56 research outputs found
Pathogenetic and Prognostic Significance of Thrombocytopenia in Patients With Necrotizing Soft Tissue Infections
Necrotizing soft tissue infection (NSTI) is a severe surgical infection which can result in sepsis and septic shock when generalized.The aim of the study was to determine the frequency of thrombocytopenia in patients with generalized NSTI, the factors promoting its development, and its association with septic shock.Materials and Methods. We examined 129 patients with NSTI treated between 09.2015 and 12.2019 at St. George Hospital in St. Petersburg, Russia. Surgical treatment, hematological and biochemical examinations, and bacteriological analysis of blood and wound discharge were performed in each patient. The studied group included 22 patients with systemic inflammatory reaction syndrome, 63 patients with sepsis, and 44 patients with septic shock.Results. We found a decrease in platelet count in NSTI patients with septic shock as early as on the first day of the disease and its further decrease within the next 3 days, with the mean platelet volume (MPV) increasing during the same period and significantly exceeding that in patients with sepsis and systemic inflammatory response syndrome. In NSTI patients with thrombocytopenia on admission, we found a significant correlation between the platelet count and the percentage of segmented neutrophils (r=0.349; P<0.001; n=40). The maximum incidenΡe of septic shock was observed in patients infected with Klebsiella pneumoniae (13 out of 19, 65%). These patients had the highest MPV but did not develop thrombocytopenia. Maximum frequency of thrombocytopenia and elevation of MPV and platelet distribution width (PDW) was found in patients with NSTI and underlying chronic viral hepatitis C. However, the relative frequency of septic shock in these patients was not increased.Conclusion. The development of septic shock in NSTI is associated with a specific platelet activation patter
ΠΠ°ΡΠΎΠ³Π΅Π½Π΅ΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΈ ΠΏΡΠΎΠ³Π½ΠΎΡΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ Π·Π½Π°ΡΠ΅Π½ΠΈΠ΅ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠΏΠ΅Π½ΠΈΠΈ Ρ ΠΏΠ°ΡΠΈΠ΅Π½ΡΠΎΠ² Ρ Π½Π΅ΠΊΡΠΎΡΠΈΠ·ΠΈΡΡΡΡΠΈΠΌΠΈ ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡΠΌΠΈ ΠΌΡΠ³ΠΊΠΈΡ ΡΠΊΠ°Π½Π΅ΠΉ
