631 research outputs found

    El impacto del creacionismo en Canciones de García Lorca

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    A los creacionistas Huidobro, Diego y Larrea debe Lorca la estética, unidad temática, muchas imágenes, técnicas metafóricas y tratamiento atrevido pero respetuoso de antecesores literarios en Canciones (1927). Asombran sus choques entre tradiciones cancioneriles e imágenes “creadas”. To “creacionistas” Huidobrio, Diego and Larrea, Lorca owes esthetic bases, thematic unity, many images, metaphorical technique, and daring but respectful treatment of literary antecedents in Canciones (1927). He elicits surprise with clashes produced between “cancionero” traditions and “created” images

    El retorno a las fuentes: el hebreo bíblico en De los nombres de Cristo de fray Luis de León

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    Para fray Luis de León, el hebraísmo sirve como el principio gnoseológico que orienta su pensamiento en De los nombres de Cristo (1583). Aprovechando la concordancia informatizada del Antiguo Testamento publicada por Kohlenberger y Swanson en 1998, el presente estudio se basa en la concepción veterotestamentaria de "fuente", y muestra cómo de ella deriva fray Luis la estructura de su máxima obra filosófica en la primera edición. El principio del retorno a las fuentes posibilita además la armonización luisiana del hebreo con su propia fe postridentina. The use of Hebraisms comes to constitute a principle of knowledge which guides Fray Luis de León’s thinking in De los nombres de Cristo (1583). Employing The Hebrew-English Concordance to the Old Testament (1998) published by Kohlenberger and Swanson, who apply computers to the sacred Scriptures, the present study takes for its basis the ancient Hebrew idea of “source”, and shows how fray Luis derives from that notion the structure of his greatest philosophical work. The principle of return to the sources also makes it posi¡sible for him to harmonize the Hebrew text with his own post-Tridentine piety

    La corporalidad en Ortega y Gasset

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    2+1 gravity and Doubly Special Relativity

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    It is shown that gravity in 2+1 dimensions coupled to point particles provides a nontrivial example of Doubly Special Relativity (DSR). This result is obtained by interpretation of previous results in the field and by exhibiting an explicit transformation between the phase space algebra for one particle in 2+1 gravity found by Matschull and Welling and the corresponding DSR algebra. The identification of 2+1 gravity as a DSRDSR system answers a number of questions concerning the latter, and resolves the ambiguity of the basis of the algebra of observables. Based on this observation a heuristic argument is made that the algebra of symmetries of ultra high energy particle kinematics in 3+1 dimensions is described by some DSR theory.Comment: 8 pages Latex, no figures, typos correcte
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