The power of collecting through sculpture, comparison between iberian society and present

La presente comunicación compara el concepto de coleccionismo entre la sociedad ibérica (siglos VII-I a. C) y la sociedad actual, desde el punto de vista de la representación escultórica. Diferencia la sociedad que crea obras artísticas y quiere exhibirlas, de la sociedad que sólo quiere poseerlas, así como el rol de diferentes tipos de coleccionistas, públicos, privados y desconocidos, y la influencia que ha tenido en ellos el mercado del arte y la práctica del coleccionismo como educación y enriquecimiento cultural de la sociedad.This communication compares the Iberian (6th-1st century BC) concept of collecting to our current behaviors, from the point of view of the sculptural representation. We difference between a society that creates works of art and want to display them, and a society who just wants to possess this kind of objects. The study also deals with the role of different types of collectors (public, private and unknown) and about how have they influenced by the art market, as well as the importance of the practice of collecting as education, in order to promote cultural social values

Polychromy in the Iberian Sculptures of Cerrillo Blanco: Analytical Study, Historical Context and State of Conservation

[EN] In the environs of the city of Ipolca, today's town of Porcuna (Jaén), the Iberian civilisation left behind one of the most outstanding sculptural ensembles of Antiquity, made up of 27 groups of figures and hundreds of fragments dating from the 7th to the 2nd centuries BC. Despite its great relevance, there are very few scientific studies that serve as a basis for understanding the many questions that remain about how they were made, their significance, and their relationship to the culture that gave rise to them. This article studies the polychrome techniques used in the sculptures and puts them into context in Iberian art. The research has been carried out on original pieces from the Archaeological Museum of Jaén using stereoscopic optical microscopy (SOM), petrographic microscopy (PM), Fourier-transform infrared spectroscopy (FTIR), and scanning electron microscopy-energy dispersive X-ray analysis (SEM-EDX).This research was funded by the following projects: ECODIGICOLOR, grant number TED2021-132023B-I00, supported by MCIN/AEI/10.13039/501100011033 and Union Europea NextGenerationEU/PRTR (Proyectos estrategicos orientados a la transicion ecologica y digital), project BIOALHAMBRA, grant number PID2022-143064OB-I00, supported by MCIN/AEI/10.13039/501100011033 >, project FICOARTE 2, grant number P18 -FR-4477, supported by "Consejeria de Universidad, Investigacion e Innovacion", Junta de Andalucia, Programa FEDER, "Andalucia se mueve con Europa", and Grant PID2020-113022GB-I00 funded by MCIN/AEI/10.13039/501100011033 and by "ERDF A way of making Europe", by the "European Union".Romero-Noguera, J.; Ruíz-Ruíz, MB.; Domenech Carbo, MT.; Bolívar-Galiano, F. (2023). Polychromy in the Iberian Sculptures of Cerrillo Blanco: Analytical Study, Historical Context and State of Conservation. Coatings. 13(10). https://doi.org/10.3390/coatings13101798131

Fungal and Bacterial Biodeterioration of Outdoor Canvas Paintings: The Case of the Cloisters of Quito, Ecuador

The historic center of Quito, Ecuador, was one of the first World Cultural Heritage Sites declared by UNE-ISCO in 1978. here are numerous religious buildings built during the Spanish colonial period reflecting the cultural her- itage in this area. Between them, the cloisters of San Francisco, Santo Domingo, and Santa Clara should be highlighted. The specific problems of conservation of the outdoor canvas paintings are not well known at the moment. The objective of this paper is to achieve a conservation study of the canvas paintings exhibited in these three cloisters of the historic center of Quito in order to identify the microbial agents and the main bioclimatic parameters of deterioration. For this, a study of the state of conservation of five canvas paintings has been carried out, as well as a sampling and identification of the main microorganisms present on the obverse and reverse of the works, employing diverse techniques, traditional and biomolecular ones. An analysis of climatic conditions has also been achieved in the cloister of San Francisco. The results of the study indicate that the exhibition conditions in the cloisters are really problematic for the conservation of paintings. Important biodeteriorating agents have been isolated, including fungi and bacteria species belonging, among others, to the genera Bacillus, Penicillium, Alternaria, Mucor, and Aspergillus. We have also researched its relationship with the deterioration state of the artworks and the exhibi ion conditions in each case, proposing guidelines for the proper conservation of this important World Cultural Heritage