Necrotizing soft tissue infection (NSTI) is a severe surgical infection which can result in sepsis and septic shock when generalized.The aim of the study was to determine the frequency of thrombocytopenia in patients with generalized NSTI, the factors promoting its development, and its association with septic shock.Materials and Methods. We examined 129 patients with NSTI treated between 09.2015 and 12.2019 at St. George Hospital in St. Petersburg, Russia. Surgical treatment, hematological and biochemical examinations, and bacteriological analysis of blood and wound discharge were performed in each patient. The studied group included 22 patients with systemic inflammatory reaction syndrome, 63 patients with sepsis, and 44 patients with septic shock.Results. We found a decrease in platelet count in NSTI patients with septic shock as early as on the first day of the disease and its further decrease within the next 3 days, with the mean platelet volume (MPV) increasing during the same period and significantly exceeding that in patients with sepsis and systemic inflammatory response syndrome. In NSTI patients with thrombocytopenia on admission, we found a significant correlation between the platelet count and the percentage of segmented neutrophils (r=0.349; P<0.001; n=40). The maximum incidenΡe of septic shock was observed in patients infected with Klebsiella pneumoniae (13 out of 19, 65%). These patients had the highest MPV but did not develop thrombocytopenia. Maximum frequency of thrombocytopenia and elevation of MPV and platelet distribution width (PDW) was found in patients with NSTI and underlying chronic viral hepatitis C. However, the relative frequency of septic shock in these patients was not increased.Conclusion. The development of septic shock in NSTI is associated with a specific platelet activation patternΠΠ΅ΠΊΡΠΎΡΠΈΠ·ΠΈΡΡΡΡΠ°Ρ ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ ΠΌΡΠ³ΠΊΠΈΡ
ΡΠΊΠ°Π½Π΅ΠΉ (ΠΠΠΠ’) β ΡΡΠΆΠ΅Π»Π°Ρ Ρ
ΠΈΡΡΡΠ³ΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ, ΠΏΡΠΈ Π³Π΅Π½Π΅ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΠΈ ΠΊΠΎΡΠΎΡΠΎΠΉ ΡΠ°ΡΡΠΎ ΡΠ°Π·Π²ΠΈΠ²Π°Π΅ΡΡΡ ΡΠ΅ΠΏΡΠΈΡ ΠΈ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠΎΠΊ.Π¦Π΅Π»Ρ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΡ β ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠ°ΡΡΠΎΡΡ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠΏΠ΅Π½ΠΈΠΈ Ρ Π±ΠΎΠ»ΡΠ½ΡΡ
Ρ Π³Π΅Π½Π΅ΡΠ°Π»ΠΈΠ·ΠΎΠ²Π°Π½Π½ΡΠΌΠΈ ΡΠΎΡΠΌΠ°ΠΌΠΈ ΠΠΠΠ’, ΡΠ°ΠΊΡΠΎΡΡ, ΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΡΡΡΠΈΠ΅ Π΅Π΅ ΡΠ°Π·Π²ΠΈΡΠΈΡ ΠΈ ΡΠ²ΡΠ·Ρ Ρ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ΠΌ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΊΠ°.ΠΠ°ΡΠ΅ΡΠΈΠ°Π» ΠΈ ΠΌΠ΅ΡΠΎΠ΄Ρ. ΠΠ±ΡΠ»Π΅Π΄ΠΎΠ²Π°Π»ΠΈ 129 Π±ΠΎΠ»ΡΠ½ΡΡ
c ΠΠΠΠ’, Π»Π΅ΡΠΈΠ²ΡΠΈΡ
