Merrily We Roll Along

This musical moves from 1976 backward to 1957 as it depicts the lives of three friends who have become estranged from one another. It was performed at John Carroll University in October of 1997.https://collected.jcu.edu/plays/1107/thumbnail.jp

Sunday in the Park with George

Inspired by George Seurat\u27s painting Sunday Afternoon on the Island of Le Grand Jatte, this is a play that in the first act contrasts the artist\u27s ability to organize and control his work and his inability to do either with his life. The second act is a second artist named George, Seurat\u27s grandson, trying to come to terms with similar issues. This play opened on October 22, 1999 and was reviewed in The Plain Dealer on October 28, 1999.https://collected.jcu.edu/plays/1119/thumbnail.jp

A Funny Thing Happened on the Way to the Forum

The classic comedy, A Funny Thing Happened on the Way to the Forum was performed at John Carroll University in October of 2001.https://collected.jcu.edu/plays/1126/thumbnail.jp

The Long-Baseline Neutrino Experiment: Exploring Fundamental Symmetries of the Universe

The preponderance of matter over antimatter in the early Universe, the dynamics of the supernova bursts that produced the heavy elements necessary for life and whether protons eventually decay --- these mysteries at the forefront of particle physics and astrophysics are key to understanding the early evolution of our Universe, its current state and its eventual fate. The Long-Baseline Neutrino Experiment (LBNE) represents an extensively developed plan for a world-class experiment dedicated to addressing these questions. LBNE is conceived around three central components: (1) a new, high-intensity neutrino source generated from a megawatt-class proton accelerator at Fermi National Accelerator Laboratory, (2) a near neutrino detector just downstream of the source, and (3) a massive liquid argon time-projection chamber deployed as a far detector deep underground at the Sanford Underground Research Facility. This facility, located at the site of the former Homestake Mine in Lead, South Dakota, is approximately 1,300 km from the neutrino source at Fermilab -- a distance (baseline) that delivers optimal sensitivity to neutrino charge-parity symmetry violation and mass ordering effects. This ambitious yet cost-effective design incorporates scalability and flexibility and can accommodate a variety of upgrades and contributions. With its exceptional combination of experimental configuration, technical capabilities, and potential for transformative discoveries, LBNE promises to be a vital facility for the field of particle physics worldwide, providing physicists from around the globe with opportunities to collaborate in a twenty to thirty year program of exciting science. In this document we provide a comprehensive overview of LBNE's scientific objectives, its place in the landscape of neutrino physics worldwide, the technologies it will incorporate and the capabilities it will possess.Comment: Major update of previous version. This is the reference document for LBNE science program and current status. Chapters 1, 3, and 9 provide a comprehensive overview of LBNE's scientific objectives, its place in the landscape of neutrino physics worldwide, the technologies it will incorporate and the capabilities it will possess. 288 pages, 116 figure

Heavy Quarks and Heavy Quarkonia as Tests of Thermalization

We present here a brief summary of new results on heavy quarks and heavy quarkonia from the PHENIX experiment as presented at the "Quark Gluon Plasma Thermalization" Workshop in Vienna, Austria in August 2005, directly following the International Quark Matter Conference in Hungary.Comment: 8 pages, 5 figures, Quark Gluon Plasma Thermalization Workshop (Vienna August 2005) Proceeding

Not While I\u27m Around

https://digitalcommons.library.umaine.edu/mmb-vp-copyright/6524/thumbnail.jp

Lovely

https://digitalcommons.library.umaine.edu/mmb-vp-copyright/6885/thumbnail.jp

Sondheim's technique

This article is primarily made up of an edited transcript of an interview which Stephen Sondheim gave in 1985 for a BBC/Open University television programme. In it the composer discusses his compositional processes and the relationship between text (lyrics) and music. He also discusses issues relating to performance practice of his work, in particular idioms (musical theatres, opera houses) inasmuch as they influence his compositional method. The idiom of performances are further dealt with in respect of the nature of audiences. The examples that Sondheim draws on are "The Ballad of Sweeney Todd" from Sweeney Todd, The Demon Barber of Fleet Street (1979) and "Send in the Clowns" from A Little Night Music (1973). A note on the editing of the transcript My questions are précised but retain their original sense. I have edited out obvious superfluities in Sondheim's responses and the order of the various sections of the interview have been modestly rearranged, but not to the extent that they alter the original sense. The music illustrations are those which Sondheim played at the piano, the single exception being the first, which was illustrated in the programme by a film extract

The Worst Pies In London

https://digitalcommons.library.umaine.edu/mmb-vp-copyright/6417/thumbnail.jp

What can you lose : from the film Dick Tracy

https://digitalcommons.library.umaine.edu/mmb-vp-copyright/5807/thumbnail.jp