3 research outputs found

    Effects of inspiratory muscle-training intensity on cardiovascular control in amateur cyclists

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    Chronic effects of inspiratory muscle training (IMT) on autonomic function and baroreflex regulation are poorly studied. This study aims at evaluating chronic effects of different IMT intensities on cardiovascular control in amateur cyclists. A longitudinal, randomized, controlled blind study was performed on 30 recreational male cyclists undergoing IMT for 11 wk. Participants were randomly allocated into sham-trained group (SHAM, n = 9), trained group at 60% of the maximal inspiratory pressure (MIP60, n = 10), and trained group at critical inspiratory pressure (CIP, n = 11). Electrocardiogram, finger arterial pressure, and respiratory movements were recorded before (PRE) and after (POST) training at rest in supine position (REST) and during active standing (STAND). From the beat-to-beat series of heart period (HP) and systolic arterial pressure (SAP), we computed time domain markers, frequency domain indexes in the low frequency (0.04–0.15 Hz) and high frequency (HF, 0.15–0.4 Hz) bands, an entropy-based complexity index (CI), and baroreflex markers estimated from spontaneous HP-SAP sequences. Compared with SHAM, the positive effect of MIP60 over the HP series led to the HF power increase during REST (PRE: 521.2 ± 447.5 ms2; POST: 1,161 ± 878.9 ms2) and the CI rise during STAND (PRE: 0.82 ± 0.18; POST: 0.97 ± 0.13). Conversely, the negative effect of CIP took the form of the decreased HP mean during STAND (PRE: 791 ± 71 ms; POST: 737 ± 95 ms). No effect of IMT was visible over SAP and baroreflex markers. These findings suggest that moderate-intensity IMT might be beneficial when the goal is to limit cardiac sympathetic hyperactivity at REST and/or in response to STAND

    Construindo imagens, fazendo clichês: fotógrafos pela cidade

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    O trabalho aqui desenvolvido parte da análise de duas coleções de fotografias, uma paulistana e outra lisboeta, produzidas nas duas primeiras décadas do século XX, que se articulam através de suas semelhanças temáticas. A pesquisa apresentada não pretende ser nem a somatória das diferentes imagens nem a segmentação das mesmas por agência produtora, mas, antes de tudo, ser um discurso sobre a cidade, onde cada imagem dialoga com as demais produzidas sobre o mesmo tema. O eixo de construção deste diálogo entre as diferentes imagens está no discurso sanitário e pretende contribuir com um dos muitos olhares possíveis sobre a cidade
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