PENGARUH CREATIVE TOURISM TERHADAP CITRA BATIK INDONESIA YANG BERBASIS SENI DAN BUDAYA SEBAGAI WARISAN BUDAYA BANGSA

Batik merupakan salah satu dari sekian banyak seni dan budaya yang dimiliki Indonesia. Namun di era perkembangan teknologi, seni dan budaya tradisional hampir memudar. Untuk itu perlu di munculkan kembali rasa cinta seni dan budaya. Salah satu cara yang dilakukan adalah dengan Creative Tourism (wisata kreatif) yang dilakukan oleh Rumah Batik Komar. Peneltian ini bertujuan untuk mengetahui gambaran creative tourism dan citra batik serta pengaruh creative tourism terhadap Citra batik. Jenis penelitian yang digunakan adalah deskriptif dan verifikatif dengan metode yang digunakan adalah explanatory survey dan pendekatan cross sectional. Sampel dalam penelitian ini sebanyak 84 responden yang termasuk generasi muda, yaitu pengunjung iGeneration di Rumah Batik Komar dengan teknik penarikan sampel yang digunakan yaitu purposive sampling. Teknik analisis data yang digunakan adalah regresi berganda. Variabel bebas dalam penelitian ini adalah creative tourism (X) yang terdiri dari participation (X1), innovation (X2), authenticity (X3), dan human interaction (X¬4). Sedangkan variabel terikat yaitu Citra Batik yang terdiri dari indikator innovativeness,design,prestige dan workmanship. Tanggapan wisatawan terhadap creative tourism di Rumah Batik Komar berada dalam kategori tinggi. Dimensi authtenticity memperoleh nilai tertinggi, sedangkan dimensi participation mendapatkan nilai terendah. Tanggapan wisatawan terhadap Citra Batik Indonesia berada di kategori sangat tinggi. Indikator prestige memperoleh nilai tertinggi, sedangkan indikator design memperoleh nilai terendah. Berdasarkan pengujian SPSS 20.0 for windows menujukkan adanya pengaruh yang simultan dan parsial antara creative tourism dan citra batik.. Adapun saran untuk perusahaan adalah meningkatkan partisipasi wisatawan yang berkunjung.; Batik is one of many art and culture are owned by Indonesia. But in the era of the development of technology, traditional arts and culture almost fade away. For that we need to in replicate the love of art and culture. One of the way is Creative Tourism which has been done by House of Batik Komar. The aims of this research is to know description about creative tourism and image of batik and the influence of creative tourism against the Image of batik. The type of this research is a descriptive and verifikatif with the explanatory survey method and cross sectional approach. Samples in this research as much as 84 respondents who including the young generation, namely iGeneration tourists who visited the house of Batik Komar with sample withdrawal technique that used is the purposive sampling. Data analysis technique that is used is a multiple regression. Free variables in this research is creative tourism (X) consisting of participation (X1), innovation (X2), authenticity (X3), and human interaction (X4). While the variables bound namely Batik Image that consists of innovativeness,design,prestige and workmanship indicator. The response of the tourists against creative tourism in the house of Batik Komar is located in the high category. The dimension of the authtenticity obtain the highest value, while the dimension of the actual participation get the lowest value. The response of the visitors to the Indonesian Batik image located in the category of very high. The indicator prestige obtain the highest value, while the indicator design get the lowest value. Based on the testing of 20.0 SPSS for windows showing the existence of the influence of simultaneous and partially between creative tourism and batik image.. Now the suggestions to the company is to increase the participation of tourists visiting

