Topic Modeling and Text Analysis for Qualitative Policy Research

This paper contributes to a critical methodological discussion that has direct ramifications for policy studies: how computational methods can be concretely incorporated into existing processes of textual analysis and interpretation without compromising scientific integrity. We focus on the computational method of topic modeling and investigate how it interacts with two larger families of qualitative methods: content and classification methods characterized by interest in words as communication units and discourse and representation methods characterized by interest in the meaning of communicative acts. Based on analysis of recent academic publications that have used topic modeling for textual analysis, our findings show that different mixed‐method research designs are appropriate when combining topic modeling with the two groups of methods. Our main concluding argument is that topic modeling enables scholars to apply policy theories and concepts to much larger sets of data. That said, the use of computational methods requires genuine understanding of these techniques to obtain substantially meaningful results. We encourage policy scholars to reflect carefully on methodological issues, and offer a simple heuristic to help identify and address critical points when designing a study using topic modeling.Peer reviewe

(Re)visitando a la madre (des)naturalizada : búsquedas y encuentros entre personas adoptadas en Chile y sus madres de origen

Este artículo es resultado de los proyectos FONDECYT N°3170338 "Adopciones en Chile: la construcción de narrativas sobre los orígenes y la identidad", REDI170133 "Investigación Interdisciplinaria sobre Políticas Reproductivas y Parentales", Programa Coope-ración Internacional (PCI), ambos financiados por la Comisión Nacional de Investigación Científica y Tecnológica (CONICYT) de Chile; y del Proyecto I+D CSO2015-64551-C3-1-R "Del control de la natalidad a la ansiedad demográfica: comunicación, secreto y anonimato en las tecnologías reproductivas del siglo XXI", MINECO/FEDER.En este artículo se presentan algunos resultados de una investigación cualitativa que explora y analiza las narrativas de un grupo de personas adultas que fueron adoptadas en Chile, que han buscado sus orígenes y que han establecido contacto con sus madres de origen. En sus narrativas, las personas entrevistadas adhieren, tensionan y/o desafían los principios y discursos que conforman las políticas y prácticas adoptivas hegemónicas, resignificando de formas diversas su experiencia de adopción en el proceso de (re)construcción de sus identidades y de reorganización de sus relaciones de parentesco. Se discuten las tensiones y ambivalencias que se juegan en los procesos de búsquedas de orígenes y los desafíos asociados.This paper presents some results of a qualitative research that explores and analyzes the narratives of a group of adults who were adopted in Chile, and who have searched for their origins and made contact with their birth mothers. In their narratives, the people interviewed adhere to, strain, and/or challenge the principles and discourses that make up hegemonic adoption policies and practices, resignifying their experience of adoption in various ways, as they (re)build their identities and reorganize their kinship relationships. It discusses the tensions and ambivalences that play out in the search for origins and the challenges associated with it

Painting the Body: Feminist Musings on Visual Autographies

In this paper I look at autographical depictions of the body in the work of Mato Ioannidou, a Greek woman artist, who participated in a wider narrative-based project on visual and textual entanglements between life and art. The paper unfolds in three parts: first, I give an overview of Ioannidou’s artwork, making connections with significant events in her life; then I discuss feminist theorizations of embodiment and visual auto/biography; and finally I draw on insights from Spinozist feminist philosophers to discuss the artist’s portrayal of women’s bodies in three cycles of her work. What I argue is that the body becomes a centerpiece in the attempt to perceive connections between life and art through expressionism rather than representation