Sexualisation, or the queer feminist provocations of Miley Cyrus

Miley Cyrus has increasingly occupied debates at the centre of feminist engagements with popular culture. Evoking concerns around young women and ‘sexualisation’, Cyrus emerges as a convergent signifier of sexualised media content and the girl-at-risk. As Cyrus is repeatedly invoked in these debates, she comes to function as the bad object of young femininity. Arguing, however, that Cyrus troubles the sexualisation thesis in the provocations of her creative practice, I suggest that this contested media figure exceeds the frames through which she is read. Thus, I ask: what kinds of insights might be possible if we were to transform the terms on which we approach this figure? Considering a selection of the images and performances that constitute the Cyrus archive, this article proposes a reading of Cyrus as performative provocation. Mobilising an existing sensibility of queer feminist struggle, Cyrus emerges as a disruptive, albeit contradictory, figure. Questions of privilege, limit and possibility emerge in this discussion, as well as what constitutes feminist struggle

Introduction: Prostitution survivors speak out

For too long the global sex industry and its vested interests have dominated the prostitution debate repeating the same old line that sex work is just like any job. In large sections of the media, academia, public policy, Government and the law, the sex industry has had its way. Little is said of the damage, violation, suffering, and torment of prostitution on the body and the mind, nor of the deaths, suicides and murders that are routine in the sex industry. Prostitution Narratives: Stories of Survival in the Sex Trade refutes the lies and debunks the myths spread by the industry through the lived experiences of women who have survived prostitution. These disturbing stories give voice to formerly prostituted women who explain why they entered the sex trade. They bravely and courageously recount their intimate experiences of harm and humiliation at the hands of sex buyers, pimps and traffickers and reveal their escape and emergence as survivors. Edited by Caroline Norma and Melinda Tankard Reist, Prostitution Narratives documents the reality of prostitution revealing the cost to the lives of women and girls. Prostitution Narratives: Stories of Survival in the Sex Trade will strengthen and support the global campaign to abolish prostitution, provide solidarity and solace to those who bear its scars and hopefully help women and girls exit this dehumanising industry

Engaging with the Bailey Review: Blogging, academia and authenticity (Life before Internet porn: the golden years?)

This article reproduces and discusses a series of blog posts posted by academics in anticipation of the report on commercialisation, sexualisation and childhood, 'Letting Children Be Children' by Reg Bailey for the UK Department of Education in June 2011. The article discusses the difficulty of 'translating' scholarly work for the public in a context where 'impact' is increasingly important and the challenges that academics face in finding new ways of speaking about sex in public

Sexual subjectification and <i>Bitchy Jones's Diary</i>

This paper presents the reflections of two academics on the blog Bitchy Jones's Diary (2006-2010), particularly its considerations of dominant femininity within the UK kink communities. Weaving together excerpts from the blog with our own dialogues, we consider the potentials of such a voice from within the communities in relation to more academic explorations. Specifically we focus on the relationship between Bitchy Jones's arguments and our own understandings of limited sexualised femininities available within wider culture, the place of agency within these, and the potentials for mutual recognition within both kinky, and non-kinky, relationships

Pantomime justice: A cultural criminological analysis of 'life stage dissolution'

Adopting the perspective of cultural criminology, this paper asserts that the century-old opposition between the adolescent/youth stage and adulthood is now being challenged by a late-modern capitalist culture functioning artificially to extend the former. Using examples from across the cultural script, the paper introduces the concept of 'life stage dissolution' (and its attendant bi-directional processes of 'adultification' and 'infantilisation') to suggest it is becoming more difficult for young people to differentiate and disassociate themselves from the generation immediately ahead of them, and indeed vice versa. The result is a sort of generational mulch where shared and interchangeable cultural experiences are now the norm. The second half of the paper provides some preliminary and deliberately provocative remarks about the implications of life stage dissolution for criminology and criminal justice. This will include an analysis of emerging processes that I have termed 'pantomime justice', a useful way of understanding how crime stories today often seem to unfold as a conjoined adult-child experience in contemporary society. © 2012 The Author(s)

Life stage dissolution’ in Anglo-American advertising and popular culture: Kidults, Lil’ Britneys and Middle Youths

The ‘long road to adulthood’ that supposedly now characterizes the period from the teens to the late twenties (for individuals in developed countries) has been the subject of much recent media and academic commentary. This paper adopts a sociological perspective to review and critique this commentary, and in particular the argument made by certain developmental psychologists that the period between adolescence and fully-fledged adulthood is now distinct enough to constitute a new stage in the life cycle known as ‘emerging adulthood’. In contrast, it is argued that, rather than anything as significant as a new life stage, what is actually happening is the erosion of established ones. To illustrate this point, the article introduces the new theoretical concept of ‘life stage dissolution’ (and its attendant bi-directional processes of ‘adultification’ and ‘infantilization’) – a blurring (or more accurately merging) process that makes it increasingly difficult for young people to differentiate and disassociate themselves from the generation immediately ahead of them, and indeed vice versa. The paper argues that, whilst this process takes a number of cultural/psychosocial forms, it is at its most prominent in contemporary Anglo-American advertising and marketing practices that actively seek to erode traditionally demarcated adult and childhood roles, differences, and oppositions as a new and distinct message within contemporary consumerism