PENGARUH CREATIVE TOURISM TERHADAP CITRA BATIK INDONESIA YANG BERBASIS SENI DAN BUDAYA SEBAGAI WARISAN BUDAYA BANGSA

Batik merupakan salah satu dari sekian banyak seni dan budaya yang dimiliki Indonesia. Namun di era perkembangan teknologi, seni dan budaya tradisional hampir memudar. Untuk itu perlu di munculkan kembali rasa cinta seni dan budaya. Salah satu cara yang dilakukan adalah dengan Creative Tourism (wisata kreatif) yang dilakukan oleh Rumah Batik Komar. Peneltian ini bertujuan untuk mengetahui gambaran creative tourism dan citra batik serta pengaruh creative tourism terhadap Citra batik. Jenis penelitian yang digunakan adalah deskriptif dan verifikatif dengan metode yang digunakan adalah explanatory survey dan pendekatan cross sectional. Sampel dalam penelitian ini sebanyak 84 responden yang termasuk generasi muda, yaitu pengunjung iGeneration di Rumah Batik Komar dengan teknik penarikan sampel yang digunakan yaitu purposive sampling. Teknik analisis data yang digunakan adalah regresi berganda. Variabel bebas dalam penelitian ini adalah creative tourism (X) yang terdiri dari participation (X1), innovation (X2), authenticity (X3), dan human interaction (X¬4). Sedangkan variabel terikat yaitu Citra Batik yang terdiri dari indikator innovativeness,design,prestige dan workmanship. Tanggapan wisatawan terhadap creative tourism di Rumah Batik Komar berada dalam kategori tinggi. Dimensi authtenticity memperoleh nilai tertinggi, sedangkan dimensi participation mendapatkan nilai terendah. Tanggapan wisatawan terhadap Citra Batik Indonesia berada di kategori sangat tinggi. Indikator prestige memperoleh nilai tertinggi, sedangkan indikator design memperoleh nilai terendah. Berdasarkan pengujian SPSS 20.0 for windows menujukkan adanya pengaruh yang simultan dan parsial antara creative tourism dan citra batik.. Adapun saran untuk perusahaan adalah meningkatkan partisipasi wisatawan yang berkunjung.; Batik is one of many art and culture are owned by Indonesia. But in the era of the development of technology, traditional arts and culture almost fade away. For that we need to in replicate the love of art and culture. One of the way is Creative Tourism which has been done by House of Batik Komar. The aims of this research is to know description about creative tourism and image of batik and the influence of creative tourism against the Image of batik. The type of this research is a descriptive and verifikatif with the explanatory survey method and cross sectional approach. Samples in this research as much as 84 respondents who including the young generation, namely iGeneration tourists who visited the house of Batik Komar with sample withdrawal technique that used is the purposive sampling. Data analysis technique that is used is a multiple regression. Free variables in this research is creative tourism (X) consisting of participation (X1), innovation (X2), authenticity (X3), and human interaction (X4). While the variables bound namely Batik Image that consists of innovativeness,design,prestige and workmanship indicator. The response of the tourists against creative tourism in the house of Batik Komar is located in the high category. The dimension of the authtenticity obtain the highest value, while the dimension of the actual participation get the lowest value. The response of the visitors to the Indonesian Batik image located in the category of very high. The indicator prestige obtain the highest value, while the indicator design get the lowest value. Based on the testing of 20.0 SPSS for windows showing the existence of the influence of simultaneous and partially between creative tourism and batik image.. Now the suggestions to the company is to increase the participation of tourists visiting

SSR-Based genetic variability assessment of Tunisian local citrus rootstocks : [P22]

In the framework of the 6th PCRD European Project 'CIBEWU', the genetic diversity of Tunisian Citrus rootstocks germplasm was assessed using microsatellite markers (SSR). This work started with a prospection in order to identify the different rootstocks used all over the country, focusing on those which are the most adaptable to abiotic stress (mainly salinity). Sour Orange is by far the most widely used in Tunisia. However, we have also observed other rootstocks in some aged plantations and in southern Tunisia. Our survey has showed that these rootstocks are being used since a long time in the oasis of southern Tunisia and were preferred than Sour Orange by fanners due to their adaptation to the particular conditions of the oasis. We have collected a total set of 206 accessions, on which, 20 SSR markers were performed. This work generated interpretable results for all markers and a total of 121 alleles were revealed. Little variability was observed among Sour Orange (Citrus aurantium L.) rootstocks, while specific alleles were observed for the other rootstocks such as Limes, lemons and oranges. The genetic diversity assessment of the Citrus local rootstocks resources allowed the estimation of the variability either within the Sour Orange and between Sour Orange and the other rootstocks analysed. This work plays a role in the preservation of local resources biodiversity. Prospection, collection and identification, object of this study will avoid the loss of important local resources diversity. Indeed, even if the Sour Orange is threatened by the spread of Citrus Tristeza Virus over the Mediterranean Basin, it constitutes a good local material, very well adapted to local abiotic stress conditions. The Sour Orange diversity with the other local rootstocks form a genetic heritage of great importance for further rootstock breeding project and has to be preserved. (Texte intégral

