El amor en el cine egipcio. Análisis de la relación hombre-mujer en algunas películas egipcias desde 1950 hasta 2000

Love has always played a central role in Arab cultures, whether idealized/Platonic (as in the story of Majnûn and Laylâ) or earthly/carnal (as in the well-known Dove Ring. About Affinity and Friends by Ibn Hazm al-Andalûsî [993-1064]). Today love is still dealt with by many Arab philosophers and poets, especially Egyptian. This article intends to show the ways in which love has been represented in Egyptian cinema during the last fifty years, through four different categories of love: physical love, Platonic love, fatherly love and love between husband and wife. This essay demonstrates that contemporary Egypt’s conceptions of love are still very much the same as in the classical era, though contemporary cinema adds the support of the moving image to our understanding of this feeling

Los protocolos de los Sabios de Sión

Precede ó tít.: Los peligros judío-masónicosData tomada da cu

Love in Egyptian Cinema

Love has always played a central role in Arab cultures, whether idealized/Platonic (as in the story of Majnûn and Laylâ) or earthly/carnal (as in the well-known Dove Ring. About Affinity and Friends by Ibn Hazm al-Andalûsî [993-1064]). Today love is still dealt with by many Arab philosophers and poets, especially Egyptian. This article intends to show the ways in which love has been represented in Egyptian cinema during the last fifty years, through four different categories of love: physical love, Platonic love, fatherly love and love between husband and wife. This essay demonstrates that contemporary Egypt’s conceptions of love are still very much the same as in the classical era, though contemporary cinema adds the support of the moving image to our understanding of this feeling

El amor en el cine egipcio. Análisis de la relación hombre-mujer en algunas películas egipcias desde 1950 hasta 2000

Love has always played a central role in Arab cultures, whether idealized/Platonic (as in the story of Majnûn and Laylâ) or earthly/carnal (as in the well-known Dove Ring. About Affinity and Friends by Ibn Hazm al-Andalûsî [993-1064]). Today love is still dealt with by many Arab philosophers and poets, especially Egyptian. This article intends to show the ways in which love has been represented in Egyptian cinema during the last fifty years, through four different categories of love: physical love, Platonic love, fatherly love and love between husband and wife. This essay demonstrates that contemporary Egypt’s conceptions of love are still very much the same as in the classical era, though contemporary cinema adds the support of the moving image to our understanding of this feeling

Las dos traducciones de El purgatorio de San Patricio por Denis Florence MacCarthy (1853 y 1873). Primeras calas

The article analyses The Purgatory of Saint Patrick, a translation of Calder\uf3n\u2019s El purgatorio de San Patricio which the Irish poet Denis Florence MacCarthy (1817-82) published in two versions, one in 1853 and one in 1873. The comparison of the two texts shows how MacCarthy, as a lucid importer of the Catholic and Baroque Calder\uf3n in a predominantly hostile Anglophone culture, progressively refined his poetics of translation, adopting in particular a completely imitative versification (including a bold assonant English verse) and showing a growing, if eclectic, fidelity to the Calderonian rhetorical universe