CO-121 Aplicación de Técnicas Analíticas Avanzadas en el Desarrollo de Nuevas Formulaciones para la Limpieza de Barnices en Obras de Arte

Cuando se lleva a cabo la limpieza de suciedad y de barniz en obras de arte con disolvente o emulsiones en medio acuoso es necesario considerar los efectos que pueden ocasionar sobre la policromía original. Este trabajo recoge los resultados de un estudio experimental sobre la eficacia de diferentes emulsiones a base de limonero para la limpieza de barnices en obras de arte, analizando su grado de eficacia, la permanencia de residuos en superficie y las posibles interacciones con las capas de policromía. La eficacia del tratamiento se ha comprobado mediante iluminación con luz ultravioleta, microscopía óptica polarizada, espectroscopía micro-Raman y cromatografía de gases acoplada a espectometría de masas

Mineralogical and petrographic characterization of the Cerrillo Blanco Iberian sculptures

This research was funded by the following projects: (ECODIGICOLOR), grant number TED2021‑132023B‑I00, supported MCIN/AEI /http://dx.doi.org/10.13039/501100011033 and Unión Europea NextGenerationEU/ PRTR (Proyectos estratégicos orientados a la transición ecológica y digital) and project “Aplicación avanzada de las algas procedentes de la Alhambra y el Generalife en técnicas artísticas y de conservación‑restauración, (FICOARTE2), grant number P18‑FR‑4477, supported by Consejería de Universidad, Investigacion e Innovación, Junta de Andalucía, Programa FEDER, “Andalucía se mueve con Europa”, Grant PID2020‑113022GB‑I00 funded by MCIN/AEI/10.13039/501100011033 and by “ERDF A way of making Europe”, by the “European Union”.The archaeological heritage at Cerrillo Blanco (Porcuna, Spain) is made up of 27 sculptural ensembles and hundreds of fragments dated between the seventh and second centuries BC. They represent a fundamental milestone in Iberian art and culture. Despite their relevance, no scientific studies have been carried out to date in order to fully understand the materials, intentions and techniques that led to their creation. This is a study carried out on original pieces from the Archaeological Museum of Jaen using stereoscopic optical microscopy (SOM), polarised optical microscopy (POM), X-ray diffraction analysis (XRD), Fourier-transform infrared spectroscopy (FTIR), field emission scanning electron microscopy with energy dispersive x-ray analysis (FESEM-EDX) and spectrophotometry (SF). The results obtained provide new information on the material composition of this important legacy of the Iberian civilization as well as its main alteration factors.MCIN/AEI TED2021-132023B-I00, PID2020-113022GB-I00Unión Europea NextGenerationEU/ PRTR TED2021-132023B-I00Junta de Andalucía, FEDER, "Andalucía se mueve con Europa" P18-FR-4477"ERDF A way of making Europe" Unión Europea PID2020-113022GB-I0

Response Surface Model Applied to Fine Arts: The Case of the Restoration of Paintings

Cleaning polychrome paintings and sculptures is an essential task in restoration treatment, since it irreversibly affects the appearance and material structure of such works of art. It is a completely “analogical” process consisting of removing surface dirt, aged varnishes or repainting (paints added to the original) based on the restorer’s experience and knowledge, as well as on different internationally accepted criteria for such interventions. In this chapter we are presenting an example of the adaptation of the response surface model to this field, which is complex and difficult to adapt to quantitative parameters and has never before been studied with this approach. Using the MODDE Go® experiment optimization and statistical design software, the effectiveness of cleaning pictorial works of art has been studied using various formulas composed mainly of water and a low-toxicity monoterpene: limonene. The model’s statistical validity is demonstrated, as well as its ability to determine the main factors that affect the cleaning by means of different responses (methods) to evaluate its effectiveness: an expert’s opinion using visible light and ultraviolet light, the amount of varnish removed using gas chromatography coupled with mass spectrometry, and the effects on color, lightness and gloss. The main influential factors were the concentrations of the two main components of the proposed formulations, water and limonene, which regulate the cleaners’ level of hydrophilia and lipophilicity, followed by the types of pigments and type of varnish used, and aging. Using an in silico simulation, the proposed model also enables specific compositions to be formulated for different scenarios and cleaning applications that are potentially effective and harmless to the pictorial materials and the restorers’ health

