Ordinary lives : extraordinary narratives, the transformation of character and theme in the fiction of Carol Shields

The primary objective o f this thesis is to examine the ways in which the ordinary lives that Carol Shields describes in her fiction are transformed into extraordinary narratives. I will use three of Shields’ novels as anchor texts—The Stone Diaries Happenstance and Marv Swarm—in the sense that I will focus closely on these novels in my close textual analysis and draw from them my arguments about Shields fiction. Yet, the ideas and arguments presented here have not been based on these novels alone as the fuller context of Shields’ work —her other novels Small Ceremonies and Various Miracles as well as her poetry and short stories — have informed my opinions, as has my wider critical reading. Also, I have been assisted greatly by the opportunity to meet and interview Shields herself in Winnipeg during February 1996. In order to be able to meet my primary objective successfully, I have divided discussion into four chapters. In the first I will consider the ways in which Shields’ fiction is underscored by visual politics which challenge power relations in her texts and necessitate the inclusion of photographs, letters and other graphics, as part of the narratives. These visual components disturb the narrative and provide visual counter-narratives without destroying the original voice so multiple layers are formed. The effect o f these visual disturbances is to bring the dynamics of reading into focus as the reader begins to “read” the narrative thread presented in the visual inclusions as well as the narrative threads that are presented as written text. The challenges to traditional power relations that I identify that Shields’ makes in her fiction are continued in the second chapter. Here there will be a concentration on Shields’ narrative constructs and an attempt to come to an understanding o f the exact nature of her works’ narratological features as Shields experiments with new voices and new ways of telling. I will attempt to identify the exact voices that can be seen to exist in the polyphony of voices that her novels create and sustain. The third chapter will identify the gender dynamics at work in Shields’ fiction through the ways in which she depicts relationships between men and women, the dynamics of same sex friendships and also the ways in which familial relationships are affected by gender. Also, I will examine the ways in which Shields foregrounds a parallel male and female experience in an attempt to draw the sexes together on common ground through shared experience rather than forcing them apart with the threat of irreconcilable differences. The final chapter will examine in close detail the way in which Shields’ narratives can be seen to explode generic expectation by presenting a collage of disparate parts drawn from many disciplines, such as, art, psychology, medicine, literature and (auto) biography. This chapter primarily concentrates on (auto) biography as Shields makes huge leaps forward in manipulating this recognisable form for the benefit o f ordinary voices that have been silenced for too long. Also, (auto) biography is Shields’ favourite theme in her work and she returns to it frequently. Ultimately, Shields’ fiction aims to take the stigma away from the ordinary and commonplace aspects of life and bring a new respect and understanding to them. This thesis attempts to outline the ways in which she achieves this goal and is able to transform ordinary lives into extraordinary narratives

Report for ORR: A review of good practice in complaints handling procedures and guidance

Jane Williams - ORCID: 0000-0002-8105-0557 https://orcid.org/0000-0002-8105-0557https://www.orr.gov.uk/sites/default/files/2021-08/a-review-of-good-practice-in-complaints-handling-procedures-and-guidance.pdfhttps://www.orr.gov.uk/search-consultations/consultation-draft-complaints-code-practicepubpu

Flightlines: conversations about life with clay

Ceramics and clay can be a container of thoughts, conversations, and a range of experiences (Tilley, 2006; O’Neill, 2018). Making with ceramics, is not simply about object-based production and exhibition but allows exploration of inner life, the private, intimate, and everyday experience to become manifest. For women, it is also about generosity-juggling the strands and demands of life through collaboration, interweaving human relationships. This has resulted in the evolution of extraordinary practices which intersect themes from the studio and life such as ceramics and permaculture / trail-running / trauma / wellbeing / folklore / midwifery. Flightlines gives focus to these intersections and the nature of hospitality and open-endedness that make their exploration through clay possible. Through facilitating a series of dialogical conversations, we have gained insight into ways in which women ceramicists interweave their practice and lives in incredible ways, and through reflecting on and through these conversations, we (the group of co-authors and contributors) offer new ways forward for others

Six Researchers in Search of A Meaning In Lockdown: A Collective Essay (RN03)

‘Stay at home!’. Biographical researchers are accustomed to, and they are well equipped (methodologically) to reflect on, changing life trajectories in unprecedented circumstances. This collective essay maps our individual experiences of a lockdown (see the list of contributors at the bottom)

What did the Covid-19 pandemic reveal to deaf young people about their lives as young adults?

The Covid-19 pandemic changed the structures of communication, interaction and daily life for everyone. In this study, we examine what those changed social circumstances revealed to deaf young people about their identity, opportunities, strengths and vulnerabilities. Forty-six deaf young people aged 16–19 during the pandemic were interviewed by either deaf co-inquirers or academic researchers with a strong background in working with deaf people. Data were analysed using reflexive thematic analysis. Findings demonstrate that the mental health challenges of the times were not new to many participants but rather just more of the familiar experiences of limited contact with others. However, the circumstances spotlighted attributes deaf people had which had been hidden previously to others including resilience, digital skills and creativity. Improved educational access through digital media was positive eventually but required some self-advocacy to achieve parity.<br/