Aeration Effects on Impact: Drop Test of a Flat Plate

Verbatim reproduction or republication of the papers or articles or part of the articles (e.g., figures or tables) by their authors, after the publication or presentation at the ISOPE meetings and journal, is permitted by the International Society of Offshore and Polar Engineers (ISOPE), provided the full credit is given to the authors, to the publisher, The International Society of Offshore and Polar Engineers (ISOPE), and to the Conference, Symposium or Journal - more specifically not to remove the copyright imprint on page 1 of the paper. The permission does not extend to copying for resale and to re-copyrighting the whole or part of the papers. Posting on your organization's website of the paper(s) you specified is allowed only where only your organization's employees including the students can view free of charge the paper authored or co-authored by your organization's employees, and www.isope.org is provided for the paper(s) in the ISOPE proceedings or journals. Regards, Prof. Jin S Chung Executive Director isope, 495 North Whisman Road, Suite 300 Mountain View, California 94043-5711, USA T 1-650-254-1871; F 1-650-254-2038; [email protected] [email protected], www.isope.org www.deepoceanmining.orgAeration effects on impact have been investigated by dropping a flat plate onto the water surface, in which the water is aerated to various degrees. An experimental study has been carried out in the newly commissioned Ocean Basin at Plymouth University’s COAST Lab. The falling block comprises a rigid impact plate connected to two driver plates and its total mass can be varied between 32 kg and 52 kg. The impact plate is 0.25m long, 0.25 m wide and 0.012 m high. The impact velocity is varied between 4 m/s and 7 m/s. Preliminary results of the impact tests are presented here. Visualised results show that there are significant differences between jet formation after impact of the plate in pure water and in aerated water. There is significant reduction of the maximum pressures from those measured in pure water to those measured in aerated water

A stable and accurate control-volume technique based on integrated radial basis function networks for fluid-flow problems

Radial basis function networks (RBFNs) have been widely used in solving partial differential equations as they are able to provide fast convergence. Integrated RBFNs have the ability to avoid the problem of reduced convergence-rate caused by differentiation. This paper is concerned with the use of integrated RBFNs in the context of control-volume discretisations for the simulation of fluid-flow problems. Special attention is given to (i) the development of a stable high-order upwind scheme for the convection term and (ii) the development of a local high-order approximation scheme for the diffusion term. Benchmark problems including the lid-driven triangular-cavity flow are employed to validate the present technique. Accurate results at high values of the Reynolds number are obtained using relatively-coarse grids

“Nobody’s More Country”: Identity in Country-Rap Crossover Music

Country and hip-hop music often are positioned as opposites, creating and reinforcing distinct identities that may oppose each other. Yet, there are several underlying narratives of identity that are similar between the two genres. This project examines the mutual constitution of country and hip-hop through the lens of country-rap crossover music, focusing on the American identities that come together with the crossing over of music genres and the development of identities that lie beyond the bounds of the individual genres. It considers how the interactions between such identities within music mirror contemporary societal discourse on social issues including race, gender, sexuality, and class. In this way, country-rap crossover has the capacity to promote understanding across differences. Crossover can be about reconciling what it means to be American, the music attempting to resolve the ambiguities and contradictions between rural and urban American identities. Country-rap and crossover broadly lend themselves to this purpose as dialogues between identity groups occur within it and are intrinsic to it. This thesis offers a critical analysis of such conversations through close readings of country-rap crossover songs like “Old Town Road” (2019), “My Truck” (2020), and “Nobody’s More Country” (2021)