Errors in spectrophotometry and colorimetry with particular reference to near-white and near-black surfaces

Imperial Users onl

The liquid phase oxidation of hydrocarbons

Not availabl

A rhetoric of e|mediated (typo)graphicacy

This paper will discuss the distinctions between e|mediated and print (typo)graphic design by which its role might be reconsidered as significantly authorial, not merely formal or technical. Reproducing meaning on-screen alters conventions and assumptions which traditionally inform print-designers' attitudes to visual organisation. Not least amongst these is the increased visual significance of wayfinding requirements. Yet comfortable assumptions about (typo)graphic design as cultural producer must also change. As an ideological, elitist tool of consumerist persuasion it is not a rigorous discipline of public service. Yet ironically, not only does it exemplify the five arts of ancient rhetoric, the communicative action of the public sphere so central to democratic participation (supplanted by the rationalist abstractions of elitist philosophic discourses), but it also stands uniquely capable of addressing the paradoxical 'fissure' at the heart of contemporary rhetorical practice: the " division of the logos into form and content" (Hariman 227). Emedia enables virtually infinite and free publication, yet within technical constraints which engender possibilities for a radically analytic deconstruction of the conventional form of discursive codex-textuality. Through both static and dynamic juxtapositioning by which oscillation between formality and function may be visually instantiated it is possible to use (typo)graphic designing as a hermeneutic tool to make explicit the 'designing' consciousness behind all literacy, yet which is not normally explicit in writing. In a society saturated with remediation e|media may enable a radical, even humanistic rhetoric of (typo)graphicality.Hosted by the Scholarly Text and Imaging Service (SETIS), the University of Sydney Library, and the Research Institute for Humanities and Social Sciences (RIHSS), the University of Sydney

Genetics and feed efficiency

International audienc

A rhetoric of e|mediated (typo)graphicacy

This paper will discuss the distinctions between e|mediated and print (typo)graphic design by which its role might be reconsidered as significantly authorial, not merely formal or technical. Reproducing meaning on-screen alters conventions and assumptions which traditionally inform print-designers' attitudes to visual organisation. Not least amongst these is the increased visual significance of wayfinding requirements. Yet comfortable assumptions about (typo)graphic design as cultural producer must also change. As an ideological, elitist tool of consumerist persuasion it is not a rigorous discipline of public service. Yet ironically, not only does it exemplify the five arts of ancient rhetoric, the communicative action of the public sphere so central to democratic participation (supplanted by the rationalist abstractions of elitist philosophic discourses), but it also stands uniquely capable of addressing the paradoxical 'fissure' at the heart of contemporary rhetorical practice: the " division of the logos into form and content" (Hariman 227). Emedia enables virtually infinite and free publication, yet within technical constraints which engender possibilities for a radically analytic deconstruction of the conventional form of discursive codex-textuality. Through both static and dynamic juxtapositioning by which oscillation between formality and function may be visually instantiated it is possible to use (typo)graphic designing as a hermeneutic tool to make explicit the 'designing' consciousness behind all literacy, yet which is not normally explicit in writing. In a society saturated with remediation e|media may enable a radical, even humanistic rhetoric of (typo)graphicality.Hosted by the Scholarly Text and Imaging Service (SETIS), the University of Sydney Library, and the Research Institute for Humanities and Social Sciences (RIHSS), the University of Sydney

Inbreeding in artificial selection programmes.

In a population under artificial selection, the effective population size may be less than the actual number of parents selected because there will be variation between families in the character under selection and consequently in the probability of selection. Expressions are developed for the magnitude of the effect, which will be greater the more intense the selection and the higher the heritability of the selected character. The inbreeding due to outstanding individuals may rise for several generations after their use