How Much Can Classifiers Be Analogous To Their Referents?

Sign Language poetry is especially valued for its presentation of strong visual images. Here, we explore the highly visual signs that British Sign Language and American Sign Language poets create as part of the \u27classifier system\u27 of their languages. Signed languages, as they create visually-motivated messages, utilise categoricity (more traditionally considered \u27language\u27) and analogy (more traditionally considered extra-linguistic and the domain of \u27gesture\u27). Classifiers in sign languages arguably show both these characteristics (Oviedo, 2004). In our discussion of sign language poetry, we see that poets take elements that are widely understood to be highly visual, closely representing their referents, and make them even more highly visual -so going beyond categorisation and into new areas of analogue

Deaf Jokes And Sign Language Humor

This paper describes the humor of Deaf communities, arguing that the humor is related primarily to the dominant visual experience of Deaf people, but also influenced by their knowledge of humor traditions in the hearing society at large. Sign language humor in America and Britain may be seen in the creation of new visual signs, the witty reanalysis of existing signs and in bilingual games in which English is manipulated within sign languages. The content of Deaf humor supports the in-group of community members who embrace their signing collective Deaf identity and denigrates out-group people, including deaf people who do not belong to the community and hearing people who are often seen as a threat to the community. Many of these jokes also make reference to sign language. We conclude that the visual nature of Deaf humor is one of its key characteristics and ask what else this can tell us about the Deaf cultural way of interacting with and presenting the world

Order Of The Major Constituents In Sign Languages: Implications For All Language

A survey of reports of sign order from 42 sign languages leads to a handful of generalizations. Two accounts emerge, one amodal and the other modal. We argue that universal pressures are at work with respect to some generalizations, but that pressure from the visual modality is at work with respect to others. Together, these pressures conspire to make all sign languages order their major constituents SOV or SVO. This study leads us to the conclusion that the order of S with regard to verb phrase (VP) may be driven by sensorimotor system concerns that feed universal grammar

Limitations On Simultaneity In Sign Language

When we converse, information is often conveyed in multiple ways. For those using spoken language, we have, besides the vocal tract, nonverbal articulators as well, including eye gaze (Hanna & Brennan 2007), gesture (Kendon 2004), facial expression (Busso & Narayanan 2007), lip pointing (Sherzer 1983), and puffed cheeks (Sherzer 1993). Likewise, for those using a sign language, we have, besides the hands, nonmanual articulators as well, including facial expressions, eye gaze, mouth, and body posture (Baker & Padden 1978). In this short report we investigate how much information can be simultaneously expressed in sign language (by counting ‘propositions’) and conclude that there are limitations. We then consider the nature of these limitations, and finish by briefly comparing the situation in spoken language to the situation in sign languages

Anthropomorphism In Sign Languages: A Look At Poetry And Storytelling With A Focus On British Sign Language

The work presented here considers some linguistic methods used in sign anthropomorphism. We find a cline of signed anthropomorphism that depends on a number of factors, including the skills and intention of the signer, the animacy of the entities represented, the form of their bodies, and the form of vocabulary signs referring to those entities. We consider four main factors that allow signers to anthropomorphize the whole range of entities (from animate to inanimate): the linguistic base that allows such play, the ability of the nonmanuals to anthropomorphize even when the manual articulators are signing in an ordinary way, the range of possibilities for both manual and nonmanual articulators when the signer engages in (almost) complete embodiment of the nonhuman character, and how nonhumans are portrayed as communicating via sign language

Deaf Children, Humor And Education Policy

Deaf children need true inclusion to learn, entailing consistent, pervasive use of visual-learning techniques. This is achieved via bilingual education policies that enforce deaf children’s rights to use sign language, permitting teachers to engage in deaf pedagogy using sign language. Educational policies advocating inclusion via an interpreter in the mainstreamed classroom create the “illusion of inclusion” (Glickman 2003). We argue that, in either case, humor can aid inclusion. Understanding humor is a developmental ability, related to cognitive, social, linguistic, and metalinguistic competence. Additionally, learning how humor is understood and expressed contributes to language mastery. However, we find little discussion of humor in deaf education. We contend that deaf students have the right to learn through humor and play, throughout school. Educational and linguistic rights policies should reflect that. Educators understand that games are important for learning at any age, and especially for the very young where play is learning, and learning is play. We offer examples of how to modify common classroom activities to extend their effectiveness to deaf children and enhance their effectiveness with hearing children, from dance making mathematical concepts visually apparent, through sign language play encouraging creativity, to mime and theatre techniques illustrating geological facts

Influence Of Predicate Sense On Word Order In Sign Languages: Intensional And Extensional Verbs

We present evidence for the influence of semantics on the order of subject, object, and verb in Brazilian Sign Language (Libras) sentences. While some have argued for a prevailing pattern of SVO in Libras, we find a strong tendency for this order in sentences that do not presuppose the existence of the verb’s object, but not in sentences that do, which instead favor SOV. These findings are coherent with those of a recent study on gesture. We argue that the variable influence of the relevant predicates is particularly salient in sign languages, due to the iconic nature of the visual modality