ΡΡ Ρ 09.2015 ΠΏΠΎ 12.2019 Π³Π³. Π² Π±ΠΎΠ»ΡΠ½ΠΈΡΠ΅ Π‘Π². ΠΠ΅Π»ΠΈΠΊΠΎΠΌΡΡΠ΅Π½ΠΈΠΊΠ° ΠΠ΅ΠΎΡΠ³ΠΈΡ Π‘Π°Π½ΠΊΡ-ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³Π°. ΠΡΠ΅ΠΌ ΠΏΠ°ΡΠΈΠ΅Π½ΡΠ°ΠΌ ΠΏΡΠΎΠ²Π΅Π»ΠΈ Ρ
ΠΈΡΡΡΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ΅ Π»Π΅ΡΠ΅Π½ΠΈΠ΅, Π»Π°Π±ΠΎΡΠ°ΡΠΎΡΠ½ΠΎΠ΅ Π³Π΅ΠΌΠ°ΡΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΈ Π±ΠΈΠΎΡ
ΠΈΠΌΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΎΠ±ΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈ Π±Π°ΠΊΡΠ΅ΡΠΈΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ ΠΊΡΠΎΠ²ΠΈ ΠΈ ΠΎΡΠ΄Π΅Π»ΡΠ΅ΠΌΠΎΠ³ΠΎ ΠΈΠ· ΡΠ°Π½Ρ. ΠΡΠ΅Π³ΠΎ Π±ΠΎΠ»ΡΠ½ΡΡ
Ρ ΡΠΈΠ½Π΄ΡΠΎΠΌΠΎΠΌ ΡΠΈΡΡΠ΅ΠΌΠ½ΠΎΠΉ Π²ΠΎΡΠΏΠ°Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΡΠ΅Π°ΠΊΡΠΈΠΈ Π±ΡΠ»ΠΎ 22, Ρ ΡΠ΅ΠΏΡΠΈΡΠΎΠΌ β 63, ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΡΠΎΠΊΠΎΠΌ β 44 ΡΠ΅Π»ΠΎΠ²Π΅ΠΊΠ°.Π Π΅Π·ΡΠ»ΡΡΠ°ΡΡ. ΠΡΡΠ²ΠΈΠ»ΠΈ ΡΠ½ΠΈΠΆΠ΅Π½ΠΈΠ΅ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²Π° ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠ² Ρ Π±ΠΎΠ»ΡΠ½ΡΡ
ΠΠΠΠ’ Ρ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΈΠΌ ΡΠΎΠΊΠΎΠΌ ΡΠΆΠ΅ Π² ΠΏΠ΅ΡΠ²ΡΠ΅ ΡΡΡΠΊΠΈ Π·Π°Π±ΠΎΠ»Π΅Π²Π°Π½ΠΈΡ ΠΈ Π΄Π°Π»ΡΠ½Π΅ΠΉΡΠ΅Π΅ Π΅Π³ΠΎ ΡΠ½ΠΈΠΆΠ΅Π½ΠΈΠ΅ Π² ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ 3-Ρ
Π΄Π½Π΅ΠΉ, ΠΏΡΠΈΡΠ΅ΠΌ ΡΡΠ΅Π΄Π½ΠΈΠΉ ΠΎΠ±ΡΠ΅ΠΌ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠ² (MPV) Π² ΡΡΠΈ ΠΆΠ΅ ΡΡΠΎΠΊΠΈ Π²ΠΎΠ·ΡΠ°ΡΡΠ°Π» ΠΈ ΡΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎ ΠΏΡΠ΅Π²ΠΎΡΡ
ΠΎΠ΄ΠΈΠ» ΡΠ°ΠΊΠΎΠ²ΠΎΠΉ Ρ Π±ΠΎΠ»ΡΠ½ΡΡ
Ρ ΡΠ΅ΠΏΡΠΈΡΠΎΠΌ ΠΈ ΡΠΈΠ½Π΄ΡΠΎΠΌΠΎΠΌ ΡΠΈΡΡΠ΅ΠΌΠ½ΠΎΠΉ Π²ΠΎΡΠΏΠ°Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΡΠ΅Π°ΠΊΡΠΈΠΈ. Π£ Π±ΠΎΠ»ΡΠ½ΡΡ
ΠΠΠΠ’, ΠΈΠΌΠ΅Π²ΡΠΈΡ
ΠΏΡΠΈ ΠΏΠΎΡΡΡΠΏΠ»Π΅Π½ΠΈΠΈ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠΏΠ΅Π½ΠΈΡ, Π²ΡΡΠ²ΠΈΠ»ΠΈ ΡΡΠ°ΡΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈ Π·Π½Π°ΡΠΈΠΌΡΡ ΠΊΠΎΡΡΠ΅Π»ΡΡΠΈΡ ΠΊΠΎΠ»ΠΈΡΠ΅ΡΡΠ²Π° ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠ² Ρ Π΄ΠΎΠ»Π΅ΠΉ ΡΠ΅Π³ΠΌΠ΅Π½ΡΠΎΡΠ΄Π΅ΡΠ½ΡΡ
Π½Π΅ΠΉΡΡΠΎΡΠΈΠ»ΠΎΠ² (r=0,349; Ρ<0,001; n=40). ΠΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΡΡ ΡΠ°ΡΡΠΎΡΡ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΊΠ° ΠΎΡΠΌΠ΅ΡΠΈΠ»ΠΈ Ρ Π±ΠΎΠ»ΡΠ½ΡΡ
, ΠΈΠ½ΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ
Klebsiella pneumoniaΠ΅ (13 ΠΈΠ· 19, 65%). Π£ ΡΡΠΈΡ
Π±ΠΎΠ»ΡΠ½ΡΡ
ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΡ ΠΈΠΌΠ΅Π»ΠΈ Π½Π°ΠΈΠ±ΠΎΠ»ΡΡΠΈΠΉ MPV, ΠΎΠ΄Π½Π°ΠΊΠΎ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠΏΠ΅Π½ΠΈΡ Π½Π΅ ΡΠ°Π·Π²ΠΈΠ²Π°Π»Π°ΡΡ. ΠΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΡΡ ΡΠ°ΡΡΠΎΡΡ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠΏΠ΅Π½ΠΈΠΈ, ΡΠ²Π΅Π»ΠΈΡΠ΅Π½ΠΈΠ΅ MPV ΠΈ Π°Π½ΠΈΠ·ΠΎΡΠΈΡΠΎΠ· (ΠΎΡΠ½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΡΡ ΡΠΈΡΠΈΠ½Ρ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎΠ² ΠΏΠΎ ΠΎΠ±ΡΠ΅ΠΌΡ β PDW) Π²ΡΡΠ²ΠΈΠ»ΠΈ Ρ Π±ΠΎΠ»ΡΠ½ΡΡ
