań badaczy literatury, a wpisuje się w nurt białoruskiej literatury Polski. W ostatnim czasie znaczne zainteresowanie wywołuje wielopokoleniowa poezja „kobieca” (Alena Aniszewska, Maryla Bazyluk, Żenia Martyniuk, Lidia Malinowska, Justyna Korolko, Wioleta Nikiciuk, Katarzyna Sienkiewicz). W artykule analizowana jest twórczość dwóch najbardziej wyrazistych a zarazem przeciwstawnych poetyk oraz światów poetyckich – Nadziei Artymowicz oraz Miry Łukszy. Analizie poddano problem tradycji i nowatorstwa, kierunki odmiennego rozwoju tematyki i motywów w ich poezji, co pozwoliło wyodrębnić te elementy, które są dla obu poetek wspólne, a także te które charakteryzują ich warsztat literacki w sposób niepowtarzalny. W procesie badawczym wykorzystano metodę komparatywistyczną oraz opisowo-analityczną.Феномен творчасці сяброў Беларускага літаратурнага аб’яднання “Белавежа”, якое ўзнікла ў 1958 годзе ў Беластоку, здаўна прыцягвае пільную ўвагу даследчыкаў літаратуры. Апошнім часам значную цікавасць выклікае “жаночая” паэзія, прадстаўленая паэткамі розных пакаленняў (Алена Анішэўская, Марыля Базылюк, Жэня Мартынюк, Лідзія Маліноўская, Юстына Каролька, Віялета Нікіцюк, Кацярына Сянкевіч). У артыкуле аналізуецца творчасць Надзеі Артымовіч і Міры Лукшы – найбольш яркіх прадстаўніц “Белавежы” са сваім выразным паэтычным светам. Аналізуюцца праблемы традыцый і наватарства, ідэйна-тэматычны характар іх паэзіі, што дае магчымасць выдзеліць агульнае і адрознае, непаўторнае для кожнай з паэтак