Biodeterioration patterns found in dammar resin used as art material

Since the middle of the XIX century, when dammar became popular in Occident, this natural resin is one of the most used in art painting techniques as final protective coating (varnish) as well as a component of pictorial media. The present work is the first approach to the study of the microbiological biodeterioration of this artistic material, which can seriously affect the appearance and integrity of works of art when bad conservation conditions -especially high humidity levels- take place. 12 microorganisms, fungi and bacteria, came from collection and from oil paintings affected by biodeterioration patterns, were inoculated on test specimens prepared with varnish dammar. These were incubated and analyzed by GC-MS to determine both the microbiological capacity of growth and chemical alteration on the resin. Some of the studied microorganisms have shown patterns of deterioration similar to those found in works dedicated to natural or accelerated photochemical ageing of triterpenoid varnishes.This study was supported by the National Spanish Project “I+D+I MCYT” CTQ2005-09339-C03-03

Estudio del biodeterioro e identificación de microorganismos de cinco obras pictóricas sobre lienzo pertenecientes al conjunto histórico artístico de la Abadía Benedictina de San Martino della Scala de Palermo, Italia

El estudio del biodeterioro en los procesos de restauración de pintura sobre lienzo es una de las disciplinas menos estudiadas debido a la complejidad del protocolo analítico que requiere. Este proceso de carácter multidisciplinar se extiende desde el estudio histórico-artístico y material de las obras, las condiciones bioclimáticas en que se exponen y un proceso científico de identificación de microorganismos que puede emplear distintas técnicas tales como la siembra en cultivos microbiológicos, la microscopía óptica y la microscopía electrónica de alta resolución. Un adecuado estudio e identificación de los mismos profundizará en el análisis y evaluación de los distintos procesos de biodeterioro de las obras así como un adecuado control preventivo del microclima. El caso que aquí estudiamos se dedica a la identificación de microorganismos encontrados en la superficie pictórica de una serie de cinco obras de gran formato pertenecientes al patrimonio mueble de la Abadía Benedictina de San Martino delle Scale de Palermo, Italia

Redundancy Is Not Necessarily Detrimental in Classification Problems

In feature selection, redundancy is one of the major concerns since the removal of redun dancy in data is connected with dimensionality reduction. Despite the evidence of such a connection, few works present theoretical studies regarding redundancy. In this work, we analyze the effect of redundant features on the performance of classification models. We can summarize the contribution of this work as follows: (i) develop a theoretical framework to analyze feature construction and selection, (ii) show that certain properly defined features are redundant but make the data linearly separable, and (iii) propose a formal criterion to validate feature construction methods. The results of experiments suggest that a large number of redundant features can reduce the classification error. The results imply that it is not enough to analyze features solely using criteria that measure the amount of information provided by such features.CONACYT - Consejo Nacional de Ciencia y TecnologíaPROCIENCI

Biodeterioration patterns found in dammar resin used as art material

Since the middle of the XIX century, when dammar became popular in Occident, this natural resin is one of the most used in art painting techniques as final protective coating (varnish) as well as a component of pictorial media. The present work is the first approach to the study of the microbiological biodeterioration of this artistic material, which can seriously affect the appearance and integrity of works of art when bad conservation conditions -especially high humidity levels- take place. 12 microorganisms, fungi and bacteria, came from collection and from oil paintings affected by biodeterioration patterns, were inoculated on test specimens prepared with varnish dammar. These were incubated and analyzed by GC-MS to determine both the microbiological capacity of growth and chemical alteration on the resin. Some of the studied microorganisms have shown patterns of deterioration similar to those found in works dedicated to natural or accelerated photochemical ageing of triterpenoid varnishes