Ρ ΡΠ°Π·Π²ΠΈΡΠΈΠ΅ΠΌ ΠΠΠΠ’ Π½Π° ΡΠΎΠ½Π΅ Ρ
ΡΠΎΠ½ΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π²ΠΈΡΡΡΠ½ΠΎΠ³ΠΎ Π³Π΅ΠΏΠ°ΡΠΈΡΠ° Π‘. ΠΠ΄Π½Π°ΠΊΠΎ, ΡΡΠ°Π²Π½ΠΈΡΠ΅Π»ΡΠ½Π°Ρ ΡΠ°ΡΡΠΎΡΠ° ΡΠ°Π·Π²ΠΈΡΠΈΡ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΊΠ° Ρ ΡΡΠΈΡ
Π±ΠΎΠ»ΡΠ½ΡΡ
Π½Π΅ Π±ΡΠ»Π° ΠΏΠΎΠ²ΡΡΠ΅Π½Π°.ΠΠ°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅. Π Π°Π·Π²ΠΈΡΠΈΠ΅ ΡΠ΅ΠΏΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠΎΠΊΠ° ΠΏΡΠΈ ΠΠΠΠ’ ΠΎΠ±ΡΡΠ»ΠΎΠ²Π»Π΅Π½ΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠΌ ΡΠΈΠΏΠΎΠΌ Π°ΠΊΡΠΈΠ²Π°ΡΠΈΠΈ ΡΡΠΎΠΌΠ±ΠΎΡΠΈΡΠΎ
The Role of Plasma Membrane Aquaporins in Regulating the Bundle Sheath-Mesophyll Continuum and Leaf Hydraulics
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Essay: Transformation and Transfiguration in GΓ©rard Griseyβs βFour Songs for Crossing the Thresholdβ Musical Composition: βEveryone Became a Trailβ - Song Cycle in Five Movements for Soprano and Chamber Ensemble
My dissertation consists of two parts: 1. an essay presenting an analysis of GΓ©rard Griseyβs seminal work Four Chants for Crossing the Threshold (1999) for soprano and ensemble, in regards to concepts of transformation and transfiguration, and 2. a musical composition entitled βEveryone became a Trailβ - a five movement song cycle with original texts for soprano and chamber ensembleGriseyβs Chants is an outstanding masterpiece that conceptually explores aspects of βcrossing the thresholdβ by combining poetry about death with formal approaches that strategically explore the temporal structuring of musical processes. The content and structure of the texts become a propelling source for the formalization of the musical material. In each movement Grisey presents unique musical systems that evolve through methods of transformation that inevitably lead to significant formal points of transfiguration. By globally focusing on this evolution from transformation to transfiguration Grisey presents a musical work as a metaphor for the transition between life and death. It is an experience of how time affects the evolution and decay of musical systems. Each movement in the work presents a distinct method to formalize temporal procedures that gradually transform towards a climactic point of transfiguration which inevitably leads to its concluding decay
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