'Oh goodness, I am watching reality TV': How methods make class in audience research

One of the most striking challenges encountered during the empirical stages of our audience research project, `Making Class and the Self through Televised Ethical Scenarios' (funded as part of the ESRC's Identities and Social Action programme), stemmed from how the different discursive resources held by our research participants impacted upon the kind of data collected. We argue that social class is reconfigured in each research encounter, not only through the adoption of moral positions in relation to `reality' television as we might expect, but also through the forms of authority available for participants. Different methods enabled the display of dissimilar relationships to television: reflexive telling, immanent positioning and affective responses all gave distinct variations of moral authority. Therefore, understanding the form as well as the content of our participants' responses is crucial to interpreting our data. These methodological observations underpin our earlier theoretical critique of the `turn' to subjectivity in social theory (Wood and Skeggs, 2004), where we suggest that the performance of the self is an activity that reproduces the social distinctions that theorists claim are in demise

Mediating self-representations: tensions surrounding 'ordinary' participation in public sector projects

Within a contemporary context of self-revelation, which Jon Dovey has called the 'selfspeaking society' and Ken Plummer has described as the 'auto/biographical society', public funds are being directed towards inviting members of the public to represent themselves on public platforms. This thesis asks how processes of mediation shape these self-representations in public sector projects in the cultural sphere. The notion of mediation as a process delineates a specific form of enquiry which stresses both the multiple factors that shape meaning, and the open-ended nature of meaning-making. Within this broad concern, this study focuses on the processes of mediation implicated when public service institutions invite members of the public to represent themselves, assist them in constructing their self-representations and then frame and disseminate the finished texts. Three overlapping but distinct processes of mediation are examined: institutional, textual (including technological) and cultural. The empirical analysis explores the production processes in two cases: BBC Wales' Capture Wales and The Museum of London's London's Voices. The case studies are multi-method, including in-depth interviews and observations with participants and producers, and the textual analysis of selected self-representations. The empirical research suggests that processes of mediation in London's Voices and Capture Wales are constituted through a series of tensions that are both challenging and productive. The public museum and public service broadcaster constitute markedly different contexts and consequently the particular ways in which tensions emerge in each case study are distinctive. Nevertheless self-representations in both Capture Wales and London's Voices are mediated by tensions in four areas: Purposes, Quality, Ordinary people, and Community. Institutional personnel hold varied conceptions of purpose and participants take part for a range of reasons, from imagining audiences for what they produce, to training in specific skills. Some stakeholders emphasise quality of process while others emphasise quality of outcome. The category of the 'ordinary person' is both strategically avoided, and invoked and, in the texts produced, the 'ordinary person' is both brought into being and simultaneously undermined. 'Community' is something which these projects aim to engender and, at the same time, is seen as always already there. In analyzing the empirical data, I draw on Nikolas Rose's Foucauldian analysis of structures of governance to argue that the categories of 'ordinary people' and 'community', as revealed in the case studies, work to constrain how members of the public represent themselves. At the same time the empirical analyses reveal cracks in these structures of governance, which are potentially challenging to their very operation. However, I argue that it is also possible to imagine these cracks as valves, which allow the structures of governance to continue to function all the more effectively. Finally, the thesis considers the normative and critical arguments for the continuation of publicly funded projects of this kind. In particular, I suggest that projects of this kind present a challenge to the increasingly formatted representation of members of the public in media and cultural spaces that is evidenced, for example, in the expansion of reality television formats across the television channels

Methodological and critical problems arising from the question of popular cinema's contribution to the ideology of the feminine in Britain between 1945-1965

In 2 vols.Available from British Library Document Supply Centre-DSC:DX212162 / BLDSC - British Library Document Supply CentreSIGLEGBUnited Kingdo

Danger, comfort, and silence at the home front: Mediating soldiers’ wives

This article explores how the experiences of soldiers’ wives are mediated in the context of militarised popular culture and following two ultimately unpopular wars in Iraq and Afghanistan. We show how audiences, representation (in two senses) and gender matter in a qualitative research project with soldiers, soldiers’ wives and veterans, which explores their perceptions of contemporary media representations of British soldiering, and their social media use. In the summer of 2014, we interviewed 31 participants in 5 focus groups for a British Academy funded project. Participants were veterans, veteran support groups, family members (all ‘wives’) and those directly involved with the promotion of the armed forces in various media (the Joint Information Activities Group, Media Operations Team). The focus groups explored media representations of contemporary soldiering across a range of media and genres (TV documentaries, reality TV, drama, newspapers) but also social media use – practices of self-representation. In this article, we focus on interview data from the wives’ groups (as they identify themselves) and find four emergent and overlapping themes: ridicule, comfort, danger and silence. We argue that the mediation of soldier’s wives is an area of pronounced contradiction: one that is important in and of itself for what it tells us about the experience of that group of women and equally important for what it tells us about representation, practice and gender and the ways in which these are entwined in digital culture

Public Engagement & Cultures of Expertise Scoping Report

This scoping project investigated public, civic and cultural engagement using Leeds as a case study for a wider snapshot of British culture and practices. The scope is broken into three sections. The first looks at formal modes of engagement such as consultation and the power relations of institutions and their publics. The second investigates data itself and the claims made on behalf of digital content in the name of engagement. The third investigates everyday practices of engagement from the perspective of community groups. What is engagement in a digital environment and what does it look like? What new modes and practices of engagement are emerging, and what kinds of cultural products result? What are the implications of these new forms of engagement and new cultural products for communities and cultures

Researching Local News in a Big City: A Multimethod Approach

Reflecting on recent research in the United Kingdom, we consider how to investigate the mediation of news in a contemporary city. We put forward the notion of a “media ecology” to capture the relationships between varied news media and practices—from mainstream news media and community media to the everyday circulation of news through local grapevines—and to explore how individuals and groups relate to the city and to one another. We outline the methodological challenges and decisions we faced in mapping such a complex thing as a media ecology and then in seeking to describe how it operates and to explain the difference it makes to the lives of city dwellers. We advocate the use of multiple methods because none could have provided an adequate explanation of the media ecology or the mediation of news in the city on its own