New insights on limes and lemons origin from nuclear and cytoplasmic markers genenotyping and targeted nuclear gene sequencing

It is believed that Citrus medica, C. maxima, C. reticulate and C. micrantha have generated all cultivated citrus species. Depending on the classification, lemons and limes are classified either into two species, C. limon and C. aurantifolia (Swingle and Reece, 1967) or into more than 30 (Tanaka, 1977). In order to study the molecular phylogeny of this citrus group, we analyzed 23 targeted sequenced nuclear genes and used three mitochondrial and five chloroplastic markers for 15 lemons and limes compared with representatives of the four basic taxa. We observed three main groups, each one derived from direct interspecific hybridizations: (1) the Mexican lime group (C. aurantifolia), including C. macrophylla, arising from hybridizations between papeda (C. micrantha) and citron (C. medica); (2) the yellow lemon group (C. limon) that are hybrids between sour orange (C. aurantium, which is believed to be a hybrid between C. maxima and C. reticulata) and citron; and (3) a rootstock lemon/lime group (Rough lemon and Rangpur lime) that are hybrids between an acid mandarin and a citron. We also identified different probable backcrosses and genotypes with more complex origin. None of the analyzed limes and lemons shared the C. medica cytoplasm, while this taxon is the common nuclear contributor of all limes and lemons. Limes and lemons appear to be a very complex citrus varietal group with the contribution of the 4 basic taxa. Neither the Swingle and Reece classification nor the Tanaka fit with the genetic evidence. (Résumé d'auteur

PENGARUH CREATIVE TOURISM TERHADAP CITRA BATIK INDONESIA YANG BERBASIS SENI DAN BUDAYA SEBAGAI WARISAN BUDAYA BANGSA

Batik merupakan salah satu dari sekian banyak seni dan budaya yang dimiliki Indonesia. Namun di era perkembangan teknologi, seni dan budaya tradisional hampir memudar. Untuk itu perlu di munculkan kembali rasa cinta seni dan budaya. Salah satu cara yang dilakukan adalah dengan Creative Tourism (wisata kreatif) yang dilakukan oleh Rumah Batik Komar. Peneltian ini bertujuan untuk mengetahui gambaran creative tourism dan citra batik serta pengaruh creative tourism terhadap Citra batik. Jenis penelitian yang digunakan adalah deskriptif dan verifikatif dengan metode yang digunakan adalah explanatory survey dan pendekatan cross sectional. Sampel dalam penelitian ini sebanyak 84 responden yang termasuk generasi muda, yaitu pengunjung iGeneration di Rumah Batik Komar dengan teknik penarikan sampel yang digunakan yaitu purposive sampling. Teknik analisis data yang digunakan adalah regresi berganda. Variabel bebas dalam penelitian ini adalah creative tourism (X) yang terdiri dari participation (X1), innovation (X2), authenticity (X3), dan human interaction (X¬4). Sedangkan variabel terikat yaitu Citra Batik yang terdiri dari indikator innovativeness,design,prestige dan workmanship. Tanggapan wisatawan terhadap creative tourism di Rumah Batik Komar berada dalam kategori tinggi. Dimensi authtenticity memperoleh nilai tertinggi, sedangkan dimensi participation mendapatkan nilai terendah. Tanggapan wisatawan terhadap Citra Batik Indonesia berada di kategori sangat tinggi. Indikator prestige memperoleh nilai tertinggi, sedangkan indikator design memperoleh nilai terendah. Berdasarkan pengujian SPSS 20.0 for windows menujukkan adanya pengaruh yang simultan dan parsial antara creative tourism dan citra batik.. Adapun saran untuk perusahaan adalah meningkatkan partisipasi wisatawan yang berkunjung.; Batik is one of many art and culture are owned by Indonesia. But in the era of the development of technology, traditional arts and culture almost fade away. For that we need to in replicate the love of art and culture. One of the way is Creative Tourism which has been done by House of Batik Komar. The aims of this research is to know description about creative tourism and image of batik and the influence of creative tourism against the Image of batik. The type of this research is a descriptive and verifikatif with the explanatory survey method and cross sectional approach. Samples in this research as much as 84 respondents who including the young generation, namely iGeneration tourists who visited the house of Batik Komar with sample withdrawal technique that used is the purposive sampling. Data analysis technique that is used is a multiple regression. Free variables in this research is creative tourism (X) consisting of participation (X1), innovation (X2), authenticity (X3), and human interaction (X4). While the variables bound namely Batik Image that consists of innovativeness,design,prestige and workmanship indicator. The response of the tourists against creative tourism in the house of Batik Komar is located in the high category. The dimension of the authtenticity obtain the highest value, while the dimension of the actual participation get the lowest value. The response of the visitors to the Indonesian Batik image located in the category of very high. The indicator prestige obtain the highest value, while the indicator design get the lowest value. Based on the testing of 20.0 SPSS for windows showing the existence of the influence of simultaneous and partially between creative tourism and batik image.. Now the suggestions to the company is to increase the participation of tourists visiting

Human action recognition using time delay input radial basis function networks

This paper presents a fast, vision-based method for the problem of human action representation and recognition. The first problem is addressed by constructing an action descriptor from spatiotemporal data of action silhouettes based on appearance and motion features. For action classification, a new Radial Basis Function Network (RBF), called Time Delay Input Radial Basis Function Network (TDIRBF) is proposed by introducing time delay units to the RBF in a novel approach. A TDIRBF offers a few desirable features such as an easier learning process and more flexibility. The representational power and speed of the proposed method were explored using a publicly available dataset. Based on experimental results, implemented in MATLAB and on standard PCs, the average time for constructing a feature vector for a high-resolution video was just about 20 ms/frame (or 50 fps) and the classifier speed was above 15 fps. Furthermore, the proposed approach demonstrated good performance in terms of both execution time and overall performance (a new performance measure that combines accuracy and speed into one metric)

Genetic structure and phylogeny of the 'true citrus fruit trees' group (Citrinae, Rutaceae)

Despite considerable differences in morphology, the general representing 'true citrus fruit trees' are sexually compatible, but their phylogenetic relationships remain unclear. Most of the important commercial species of Citrus are believed to be of interspecific origin. By studying SNP and indel polymorphisms of 27 nuclear genes on 32 genotypes of Citrus and relatives of Citrus, the phylogenetic relationship between 'true citrus fruit trees' was clarified. Additionally, four mitochondrial (mtDNA) and five chloroplastic (cpDNA) SSRs markers were analysed for the citrus species to specify the maternal phylogeny of Citrus secondary species. A total of 16238 kb of DNA was sequenced for each genotype, and 1156 SNPs and 58 indels were identified. Nuclear phylogenetic analysis revealed that C. reticulata, Poncirus, and Fortunella form a clade that is clearly differentiated from the clade that includes three other basic taxa of cultivated citrus (C. maxima, C. medica and C. micrantha). Clymenia is included in a third strong clade with Eremocitrus and Microcitrus. The nuclear phylogeny of Citrus and its sexually compatible relatives was consistent with the geographic origins of these genera. The origin of Citrus secondary species was analysed both at nuclear and cytoplasmic level and the conclusions mostly agree with previous hypotheses. The SNPs and indels identified at the nuclear level from a relatively large discovery panel will be useful for systematic characterisation of citrus germplasm, both at intra- and inter-specific level. (Résumé d'auteur

A fast approach for human action recognition

This paper presents a fast approach to represent and recognize human actions. For representation, a feature vector is constructed from spatiotemporal data of silhouettes based on appearance and motion. For classification, a new Radial Basis Function Network (RBF), called Time Delay Input Radial Basis Function Network is proposed by introducing time delay units to the RBF in a novel approach. The proposed network has a few desirable features such as easier learning process and more flexibility. The representational power and speed of the proposed method for action recognition were evaluated using a publicly available dataset. Based on experimental results, implemented in MATLAB and on standard PCs, the average time for constructing a feature vector for a high-resolution video is almost 20 ms/frame. Furthermore, the proposed approach demonstrates good performance in terms of execution time and overall performance (a new performance measure that combines accuracy and speed into one metric)